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2020; info: In 1800s England, a well meaning but selfish young woman meddles in the love lives of her friends; Josh O'Connor, Johnny Flynn; Directed by: Autumn de Wilde; Countries: UK. Emma. chamberlain. The best song that I have ever hear😍😍😍.

Watch English Film Read more. Emma.`OnLinE Emma. in English. Emma. online hindi hbo 2018 watch online…. Určitě je na tebe děda hrdý ❤❤❤. Dame Emma Thompson DBE Thompson at the 2013 Toronto International Film Festival Born 15 April 1959 (age 60) Paddington, London, England Alma mater Newnham College, Cambridge Occupation Actress screenwriter activist author comedian Years active 1982–present Spouse(s) Kenneth Branagh ( m.  1989; div.  1995) Greg Wise ( m.  2003) Children 2 Parent(s) Eric Thompson Phyllida Law Relatives Sophie Thompson (sister) Awards Full list Emma Thompson's voice from the BBC programme The Film Programme, 28 November 2013. [1] Dame Emma Thompson DBE [2] (born 15 April 1959) is a British actress, screenwriter, activist, author, and comedian. One of Britain's most acclaimed actresses, she often portrays enigmatic and matronly characters with a sense of wit, frequently in period dramas and literary adaptations. She is the recipient of numerous accolades, including two Academy Awards, a Primetime Emmy Award, three BAFTA Awards, and two Golden Globe Awards. Born in London to English actor Eric Thompson and Scottish actress Phyllida Law, Thompson was educated at Newnham College, University of Cambridge, where she became a member of the Footlights troupe. After appearing in several comedy programmes, she came to prominence in 1987 in two BBC TV series, Tutti Frutti and Fortunes of War, winning the BAFTA TV Award for Best Actress for her work in both series. Her first film role was in the 1989 romantic comedy The Tall Guy. In the early 1990s, she often collaborated with her then-husband, actor and director Kenneth Branagh. The pair became popular in the British media and co-starred in several films, including Dead Again (1991) and Much Ado About Nothing (1993). In 1992, Thompson won an Academy Award and a BAFTA Award for Best Actress for the period drama Howards End. In 1993, she garnered dual Academy Award nominations for her roles in The Remains of the Day as the housekeeper of a grand household and In the Name of the Father as a lawyer. Thompson scripted and starred in Sense and Sensibility (1995), which earned her numerous awards, including an Academy Award for Best Adapted Screenplay, which makes her the only person to receive Academy Awards for both acting and writing, and a BAFTA Award for Best Actress. In 2013, she received acclaim and several award nominations for her portrayal of author P. L. Travers in Saving Mr. Banks. Other notable film and television credits include the Harry Potter film series (2004–2011), Wit (2001), Love Actually (2003), Angels in America (2003), Nanny McPhee (2005), Stranger than Fiction (2006), Last Chance Harvey (2008), Men in Black 3 (2012), and the sequel Men in Black: International (2019), Brave (2012), Beauty and the Beast (2017), Late Night ( 2019), and the BBC/HBO series Years and Years (2019). Thompson is married to actor Greg Wise, with whom she lives in London. They have one daughter. She is an activist in the areas of human rights and environmentalism [3] and has received criticism for her outspokenness. She has written two books adapted from The Tale of Peter Rabbit. She was appointed a Dame Commander of the Order of the British Empire (DBE) in the 2018 Birthday Honours by Elizabeth II for her services to drama. Early life [ edit] Thompson was born in Paddington, [4] [a] London, on 15 April 1959. [6] Her mother is the Scottish actress Phyllida Law, while her English father, Eric Thompson, was involved in theatre, and was the writer–narrator of the popular children's television series The Magic Roundabout. [7] [8] Her godfather was the director and writer Ronald Eyre. [9] [10] She has one sister, Sophie Thompson, who also works as an actress. [7] The family lived in West Hampstead in north London, [8] and Thompson was educated at Camden School for Girls. [11] She spent much time in Scotland during her childhood and often visited Ardentinny, where her grandparents and uncle lived. [12] In her youth, Thompson was intrigued by language and literature, a trait which she attributes to her father, who shared her love of words. [13] After successfully taking A levels in English, French and Latin, [14] and securing a scholarship, [15] she began studying for an English degree at Newnham College, Cambridge, [16] arriving in 1977. Thompson believes that it was inevitable that she would become an actress, commenting that she was "surrounded by creative people and I don't think it would ever have gone any other way, really". [17] While there, she had a "seminal moment" that turned her to feminism and inspired her to take up performing. She explained in an interview in 2007 how she discovered the book The Madwoman in the Attic, "which is about Victorian female writers and the disguises they took on in order to express what they wanted to express. That completely changed my life. " [18] She became a self-professed "punk rocker", [19] with short red hair and a motorbike, and aspired to be a comedian like Lily Tomlin. [18] At Cambridge, Thompson was invited into Footlights, the university's prestigious sketch comedy troupe, by its president, Martin Bergman, [20] becoming its first female member. [21] Also in the troupe were fellow actors Stephen Fry and Hugh Laurie, and she had a romantic relationship with the latter. [22] Fry recalled that "there was no doubt that Emma was going the distance. Our nickname for her was Emma Talented. " [23] In 1980, Thompson served as the Vice President of Footlights, [24] and co-directed the troupe's first all-female revue, Woman's Hour. [20] The following year, Thompson and her Footlights team won the Perrier Award at the Edinburgh Festival Fringe for their sketch show The Cellar Tapes. [25] Thompson graduated with upper second-class honours. [26] In 1982, Thompson's father died as a result of circulatory problems at the age of 53. [7] The actress has commented that this "tore [the family] to pieces", [27] and "I can't begin to tell you how much I regret his not being around". [28] She added, "At the same time, it's possible that were he still alive I might never have had the space or courage to do what I've done... I have a definite feeling of inheriting space. And power. " [28] Acting career [ edit] 1980s: Breaking through [ edit] Thompson had her first professional role in 1982, touring in a stage version of Not the Nine O'Clock News. [6] She then turned to television, where much of her early work came with her Footlights co-stars Hugh Laurie and Stephen Fry. The regional ITV comedy series There's Nothing To Worry About! (1982) was their first outing, followed by the one-off BBC show The Crystal Cube (1983). [29] There's Nothing to Worry About! later returned as the networked sketch show Alfresco (1983–84), which ran for two series with Thompson, Fry, Laurie, Ben Elton, and Robbie Coltrane. [6] [29] She later collaborated again with Fry and Laurie on the acclaimed BBC Radio 4 series Saturday Night Fry (1988). In 1985, Thompson was cast in the West End revival of the musical Me and My Girl, co-starring Robert Lindsay. It provided a breakthrough in her career, as the production earned rave reviews. [6] [30] She played the role of Sally Smith for 15 months, which exhausted the actress; she later remarked "I thought if I did the fucking " Lambeth Walk " one more time I was going to fucking throw up. " [23] At the end of 1985, she wrote and starred in her own one-off special for Channel 4, Emma Thompson: Up for Grabs. [31] Thompson achieved another breakthrough in 1987, [6] when she had leading roles in two television miniseries: Fortunes of War, a World War II drama co-starring Kenneth Branagh, and Tutti Frutti, a dark-comedy about a Scottish rock band with Robbie Coltrane. [30] For these performances, Thompson won the British Academy Television Award for Best Actress. [32] The following year, she wrote and starred in her own sketch comedy series for BBC, Thompson, but this was poorly received. [33] In 1989, she and Branagh—who had formed a romantic relationship—starred in a stage revival of Look Back in Anger, directed by Judi Dench and produced by Branagh's Renaissance Theatre Company. [30] [34] Later that year, the pair starred in a televised version of the play. [6] [34] Thompson's first cinema appearance came in the romantic comedy The Tall Guy (1989), the feature-film debut from screenwriter Richard Curtis. [30] It starred Jeff Goldblum as a West End actor, and Thompson played the nurse with whom he falls in love. The film was not widely seen, [35] but Thompson's performance was praised in The New York Times, where Caryn James called her "an exceptionally versatile comic actress". [36] She next turned to Shakespeare, appearing as Princess Katherine in Branagh's screen adaptation of Henry V (1989). The film was released to great critical acclaim. [37] 1990–1993: A leading British actress [ edit] Thompson and Branagh are considered by American writer and critic James Monaco to have led the "British cinematic onslaught" in the 1990s. [38] She continued to experiment with Shakespeare in the new decade, appearing with Branagh in his stage productions of A Midsummer Night's Dream and King Lear. [30] [34] Reviewing the latter, the Chicago Tribune praised her "extraordinary" performance of the "hobbling, stooped hunchback Fool ". [39] Thompson returned to cinema in 1991, playing a "frivolous aristocrat" [6] in Impromptu with Judy Davis and Hugh Grant. [40] and Thompson was nominated for Best Supporting Female at the Independent Spirit Awards. [41] Her second release of 1991 was another pairing with Branagh, who also directed, in the Los Angeles-based noir Dead Again. She played a woman who has forgotten her identity. [42] Early in 1992, Thompson had a guest role in an episode of Cheers as Frasier Crane 's first wife. [43] A turning point in Thompson's career [30] came when she was cast opposite Anthony Hopkins and Vanessa Redgrave in the Merchant Ivory period drama Howards End (1992), based on the novel by E. M. Forster. The film explored the social class system in Edwardian England, with Thompson playing an idealistic, intellectual, forward-looking woman who comes into association with a privileged and deeply conservative family. She actively pursued the role by writing to director James Ivory, who agreed to an audition and then gave her the part. [44] According to the critic Vincent Canby, the film allowed Thompson to "[come] into her own", away from Branagh. [45] Upon release, Roger Ebert wrote that she was "superb in the central role: quiet, ironic, observant, with steel inside". [46] Howards End was widely praised, [47] a "surprise hit", [48] and received nine Academy Award nominations. [49] Among its three wins was the Best Actress trophy for Thompson, who was also awarded a Golden Globe and BAFTA for her performance. [6] Reflecting on the role, The New York Times writes that the actress "found herself an international success almost overnight". [6] For her next two films, Thompson returned to working with Branagh. In Peter's Friends (1992), the pair starred with Stephen Fry, Hugh Laurie, Imelda Staunton, and Tony Slattery as a group of Cambridge alumni who are reunited ten years after graduating. The comedy was positively reviewed, [50] and Desson Howe of The Washington Post wrote that Thompson was its highlight: "Even as a rather one-dimensional character, she exudes grace and an adroit sense of comic tragedy. " [51] She followed this with Branagh's screen version of Much Ado About Nothing (1993). The couple starred as Beatrice and Benedick, alongside a cast that also included Denzel Washington, Keanu Reeves, and Michael Keaton. Thompson was widely praised for the on-screen chemistry with Branagh and the natural ease with which she played the role [52] [53] marking another critical success for Thompson. [54] Her performance earned a nomination for Best Female Lead at the Independent Spirit Awards. [41] Thompson reunited with Merchant–Ivory and Anthony Hopkins to film The Remains of the Day (1993), a film which has been described as a "classic" and the production team's definitive film. [55] [56] Based on Kazuo Ishiguro 's novel about a housekeeper and butler in interwar Britain, the story is acclaimed for its study of loneliness and repression, though Thompson was particularly interested in looking at "the deformity that servitude inflicts upon people", since her grandmother had worked as a servant and made many sacrifices. [57] She has named the film as one of the greatest experiences of her career, considering it to be a "masterpiece of withheld emotion". [58] The Remains of the Day was a critical and commercial success, [55] receiving eight Oscar nominations, including Best Picture and a second Best Actress nod for Thompson. [59] Along with her Best Actress nomination at the 66th Academy Awards, Thompson was also nominated in the Best Supporting Actress category, making her the eighth performer in history to be nominated for two Oscars in the same year. [60] It came for her role as the lawyer Gareth Peirce in In the Name of the Father (1993), a drama about the Guildford Four starring Daniel Day-Lewis. The film was her second hit of the year, earning $65   million and critical praise, and was nominated for Best Picture along with The Remains of the Day. [61] [62] 1994–1998: Sense and Sensibility and Hollywood roles [ edit] In 1994, Thompson made her Hollywood debut playing a goofy doctor alongside Arnold Schwarzenegger and Danny DeVito in the blockbuster Junior. Although the male pregnancy storyline was poorly received by most critics and flopped at the box office, [63] Mick LaSalle of the San Francisco Chronicle praised the lead trio. [64] She returned to independent cinema for a lead role in Carrington, which studied the platonic relationship between artist Dora Carrington and writer Lytton Strachey (played by Jonathan Pryce). Roger Ebert remarked that Thompson had "developed a specialty in unrequited love", [65] and the TV Guide Film & Video Companion commented that her "neurasthenic mannerisms, which usually drive us batty, are appropriate here". [66] Thompson's Academy success continued with Sense and Sensibility (1995), generally considered to be the most popular and authentic of the numerous film adaptations of Jane Austen 's novels made in the 1990s. [67] [68] [69] Thompson—a lifelong lover of Austen's work—was hired to write the film based on the period sketches in her series Thompson. [70] She spent five years developing the screenplay, [71] and took the role of the spinster sister Elinor Dashwood despite, at age 35, being 16 years older than the literary character. [72] Directed by Ang Lee and co-starring Kate Winslet, Sense and Sensibility received widespread critical praise and ranks among the highest-grossing films of Thompson's career. [73] [74] Shelly Frome remarked that she displayed a "great affinity for Jane Austen's style and wit", [75] and Graham Fuller of Sight and Sound saw her as the film's auteur. [76] Thompson received a third nomination for Best Actress and won the award for Best Adapted Screenplay, making her the only person in history to win an Oscar for both acting and screenwriting. [77] She also earned a second BAFTA Award for Best Actress and a Golden Globe Award for Best Screenplay. [6] Thompson was absent from screens in 1996, but returned the following year with Alan Rickman 's directorial debut, The Winter Guest. Set over one day in a Scottish seaside village, the drama allowed Thompson and her mother (Phyllida Law) to play mother and daughter on screen. [78] She then returned to America to appear in an episode of Ellen, and her self-parodying performance received a Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series. [30] [79] For her second Hollywood role, Thompson starred with John Travolta in Mike Nichols 's Primary Colors (1998), playing a couple based on Bill and Hillary Clinton. [80] Thompson's character, Susan, is described as that of an "ambitious, long-suffering wife" who has to deal with her husband's infidelity. [81] The film was critically well received but lost money at the box office. [82] [83] According to Kevin O'Sullivan of the Daily Mirror, Americans were "blown away" by her performance and accent, and top Hollywood producers became increasingly interested in casting her. [84] Thompson rejected many of the offers, expressing concerns about living in Los Angeles behind walls with bodyguards, and stated "LA is lovely as long as you know you can leave". She also admitted to feeling tired and jaded with the industry at this point, which influenced her decision to leave film for a year. [85] Thompson followed Primary Colors by playing an FBI agent opposite Rickman in the poorly received thriller Judas Kiss (1998). [86] 2000s: Smaller roles [ edit] When she became a mother in 1999, Thompson made a conscious decision to reduce her workload, and in the following years many of her appearances were supporting roles. [57] [87] She was not seen on screen again until 2000, with only a small part in the British comedy Maybe Baby, which she appeared in as a favour to its director, her friend Ben Elton. [88] For the HBO television film Wit (2001), however, Thompson happily took the lead role in what she felt was "one of the best scripts to have come out of America". [89] Adapted from Margaret Edson 's Pulitzer Prize winning play, it focuses on a self-sufficient Harvard University professor who finds her values challenged when she is diagnosed with ovarian cancer. Thompson was instrumental in bringing Mike Nichols to direct the project, and the pair spent months in rehearsal to get the complex character right. [90] She was greatly drawn to the "daredevil" role, [91] for which she had no qualms about shaving her head. [92] Reviewing the performance, Roger Ebert was touched by "the way she struggles with every ounce of her humanity to keep her self-respect", and in 2008 he called it Thompson's finest work. [93] Caryn James of The New York Times also described it as "one of her most brilliant performances", adding "we seem to be peering into a soul as embattled as its body. " [94] The film earned Thompson nominations at the Golden Globes, Emmys and Screen Actors Guild Awards. Thompson's only credit of 2002 was a vocal performance in Disney 's Treasure Planet, an adaptation of Treasure Island, where she voiced Captain Amelia. The animation earned far less than its large budget and was considered a "box office disaster". [95] This failure was countered the following year by one of Thompson's biggest commercial successes, Richard Curtis 's romantic comedy Love Actually. [74] As part of an ensemble cast that included Liam Neeson, Keira Knightley, and Colin Firth, she played a middle-class wife who suspects her husband (played by Alan Rickman) of infidelity. The scene in which her stalwart character breaks down was described by one critic as "the best crying on screen ever", [57] and in 2013, Thompson mentioned that she gets commended for this role more than any other. [96] She explained, "I've had so much bloody practice at crying in a bedroom then having to go out and be cheerful, gathering up the pieces of my heart and putting them in a drawer. " [97] Her performance received a BAFTA nomination for Best Supporting Actress. [98] Thompson continued with supporting roles in the 2003 drama Imagining Argentina, where she played a dissident-journalist abducted by the country's 1970s dictatorial regime. Antonio Banderas played the husband who tries to find her, in a film that most critics disliked. [99] The film was booed and jeered at when it was screened at the Venice Film Festival and received a scathing article in The Guardian. [100] Thompson had greater success that year when she worked with HBO for a second time in the acclaimed miniseries Angels in America (2003). [30] The show, also featuring Al Pacino and Meryl Streep, dealt with the AIDS epidemic in Reagan -era America. Thompson played three roles – a nurse, a homeless woman, and the title role of The Angel of America – and was again nominated for an Emmy Award. [79] In 2004, she played the eccentric Divination teacher Sybill Trelawney in the third Harry Potter film, the Prisoner of Azkaban, her character described as a "hippy chick professor who teaches fortune-telling". [101] She later reprised her role in the Order of the Phoenix (2007) and the Deathly Hallows – Part 2 (2011), [30] and has called her time on the popular franchise "great fun". [57] " Nanny McPhee, it took nine years to make that movie, from the moment I picked up the book to the moment we walked into the movie theatre... the [films] were labours of great love and commitment. " —Thompson on Nanny McPhee and its sequel, which she wrote and starred in. [57] The year 2005 saw the release of a project Thompson had been working on for nine years. [57] Loosely based on the Nurse Matilda stories that she read as a child, Thompson wrote the screenplay for the children's film Nanny McPhee  – which centres on a mysterious, unsightly nanny who must discipline a group of children. She also took the lead role, alongside Colin Firth and Angela Lansbury, in what was a highly personal project. [57] [102] The film was a success, taking number one at the UK box office and earning $122   million worldwide. [103] [104] Commenting on Thompson's screenplay, film critic Claudia Puig wrote that its "well-worn storybook features are woven effectively into an appealing tale of youthful empowerment". [105] The following year, Thompson appeared in the surreal American comedy–drama Stranger than Fiction, playing a novelist whose latest character (played by Will Ferrell) is a real person who hears her narration in his head. Reviews for the film were generally favourable. [106] Following a brief, uncredited role in the post-apocalyptic blockbuster I Am Legend (2007), [107] Thompson played the devoutly Catholic Lady Marchmain in a 2008 film adaptation of Brideshead Revisited. Critics were unenthusiastic about the film, [108] but several picked Thompson out as its highlight. [109] [110] Mark Kermode said "Emma Thompson is to some extent becoming the new Judi Dench, as the person who kind of comes in for 15 minutes and is brilliant... [but then] when she goes away, the rest of the movie has a real problem living up to the wattage of her presence". [111] Thompson was further acclaimed for her work in the London-based romance Last Chance Harvey (2008), where she and Dustin Hoffman played a lonely, middle-aged pair who cautiously begin a relationship. Critics praised the chemistry between the two leads, and both received Golden Globe nominations for their performances. [112] [113] Thompson's two 2009 films were both set in 1960s England, and in both she made cameo appearances: as a headmistress in the critically praised drama An Education [114] and as a "tippling mother" in Richard Curtis's The Boat that Rocked. [115] 2010s: Veteran performer [ edit] Five years after the original, Thompson returned to Nanny McPhee with 2010's Nanny McPhee and the Big Bang. Her screenplay transported the story to Britain during World War II. Building on the first film's success, it was another UK box office number one and the sequel was widely seen as an improvement. [116] [117] The same year, Thompson reunited with Alan Rickman for the BBC television film The Song of Lunch, which focused on two unnamed characters meeting at a restaurant 15 years after ending their relationship. [118] Thompson's performance earned her a fourth Emmy Award nomination. [79] In 2012, Thompson made a rare appearance in a big-budget Hollywood film [57] when she played the head Agent in Men in Black 3  – a continuation of the popular sci-fi comedy franchise starring Will Smith and Tommy Lee Jones. With a worldwide gross of $624   million, MIB3 is Thompson's biggest commercial hit outside of the Harry Potter films. [74] This mainstream success continued with the Pixar film Brave, in which Thompson voiced Elinor – the Scottish queen despairing at her daughter's defiance against tradition. [30] It was her second consecutive blockbuster release, and critics were generally kind to the film. [74] [119] Also in 2012, Thompson played Queen Elizabeth II in an episode of Playhouse Presents, which dramatised an incident in 1982 when an intruder broke into the Queen's bedroom. [120] Her first film of 2013 was the fantasy romance Beautiful Creatures, in which she played an evil mother. The film aimed to capitalise on the success of The Twilight Saga, but was poorly reviewed and a box office disappointment. [121] [122] Film critic Peter Travers was critical of Thompson's performance and "outrageously awful Southern accent", and feared "the damage this crock may do to [her] reputation". [123] Conversely, her next appearance was so successful that it led one journalist to write "Emma Thompson is back, firing on all cylinders. " [124] Saving Mr. Banks depicted the making of Mary Poppins, and starred Thompson as P. L. Travers, curmudgeonly author of the source novel. The actress considered it to be the best script she had read in years and was delighted to be offered the role. She considered it to be the most challenging of her career because she had "never really played anyone quite so contradictory or difficult before", but found the inconsistent and complicated character "a blissful joy to embody". [57] [125] The film was well-received, grossed $112   million worldwide, and Thompson's performance garnered critical acclaim. [124] [126] The review in The Independent expressed thanks that her "playing of Travers is so deft that we instantly warm to her, and forgive her her snobbery", [127] while Total Film ' s critic felt that Thompson brought depth to the "predictable" film with "her best performance in years". [128] Thompson was nominated for Best Actress at the BAFTAs, SAGs and Golden Globes, and received the Lead Actress trophy from the National Board of Review. Her Angels in America co-star Meryl Streep stated that she was "shocked" over Thompson's failure to receive an Academy Award nomination for the film. [129] The romantic-comedy The Love Punch (2013) gave Thompson her second consecutive leading role, where she played half of a divorced couple who reunite to steal the man's ex-boss's jewellery. [130] In March 2014, she made her first stage appearance in 24 years – and her New York debut – in a Lincoln Center production of Sweeney Todd: The Demon Barber of Fleet Street. She appeared in the musical for five nights, and her "playful" performance of Mrs Lovett was highly praised; the critic Kayla Epstein wrote that she "not only held her own against more experienced vocalists, but wound up running off with the show". [131] She received her sixth Emmy nomination for the televised version of the show. [132] In 2014, Thompson provided the narration for the film Men, Women & Children, [133] The period drama Effie Gray, a project that she had been working on for many years, based on the true-life story of John Ruskin 's disastrous marriage, was written by Thompson but became the subject of a copyright suit before being cleared for cinemas. The American playwright Gregory Murphy said that Thompson's screenplay was an infringement on his play and screenplay The Countess, which he claimed he had submitted to Thompson through a mutual friend in 2003 to consider the role of Elizabeth Eastlake in a proposed film of his play, and to Thompson's husband Greg Wise through a casting director to consider the role of John Ruskin in the play's 2005 West End production. [134] In 2008, Thompson announced that she and Wise "had written a script together about John Ruskin, the Victorian art critic, which we want to make into a film. " [135] After meeting with Thompson and her producers, Potboiler Productions, Murphy was offered a screenwriting fee and co-screenwriting credit with Thompson in settlement of his claim. [136] This settlement offer was later abandoned by Thompson, Greg Wise and their partner Donald Rosenfeld, when their company Sovereign Films took over production of the film and instigated the suit, creating the independent entity Effie Film, LLC, spearheaded by Rosenfeld, to litigate it. [137] [138] In March 2013, District Court Judge Thomas P. Griesa, after allowing Thompson to submit a second revised screenplay into evidence from which Murphy claimed "some of the most troubling material" had been removed, [139] ruled that while there were similarities, the screenplays were "quite dissimilar in their two approaches to fictionalising the same historical events". [140] [141] In response to Murphy's attorney's concerns that the completed film Effie Gray would not adhere to Thompson's second revised screenplay, Judge Griesa concluded his ruling by saying that Thompson's film would not infringe Murphy's play or screenplay "only to the extent that it does not substantially deviate from the November 29, 2011 screenplay, " the date of Thompson's second revised screenplay. [142] In May 2013, Effie Gray's Cannes Film Festival premiere was cancelled. In October 2013, the film was withdrawn from the Mill Valley Film Festival in California due to "unforeseen circumstances" according to producer Rosenfeld. [143] [144] In December 2013, Thompson said of the still unreleased Effie Gray that its "time has probably passed, " comparing it to another project of hers that "didn't happen either. " [145] Effie Gray was released in October 2014, to a modest reception. [146] Thompson plays Elizabeth Eastlake and Greg Wise plays John Ruskin. They both declined to promote the film. [147] [148] Camilla Long, reviewing Effie Gray in The Sunday Times, wrote "nothing fits together" and "no one seems to know why they made this film. Where is Thompson's passion and commitment, or any hint of what she intended to achieve. " [149] Manohla Dargis in her review in The New York Times called Effie Gray "The cinematic equivalent of a Brazilian wax, the movie omits much of the story's most interesting material to create something that's been smoothly denatured. " [150] Thompson's first film of 2015 was A Walk in the Woods, a comedy adapted from the book by Bill Bryson. She next starred in The Legend of Barney Thomson. Her role was a 77-year-old foul-mouthed, chain-smoking, Glaswegian former prostitute, the mother of the title character. Neither film was a critical success, although the latter received some positive reviews and Empire magazine wrote that Thomson was "unforgettable". [151] [152] [153] Later that year, she had a supporting role in the restaurant-based film Burnt. In 2016, she starred in the World War II-drama Alone in Berlin, based on the story of Otto and Elise Hampel. She also co-wrote the screenplay for Bridget Jones's Baby and appeared in the film as a doctor. In 2017, Thompson appeared as Mrs. Potts (played by Angela Lansbury in the 1991 animated film) in Disney 's live-action adaptation of Beauty and the Beast, directed by Bill Condon and starring her Harry Potter co-star Emma Watson in the lead role. [154] It grossed $1. 2   billion worldwide, making it the 15th highest-grossing film of all time. She also had a supporting role as a hippy in the Noah Baumbach -directed dramedy The Meyerowitz Stories, which played in competition at Cannes and received critical acclaim. [155] She followed it with a starring role in the film The Children Act, a drama about a family who refuse cancer treatment for their son based on religious beliefs. She had a cameo role as Queen Elizabeth I in the 2017 Christmas special of the BBC sitcom Upstart Crow. In 2018, she provided the voiceover for Greenpeace 's palm-oil awareness commercial which Iceland picked to promote as their 2018 Christmas advertisement. The commercial was rejected by the advertising organization Clearcast due to Greenpeace's alleged involvement in politics, thus violating their code of conduct. [156] [157] In 2019, Thompson starred in a leading role in Late Night, which was written by Mindy Kaling (who also co-starred in that film) and featured her as a popular TV host who hires a new writer to keep the show from getting replaced. [158] The film received positive reviews, with Thompson being singled out for praise, and Owen Gleiberman of Variety remarked that "Thompson truly seems like a born talk-show host. Even when she's just riffing, she grounds Late Night in something real. " [159] She was nominated for a Golden Globe Award for Best Actress – Motion Picture Comedy or Musical for her performance. [160] In the same year, she voiced as the Yeti Elder in the stop-motion animated film Missing Link, reprised her role as Agent O in a more substantial part in Men in Black: International, and co-produced and co-starred in the festive romantic comedy Last Christmas which was based on the song of the same name by George Michael, and was written by Thompson, her husband Greg Wise, and Bryony Kimmings. [161] Reception and acting style [ edit] Thompson is widely regarded as one of the finest actresses of her generation [162] [163] and one of Britain's most recognisable actresses, accepted in Hollywood. [164] [165] Early in her career, when she was closely associated with her first husband Kenneth Branagh, she was somewhat unpopular and considered a " luvvy ". [165] The public warmed to her after the separation, and she became one of the key actresses of the 1990s. [165] [166] Her status has continued to grow; in 2008, journalist Sarah Sands stated that Thompson has improved with age and experience, [163] and Mark Kermode said of her performances, "There is something about her which is — you just trust her. You just think 'I'm in proper hands here. '... She's up there with the great, I mean really great, British female performers". [111] "I am an instinctive actress. I don't have technique because I never learnt any. I do the cerebral bit before I start. Then I just let it be. I allow whatever rises to rise naturally. You are tricking your subconscious. I work from the inside out. " – Thompson on her approach to acting [167] Thompson is particularly known for playing reticent women, [168] and Sands describes her as "the best actress of our times on suffering borne with poignant dignity". [163] According to Kate Kellaway of The Guardian, she specialises in playing "a good woman in a frock". [167] She also plays many haughty characters, with a "bracing, nanny-like demeanour", [23] but she is noted for her ability to win the empathy of audiences. [120] [168] Thompson belongs to a group of highly decorated British actresses including Judi Dench, Kate Winslet and Helena Bonham Carter who are known for appearing in " heritage films " and typically showing "restraint, rendering emotions through intellect rather than feelings, and a sense of irony, which demonstrates the heroine's superior understanding". [169] [170] Projecting a typically "British image", [165] Thompson's often dogmatic and tight-jawed manner has also been compared to that of Maggie Smith. [171] With a background in comedy, Thompson's performances are typically delivered with an ironic touch. Ang Lee, director of Sense and Sensibility stated that Thompson's comedic approach may be her greatest asset as an actress, remarking, "Emma is an extremely funny lady. Like Austen, she's laughing at her own culture while she's a part of it. " [171] Thompson has stated that the "most moving things are often also funny, in life and in art" which is present in her film work. [17] She often brings her real personality to her roles, and Kellaway believes that her lack of conventional beauty contributes to her likeability as an actress. [163] [167] Personal life [ edit] Thompson, although born in London, has stated she feels Scottish: "not only because I am half Scottish but also because I've spent half my life here". [12] She frequently returns to Scotland and visits Dunoon in Argyll and Bute, where she owns a home. Thompson's first husband was the actor and director Kenneth Branagh, whom she met in 1987 while filming the television series Fortunes of War. [172] The couple married in 1989 and proceeded to appear in several films together, with Branagh often casting her in his own productions. [173] Dubbed a "golden couple" by the British media, [172] the relationship received considerable press interest. [8] The pair attempted to keep their relationship private, refusing to be interviewed or photographed together. [174] In September 1995, Thompson and Branagh announced that they had separated; their statement to the press blamed their work schedules, but it later emerged that he was having an affair with actress Helena Bonham Carter. [97] Thompson was living alone as the relationship with Branagh deteriorated, and became clinically depressed. [27] While filming Sense and Sensibility in 1995, she began a relationship with her co-star Greg Wise. Commenting on how she was able to overcome her depression, she told BBC Radio 4, "Work saved me and Greg saved me. He picked up the pieces and put them together again. " [27] The couple have a daughter, Gaia, a pregnancy that was achieved through IVF treatment when Thompson was 39. [8] In 2003, Thompson and Wise were married in Dunoon. [175] The family's permanent residence is in West Hampstead, London, on the same road as her childhood home. [8] Also in 2003, Thompson and her husband informally adopted a Rwandan orphan and former child soldier named Tindyebwa Agaba. They met at a Refugee Council event when he was 16, and she invited him to spend Christmas at their home. [8] "Slowly", Thompson has commented, "he became a sort of permanent fixture, came on holiday to Scotland with us, became part of the family. " [176] Agaba became a British citizen in 2009. [177] Views and activism [ edit] Thompson has said of her religious views: I'm an atheist... I regard religion with fear and suspicion. It's not enough to say that I don't believe in God. I actually regard the system as distressing: I am offended by some of the things said in the Bible and the Qur'an and I refute them. [178] She is politically liberal and a supporter of the Labour Party; she told the BBC Andrew Marr Show in 2010 that she had been a member of the party "all my life". [179] Thompson endorsed Jeremy Corbyn 's campaign in both the 2015 [180] and 2016 Labour Party leadership elections. [181] She has also expressed support for the Women's Equality Party. [182] Thompson has been a campaigner since her youth. [183] Since becoming a public figure she has regularly voiced her views and been involved in many issues, prompting criticism that she is overly outspoken. [183] In 2010, The Daily Telegraph asked: "Emma Thompson: a national treasure or Britain's most annoying woman? " [184] She has justified her assertiveness by saying, "what I feel is that we all need to speak up and a woman who has got a louder voice needs to shout very loudly indeed. " [183] She is particularly active in human rights work. [167] As an ambassador for the charity ActionAid she has travelled to Uganda, Mozambique, Ethiopia, Liberia, Burma and South Africa. [185] She is chair of the Helen Bamber Foundation for the Care of Victims of Torture, [186] a patron of the Refugee Council, [187] and has a therapy room in her office for traumatised refugees. [167] Thompson is also an activist for Palestinians, having been a member of the British-based ENOUGH! coalition that seeks to end the "Israeli occupation of the Gaza Strip and West Bank". [188] She is a patron of the Elton John AIDS Foundation, [189] and in 2009 Time named her a "European Hero" in recognition of "her work to highlight the plight of AIDS sufferers in Africa". [183] Thompson is also an active environmentalist. She is a supporter of Greenpeace, and in January 2009, as part of her campaign against climate change, she and three other members of the organisation bought land near the village of Sipson to deter the building of a third runway for Heathrow Airport. [190] In August 2014, Thompson and her daughter, Gaia, went on a Greenpeace " Save the Arctic " expedition to raise awareness of the dangers of drilling for oil. [191] She narrated The Real News Network 's The Doubt Machine: Inside the Koch Brothers' War on Climate Science, a documentary short about Koch Industries and its efforts to discredit climate research. [192] The film was released on 31 October 2016. In 2019, she supported the London Extinction Rebellion rally against climate change, although she received some criticism for having flown 8, 700 kilometres (5, 400 mi) to attend it. [193] She is also an ambassador for the Galapagos Conservation Trust. [194] Books [ edit] Thompson with the award she was given during the "Presentation of the Crystal Award" at the Annual Meeting 2008 of the World Economic Forum in Davos, Switzerland in January 2008 In 2012, Thompson wrote The Further Tale of Peter Rabbit [195] [196] as an addition to the Peter Rabbit series by Beatrix Potter to commemorate the 110th anniversary of the publication of The Tale of Peter Rabbit. She was approached by the publishers to write it, the first authorised Peter story since 1930 and the only one not written by Potter. [195] The book falls in the middle of the earlier series, rather than at the end, and takes Peter Rabbit outside of Mr. McGregor's garden and into Scotland. It was a New York Times Best Seller. [197] In 2013, Thompson wrote a second book in the series titled The Christmas Tale of Peter Rabbit. [197] In 2018, Thompson said she would like to write about 'what it's like being human now'. [198] Filmography [ edit] Awards and honours [ edit] Thompson was appointed Dame Commander of the Order of the British Empire (DBE) in the 2018 Birthday Honours for services to drama. [2] Notes [ edit] ^ The England and Wales Birth Registration Index, which states Thompson's mother's maiden name as Law, cites Hammersmith as her birthplace, [5] but most sources indicate that it was Paddington. [4] [6] References [ edit] ^ "Emma Thompson". The Film Programme. 28 November 2013. BBC Radio 4. Retrieved 18 January 2014. ^ a b "Dalglish and Thompson head honours list". BBC News. 8 June 2018. Retrieved 11 June 2018. ^ "Actress Emma Thompson joins climate protest in London's Oxford Circus".. Retrieved 23 April 2019. ^ a b Jepson, Tim; Porges, Larry (4 November 2014). National Geographic London Book of Lists: The City's Best, Worst, Oldest, Greatest, and Quirkiest. National Geographic Society. p. 15. ISBN   978-1-4262-1385-4. ^ "Emma Thompson". The England and Wales Birth Registration Index. Retrieved 16 October 2015 – via ^ a b c d e f g h i j k "Emma Thompson". All Media Guide / Rovi via The New York Times. Retrieved 12 October 2013. ^ a b c Grice, Elizabeth (23 February 2013). "Phyllida Law: my mother's dementia had its funny side". The Telegraph. Retrieved 14 September 2013. ^ a b c d e f Moorhead, Joanna (20 March 2010). "Emma Thompson: 'Family is about connection ' ". The Guardian. Retrieved 14 September 2013. ^ Thompson, Emma (19 September 2005). "Beneath the skin". Retrieved 5 March 2014. ^ "Emma Thompson: A Life in Pictures". BAFTA Guru. 24 November 2013. Retrieved 17 August 2015. ^ Kellaway, Kate (16 October 2005). "Warts'n'all". Retrieved 14 September 2013. ^ a b Fulton, Rick (12 October 2005). "IT'S NANNY McME". Daily Record. Glasgow. Retrieved 27 March 2014 – via Questia Online Library. ^ "EMMA THOMPSON DISPLAYS SENSE AND SENSIBILITY. (TIMEOUT)". The Cincinnati Post. 18 January 1996. Archived from the original on 11 June 2014. 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Retrieved 3 December 2015. ^ "A message from Emma Thompson". ActionAid UK. Archived from the original on 8 May 2012. Retrieved 20 April 2012. ^ "Emma Thompson". 8 March 2011. Retrieved 3 December 2015. ^ "Patrons". Refugee Council. Retrieved 3 December 2015. ^ "Emma Thompson bids for Palestinian Rights".. Retrieved 23 February 2011. ^ "Our Patrons". Elton John AIDS Foundation. Retrieved 27 March 2014. ^ "Protesters buy up Heathrow land". 13 January 2009. Retrieved 18 January 2009. ^ Brockes, Emma (13 September 2014). "Emma Thompson: 'It's a different patch of life, your 50s ' ". Retrieved 26 September 2014. ^ "The Doubt Machine: Inside the Koch Brothers' War on Climate Science". The Real News Network. Retrieved 2 November 2016. ^ “Emma Thompson flew 5, 400 miles to join climate change protest”. Metro. 19 April 2019. Retrieved 5 May 2019 ^ "Ambassadors". Galapagos Conservation Trust. Retrieved 23 December 2014. ^ a b "Emma Thompson revives anarchist Peter Rabbit". NPR. Retrieved 27 March 2014. ^ "The Further Tale of Peter Rabbit". Official website of the Peter Rabbit series, Frederick Warne & Co. Archived from the original on 26 March 2014. Retrieved 27 March 2014. ^ a b "The Christmas Tale of Peter Rabbit". Waterstones. Retrieved 1 February 2014. ^ Marchese, David (13 September 2018). "Emma Thompson in conversation". Vulture. Retrieved 14 January 2020. Further reading [ edit] Hewison, Robert (1984). Footlights! A Hundred Years of Cambridge Comedy. Methuen, London. ISBN   0-413-56050-3. Branagh, Kenneth (1989). Beginning. St. Martin's Press, New York. ISBN   0-312-05822-5. Shuttleworth, Ian (1994). Ken and Em. Headline Book Publishing, London. ISBN   0-7472-1225-2. Nickson, Chris (1997). Taylor Publishing. ISBN   0-87833-965-5. External links [ edit] Emma Thompson on IMDb Emma Thompson at the BFI 's Screenonline Emma Thompson at the TCM Movie Database Emma Thompson at Rotten Tomatoes Emma Thompson at AllMovie Awards for Emma Thompson v t e Academy Award for Best Actress 1928–1950 Janet Gaynor (1928) Mary Pickford (1929) Norma Shearer (1930) Marie Dressler (1931) Helen Hayes (1932) Katharine Hepburn (1933) Claudette Colbert (1934) Bette Davis (1935) Luise Rainer (1936) Luise Rainer (1937) Bette Davis (1938) Vivien Leigh (1939) Ginger Rogers (1940) Joan Fontaine (1941) Greer Garson (1942) Jennifer Jones (1943) Ingrid Bergman (1944) Joan Crawford (1945) Olivia de Havilland (1946) Loretta Young (1947) Jane Wyman (1948) Olivia de Havilland (1949) Judy Holliday (1950) 1951–1975 Vivien Leigh (1951) Shirley Booth (1952) Audrey Hepburn (1953) Grace Kelly (1954) Anna Magnani (1955) Ingrid Bergman (1956) Joanne Woodward (1957) Susan Hayward (1958) Simone Signoret (1959) Elizabeth Taylor (1960) Sophia Loren (1961) Anne Bancroft (1962) Patricia Neal (1963) Julie Andrews (1964) Julie Christie (1965) Elizabeth Taylor (1966) Katharine Hepburn (1967) Katharine Hepburn / Barbra Streisand (1968) Maggie Smith (1969) Glenda Jackson (1970) Jane Fonda (1971) Liza Minnelli (1972) Glenda Jackson (1973) Ellen Burstyn (1974) Louise Fletcher (1975) 1976–2000 Faye Dunaway (1976) Diane Keaton (1977) Jane Fonda (1978) Sally Field (1979) Sissy Spacek (1980) Katharine Hepburn (1981) Meryl Streep (1982) Shirley MacLaine (1983) Sally Field (1984) Geraldine Page (1985) Marlee Matlin (1986) Cher (1987) Jodie Foster (1988) Jessica Tandy (1989) Kathy Bates (1990) Jodie Foster (1991) Emma Thompson (1992) Holly Hunter (1993) Jessica Lange (1994) Susan Sarandon (1995) Frances McDormand (1996) Helen Hunt (1997) Gwyneth Paltrow (1998) Hilary Swank (1999) Julia Roberts (2000) 2001–present Halle Berry (2001) Nicole Kidman (2002) Charlize Theron (2003) Hilary Swank (2004) Reese Witherspoon (2005) Helen Mirren (2006) Marion Cotillard (2007) Kate Winslet (2008) Sandra Bullock (2009) Natalie Portman (2010) Meryl Streep (2011) Jennifer Lawrence (2012) Cate Blanchett (2013) Julianne Moore (2014) Brie Larson (2015) Emma Stone (2016) Frances McDormand (2017) Olivia Colman (2018) Renée Zellweger (2019) v t e Academy Award for Best Adapted Screenplay 1928–1950 Benjamin Glazer (1928) Hanns Kräly (1929) Frances Marion (1930) Howard Estabrook (1931) Edwin J. Burke (1932) Victor Heerman and Sarah Y. Mason (1933) Robert Riskin (1934) Dudley Nichols (1935) Pierre Collings and Sheridan Gibney (1936) Heinz Herald, Geza Herczeg, and Norman Reilly Raine (1937) Ian Dalrymple, Cecil Arthur Lewis, W. P. Lipscomb, and George Bernard Shaw (1938) Sidney Howard (1939) Donald Ogden Stewart (1940) Sidney Buchman and Seton I. Miller (1941) George Froeschel, James Hilton, Claudine West, and Arthur Wimperis (1942) Philip G. Epstein, Julius J. Epstein, and Howard Koch (1943) Frank Butler and Frank Cavett (1944) Charles Brackett and Billy Wilder (1945) Robert Sherwood (1946) George Seaton (1947) John Huston (1948) Joseph L. Mankiewicz (1949) Joseph L. Mankiewicz (1950) Harry Brown and Michael Wilson (1951) Charles Schnee (1952) Daniel Taradash (1953) George Seaton (1954) Paddy Chayefsky (1955) John Farrow, S. J. Perelman, and James Poe (1956) Pierre Boulle, Carl Foreman and Michael Wilson (1957) Alan Jay Lerner (1958) Neil Paterson (1959) Richard Brooks (1960) Abby Mann (1961) Horton Foote (1962) John Osborne (1963) Edward Anhalt (1964) Robert Bolt (1965) Robert Bolt (1966) Stirling Silliphant (1967) James Goldman (1968) Waldo Salt (1969) Ring Lardner Jr. (1970) Ernest Tidyman (1971) Francis Ford Coppola and Mario Puzo (1972) William Peter Blatty (1973) Francis Ford Coppola and Mario Puzo (1974) Bo Goldman and Lawrence Hauben (1975) William Goldman (1976) Alvin Sargent (1977) Oliver Stone (1978) Robert Benton (1979) Alvin Sargent (1980) Ernest Thompson (1981) Costa-Gavras and Donald E. Stewart (1982) James L. Brooks (1983) Peter Shaffer (1984) Kurt Luedtke (1985) Ruth Prawer Jhabvala (1986) Bernardo Bertolucci and Mark Peploe (1987) Christopher Hampton (1988) Alfred Uhry (1989) Michael Blake (1990) Ted Tally (1991) Ruth Prawer Jhabvala (1992) Steven Zaillian (1993) Eric Roth (1994) Emma Thompson (1995) Billy Bob Thornton (1996) Curtis Hanson and Brian Helgeland (1997) Bill Condon (1998) John Irving (1999) Stephen Gaghan (2000) Akiva Goldsman (2001) Ronald Harwood (2002) Philippa Boyens, Peter Jackson, and Fran Walsh (2003) Alexander Payne and Jim Taylor (2004) Larry McMurtry and Diana Ossana (2005) William Monahan (2006) Joel Coen and Ethan Coen (2007) Simon Beaufoy (2008) Geoffrey S. Fletcher (2009) Aaron Sorkin (2010) Alexander Payne, Jim Rash, and Nat Faxon (2011) Chris Terrio (2012) John Ridley (2013) Graham Moore (2014) Adam McKay and Charles Randolph (2015) Barry Jenkins and Tarell Alvin McCraney (2016) James Ivory (2017) Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee (2018) Taika Waititi (2019) v t e BAFTA Award for Best Actress in a Leading Role 1952–1967 British Vivien Leigh (1952) Yvonne Mitchell (1954) Katie Johnson (1955) Virginia McKenna (1956) Heather Sears (1957) Irene Worth (1958) Audrey Hepburn (1959) Rachel Roberts (1960) Dora Bryan (1961) Leslie Caron (1962) Rachel Roberts (1963) Audrey Hepburn (1964) Edith Evans (1967) Foreign Simone Signoret (1952) Leslie Caron (1953) Cornell Borchers (1954) Betsy Blair (1955) Anna Magnani (1956) Simone Signoret (1957) Simone Signoret (1958) Shirley MacLaine (1959) Shirley MacLaine (1960) Anne Bancroft (1964) Patricia Neal (1965) Jeanne Moreau (1966) Anouk Aimée (1967) 1968–present Katharine Hepburn (1968) Katharine Ross (1970) Glenda Jackson (1971) Stéphane Audran (1973) Joanne Woodward (1974) Ellen Burstyn (1975) Louise Fletcher (1976) Jane Fonda (1979) Judy Davis (1980) Meryl Streep (1981) Katharine Hepburn (1982) Julie Walters (1983) Maggie Smith (1984) Peggy Ashcroft (1985) Maggie Smith (1986) Anne Bancroft (1987) Maggie Smith (1988) Pauline Collins (1989) Jessica Tandy (1990) Susan Sarandon (1994) Brenda Blethyn (1996) Judi Dench (1997) Cate Blanchett (1998) Annette Bening (1999) Judi Dench (2001) Scarlett Johansson (2003) Imelda Staunton (2004) Carey Mulligan (2009) Emmanuelle Riva (2012) v t e BAFTA TV Award for Best Actress Googie Withers (1955) Rosalie Crutchley (1957) Gwen Watford (1959) Catherine Lacey (1960) Billie Whitelaw (1961) Ruth Dunning (1962) Brenda Bruce (1963) Vivien Merchant (1964) Katharine Blake (1965) Gwen Watford (1966) Vanessa Redgrave (1967) Judi Dench (1968) Wendy Craig (1969) Margaret Tyzack (1970) Annette Crosbie (1971) Patricia Hayes (1972) Billie Whitelaw (1973) Celia Johnson (1974) Lee Remick (1975) Annette Crosbie (1976) Siân Phillips (1977) Penelope Keith (1978) Francesca Annis (1979) Cheryl Campbell (1980) Peggy Ashcroft (1981) Judi Dench (1982) Beryl Reid (1983) Coral Browne (1984) Claire Bloom (1986) Anna Massey (1987) Emma Thompson (1988) Thora Hird (1989) Diana Rigg (1990) Geraldine McEwan (1991) Helen Mirren (1992) Helen Mirren (1993) Helen Mirren (1994) Juliet Aubrey (1995) Jennifer Ehle (1996) Gina McKee (1997) Daniela Nardini (1998) Thora Hird (1999) Thora Hird (2000) Julie Walters (2002) Julie Walters (2003) Julie Walters (2004) Anamaria Marinca (2005) Anna Maxwell Martin (2006) Victoria Wood (2007) Eileen Atkins (2008) Anna Maxwell Martin (2009) Julie Walters (2010) Vicky McClure (2011) Emily Watson (2012) Sheridan Smith (2013) Olivia Colman (2014) Georgina Campbell (2015) Suranne Jones (2016) Sarah Lancashire (2017) Molly Windsor (2018) Jodie Comer (2019) v t e Boston Society of Film Critics Award for Best Actress Gena Rowlands (1980) Marília Pêra (1981) Rosanna Arquette (1983) Judy Davis (1984) Chloe Webb (1986) Holly Hunter (1987) Melanie Griffith (1988) Anjelica Huston (1990) Geena Davis (1991) Julianne Moore (1994) Nicole Kidman (1995) Helena Bonham Carter (1997) Samantha Morton (1998) Ellen Burstyn (2000) Tilda Swinton (2001) Maggie Gyllenhaal (2002) Sally Hawkins (2008) Meryl Streep (2009) Michelle Williams (2011) Marion Cotillard (2014) Charlotte Rampling (2015) Isabelle Huppert (2016) Sally Hawkins (2017) Melissa McCarthy (2018) Saoirse Ronan (2019) v t e Critics' Choice Movie Award for Best Screenplay Screenplay (1995–1996, 2001–2008) Anthony Minghella (1996) Christopher Nolan (2001) Charlie Kaufman (2002) Jim Sheridan, Kirsten Sheridan, and Naomi Sheridan (2003) Paul Haggis and Bobby Moresco (2005) Michael Arndt (2006) Diablo Cody (2007) Original Screenplay (1997–2000, 2009–present) Matt Damon and Ben Affleck (1997) Tom Stoppard and Marc Norman (1998) Alan Ball (1999) Cameron Crowe (2000) Quentin Tarantino (2009) David Seidler (2010) Woody Allen (2011) Quentin Tarantino (2012) Spike Jonze (2013) Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr., and Armando Bo (2014) Tom McCarthy and Josh Singer (2015) Damien Chazelle / Kenneth Lonergan (2016) Jordan Peele (2017) Paul Schrader (2018) Quentin Tarantino (2019) Adapted Screenplay (1997–2000, 2009–present) Scott Smith (1998) Frank Darabont (1999) Jason Reitman and Sheldon Turner (2009) Steven Zaillian, Aaron Sorkin, and Stan Chervin (2011) Tony Kushner (2012) Gillian Flynn (2014) Eric Heisserer (2016) Barry Jenkins (2018) Greta Gerwig (2019) v t e David di Donatello Award for Best Foreign Actress Ingrid Bergman (1957) Deborah Kerr (1959) Audrey Hepburn (1960) Brigitte Bardot (1961) Audrey Hepburn (1962) Geraldine Page (1963) Shirley MacLaine (1964) Audrey Hepburn (1965) Julie Andrews (1966) Julie Christie / Elizabeth Taylor (1967) Faye Dunaway / Katharine Hepburn (1968) Mia Farrow / Barbra Streisand (1969) Liza Minnelli (1970) Ali MacGraw (1971) Elizabeth Taylor (1972) Liza Minnelli (1973) Barbra Streisand / Tatum O'Neal (1974) Liv Ullmann (1975) Isabelle Adjani / Glenda Jackson (1976) Faye Dunaway / Annie Girardot (1977) Jane Fonda / Simone Signoret (1978) Ingrid Bergman / Liv Ullmann (1979) Isabelle Huppert (1980) Catherine Deneuve (1981) Diane Keaton (1982) Julie Andrews (1983) Shirley MacLaine (1984) Meryl Streep (1985) Meryl Streep (1986) Norma Aleandro (1987) Cher (1988) Jodie Foster (1989) Anne Parillaud (1991) Geena Davis / Susan Sarandon (1992) Emmanuelle Béart / Tilda Swinton / Emma Thompson (1993) Emma Thompson (1994) Jodie Foster (1995) Susan Sarandon (1996) v t e Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series Cloris Leachman (1975) Beah Richards (1988) Colleen Dewhurst (1989) Swoosie Kurtz (1990) Colleen Dewhurst (1991) No Award (1992) Tracey Ullman (1993) Eileen Heckart (1994) Cyndi Lauper (1995) Betty White (1996) Carol Burnett (1997) Emma Thompson (1998) Tracey Ullman (1999) Jean Smart (2000) Jean Smart (2001) Cloris Leachman (2002) Christina Applegate (2003) Laura Linney (2004) Kathryn Joosten (2005) Cloris Leachman (2006) Elaine Stritch (2007) Kathryn Joosten (2008) Tina Fey (2009) Betty White (2010) Gwyneth Paltrow (2011) Kathy Bates (2012) Melissa Leo (2013) Uzo Aduba (2014) Joan Cusack (2015) Tina Fey & Amy Poehler (2016) Melissa McCarthy (2017) Tiffany Haddish (2018) Jane Lynch (2019) v t e Empire Award for Best Actress Nicole Kidman (1996) Frances McDormand (1997) Joan Allen (1998) Cate Blanchett (1999) Gwyneth Paltrow (2000) Connie Nielsen (2001) Kirsten Dunst (2003) Uma Thurman (2004) Julie Delpy (2005) Thandie Newton (2006) Penélope Cruz (2007) Keira Knightley (2008) Helena Bonham Carter (2009) Zoe Saldana (2010) Noomi Rapace (2011) Olivia Colman (2012) Jennifer Lawrence (2013) Emma Thompson (2014) Rosamund Pike (2015) Alicia Vikander (2016) Felicity Jones (2017) Daisy Ridley (2018) v t e Golden Globe Award for Best Actress in a Motion Picture – Drama Ingrid Bergman (1945) Rosalind Russell (1946) Rosalind Russell (1947) Gloria Swanson (1950) Jane Wyman (1951) Elizabeth Taylor (1959) Greer Garson (1960) Geraldine Page (1961) Geraldine Page (1962) Leslie Caron (1963) Samantha Eggar (1965) Anouk Aimée (1966) Joanne Woodward (1968) Geneviève Bujold (1969) Ali MacGraw (1970) Liv Ullmann (1972) Marsha Mason (1973) Gena Rowlands (1974) Jane Fonda (1977) Mary Tyler Moore (1980) Whoopi Goldberg (1985) Sally Kirkland (1987) Jodie Foster / Shirley MacLaine / Sigourney Weaver (1988) Michelle Pfeiffer (1989) Sharon Stone (1995) Sissy Spacek (2001) Felicity Huffman (2005) Julie Christie (2007) Jessica Chastain (2012) Glenn Close (2018) v t e Golden Globe Award for Best Screenplay Stirling Silliphant (1968) Bridget Boland, John Hale and Richard Sokolove (1969) Erich Segal (1970) Paddy Chayefsky (1971) Robert Towne (1974) Paddy Chayefsky (1976) Neil Simon (1977) William Peter Blatty (1980) John Briley (1982) Woody Allen (1985) Robert Bolt (1986) Bernardo Bertolucci, Mark Peploe and Enzo Ungari (1987) Naomi Foner (1988) Oliver Stone and Ron Kovic (1989) Callie Khouri (1991) Bo Goldman (1992) Quentin Tarantino (1994) Scott Alexander and Larry Karaszewski (1996) Ben Affleck and Matt Damon (1997) Marc Norman and Tom Stoppard (1998) Alexander Payne and Jim Taylor (2002) Sofia Coppola (2003) Peter Morgan (2006) Aaron Sorkin (2015) Damien Chazelle (2016) Martin McDonagh (2017) Brian Hayes Currie, Peter Farrelly, and Nick Vallelonga (2018) v t e London Film Critics' Circle Award for British Supporting Actress of the Year Minnie Driver (1997) Kate Beckinsale / Minnie Driver (1998) Lynn Redgrave (1999) Samantha Morton (2000) Helen Mirren (2001) Emily Watson (2002) Emma Thompson (2003) Romola Garai (2004) Thandie Newton (2005) Emily Blunt (2006) Kelly Macdonald / Vanessa Redgrave (2007) Tilda Swinton (2008) Anne-Marie Duff (2009) Olivia Williams (2010) v t e Los Angeles Film Critics Association Award for Best Actress Florinda Bolkan (1975) Liv Ullmann (1976) Shelley Duvall (1977) Kathleen Turner (1984) Sandrine Bonnaire (1986) Holly Hunter / Sally Kirkland (1987) Christine Lahti (1988) Andie MacDowell / Michelle Pfeiffer (1989) Mercedes Ruehl (1991) Elisabeth Shue (1995) Fernanda Montenegro / Ally Sheedy (1998) Julianne Moore (2002) Naomi Watts (2003) Vera Farmiga (2005) Yolande Moreau (2009) Kim Hye-ja (2010) Yoon Jeong-hee (2011) Jennifer Lawrence / Emmanuelle Riva (2012) Cate Blanchett / Adèle Exarchopoulos (2013) Patricia Arquette (2014) Mary Kay Place (2019) v t e National Board of Review Award for Best Actress Anna Magnani (1946) Celia Johnson (1947) Olivia de Havilland (1948) Jan Sterling (1951) Jean Simmons (1953) Dorothy McGuire (1956) Ingrid Bergman (1958) Kim Stanley (1964) Liv Ullmann (1968) Geraldine Page (1969) Irene Papas (1971) Cicely Tyson (1972) Liv Ullmann (1973) Isabelle Adjani (1975) Anne Bancroft (1977) Ingrid Bergman (1978) Glenda Jackson (1981) Peggy Ashcroft (1984) Kathleen Turner (1986) Lillian Gish / Holly Hunter (1987) Mia Farrow (1990) Geena Davis / Susan Sarandon (1991) Miranda Richardson (1994) Fernanda Montenegro (1998) Janet McTeer (1999) Diane Keaton (2003) Annette Bening (2004) Anne Hathaway (2008) Lesley Manville (2010) Tilda Swinton (2011) Emma Thompson (2013) Amy Adams (2016) Meryl Streep (2017) Lady Gaga (2018) v t e National Society of Film Critics Award for Best Actress Sylvie (1966) Bibi Andersson (1967) Vanessa Redgrave (1969) Liv Ullmann (1974) Sissy Spacek (1976) Debra Winger (1983) Vanessa Redgrave (1984) Vanessa Redgrave (1985) Emily Lloyd (1987) Judy Davis (1988) Alison Steadman (1991) Jennifer Jason Leigh (1994) Emily Watson (1996) Julie Christie (1997) Ally Sheedy (1998) Reese Witherspoon (1999) Laura Linney (2000) Naomi Watts (2001) Diane Lane (2002) Imelda Staunton / Hilary Swank (2004) Giovanna Mezzogiorno (2010) Kirsten Dunst (2011) v t e New York Film Critics Circle Award for Best Actress Greta Garbo (1935) Greta Garbo (1937) Margaret Sullavan (1938) Katharine Hepburn (1940) Agnes Moorehead (1942) Ida Lupino (1943) Tallulah Bankhead (1944) Celia Johnson (1946) Deborah Kerr (1947) Bette Davis (1950) Deborah Kerr (1957) Deborah Kerr (1960) No Award (1962) Elizabeth Taylor / Lynn Redgrave (1966) Jane Fonda (1969) Joanne Woodward (1973) Norma Aleandro (1985) Sissy Spacek (1986) Meryl Streep (1988) Joanne Woodward (1990) Linda Fiorentino (1994) Jennifer Jason Leigh (1995) Cameron Diaz (1998) Hope Davis (2003) Annette Bening (2010) Rachel Weisz (2012) Saoirse Ronan (2015) Saoirse Ronan (2017) Regina Hall (2018) Lupita Nyong'o (2019) v t e The Richard Harris Award John Hurt (2003) Bob Hoskins (2004) Tilda Swinton (2005) Jim Broadbent (2006) Ray Winstone (2007) David Thewlis (2008) Daniel Day-Lewis (2009) Helena Bonham Carter (2010) Ralph Fiennes (2011) Michael Gambon (2012) Julie Walters (2013) Chiwetel Ejiofor (2015) Alison Steadman (2016) Vanessa Redgrave (2017) Judi Dench (2018) Kristin Scott Thomas (2019) v t e Writers Guild of America Award for Best Adapted Screenplay Adapted Drama (1969–1983) Robert Anderson (1970) Waldo Salt and Norman Wexler (1973) Denne Bart Petitclerc (1977) Julius J. Epstein (1983) Adapted Comedy (1969–1983) Arnold Schulman (1969) John Paxton (1971) Jay Presson Allen (1972) Alvin Sargent (1973) Lionel Chetwynd and Mordecai Richler (1974) Neil Simon (1975) Blake Edwards and Frank Waldman (1976) Larry Gelbart (1977) Elaine May and Warren Beatty / Bernard Slade (1978) Jerzy Kosiński (1979) Jim Abrahams, David Zucker, and Jerry Zucker (1980) Gerard Ayres (1981) Blake Edwards (1982) Adapted Screenplay (1984–present) Bruce Robinson (1984) Richard Condon and Janet Roach (1985) Steve Martin (1987) Michael Tolkin (1992) Scott Frank (1998) Alexander Payne and Jim Taylor (1999) David Hare (2002) Shari Springer Berman and Robert Pulcini (2003) Billy Ray (2013) Nicole Holofcener and Jeff Whitty (2018) Taika Waititi (2019)
https://cleanuri.com/ApYr2y

Ive bleached my hair before, it didnt look too good. Emma. watson. Emma. and kate. Dont smile cause its over, cried bc it happened MOOODDDD💀. YouTube Emma [Movie]
https://goolnk.com/7b9Qj9 Emma. jenny. wendy. Emma roberts. Emma chamberlain. Emma daumas. Suomalaiset spämmikää tänne kaikkee kivaa nii kaikki tajuu et meki pystytään johonki. Emma. bridgewater. Emma. cast 2020. Emmy awards. The chorus to this song is perfect, gave me chills the first time i heard it! i love the whole song ( though i cant speak that language) but man hard target killed it. Emma. jannie. That emphatic punctuation after the title — it’s technically called Emma., with a period — suggests that this gorgeously filmed, deliciously wicked, and sometimes wounding film version of Jane Austen’s literary classic may be the final word on the manipulative, matchmaking Miss Emma Woodhouse. Don’t count on it. Film versions of the writer’s fourth novel were practically a cottage industry in the mid-1990s: Gwyneth Paltrow played her on screen, Kate Beckinsale did the honors on TV and Alicia Silverstone immortally spun her into a Beverly Hills High School alpha in Clueless. (Romola Garai also had a go in a 2009 BBC miniseries. ) No one skewered the so-called social graces like Austen, and the title character of her 1816 book may be the British novelist’s richest character. The author herself, however, always claimed the young woman was “a heroine whom no one but myself will much like. ” Even a genius can be wrong. As played by an incandescent Anya Taylor-Joy, Emma is a 20-year-old snob who enjoys arranging marriages for everyone but herself. She has her widowed, hypochondriac father (a priceless Bill Nighy) to care for — or is that just Emma’s excuse to live as free of constraints as any man? It’s a radical notion for its time and Taylor-Joy, so good at finding the seductive danger in wide-eyed beauty (see her in The Witch and Thoroughbreds), has a ball confounding expectations about how a young lady of fortune should behave. It helps that debuting feature filmmaker Autumn de Wilde, acclaimed as a rock photographer and director of music videos (Beck, Florence and the Machine), is equally adept at springing surprises. She’s more than willing to knock the stuffing out of her costume drama: When no one is looking, Emma’s not above raising her petticoats and warming her butt by a fire, and even Mr. Knightley (Johnny Flynn) is caught in his birthday suit as servants clothe him. Miss Woodhouse and Mr. Knightley never speak of carnal desire (it’s a shock to the system when Emma actually refers to him as George), but the actors make sure their heat is felt. The rules of attraction apply when a gentleman calls out a lady on her bullshit and she lets him have it for not seeing her better qualities. It’s hard to define chemistry, but Taylor-Joy and Flynn — the singer-songwriter who plays David Bowie in the upcoming biopic Stardust — have it. Working from a script by novelist Eleanor Catton, de Wilde adheres to the bones of Austen’s novel while making the events of two centuries ago sting with contemporary relevance. Like her creator, Emma knows in her bones that female independence should never be defined by marriage and social position. And yet they are the only tools she has at hand. She is appalled when Harriet Smith (Mia Goth), her orphaned protégé, seems willing to settle down as the wife of Mr. Martin (Connor Swindells), a local farmer. Emma wants Harriet to step up to Mr. Elton (a hilarious Josh O’Connor), a vicar who — much to Emma’s horror — lusts only for her. His revenge match with a controlling force of nature that is Mrs. Elton (Tanya Reynolds) is well deserved. Still, nothing feels the edge of Austen’s satirical knife like Emma’s own hypocrisy. She lashes out at Harriet when she aspires too far above her station. There’s a biting touch when Harriet’s fellow students gather in red capes like something out of The Handmaid’s Tale, pawns in an eternal man’s game. Emma’s attraction to the devilish Frank Churchill (Callum Turner) is totally based on his wealth and his interest in her rival Jane Fairfax (Amber Anderson). And the chill of her exasperation at perceived lesser beings is demonstrated in her casual cruelty to the harmless chatterbox Miss Bates (Miranda Hart). “Badly done, ” says Knightley, infusing those two words with all the indignation he can muster. Like the novel, de Wilde’s film is nothing less than the education of Miss Emma Woodhouse, whose rebukes are carried out with the formality of an execution. Even the alleged happy ending can’t disguise the limited choices of the heroine and the women of her time. Taylor-Joy is not out to make us like Emma, but to understand her — a far more challenging proposition. With the help of cinematographer Christopher Blauvelt, composers Isobel Waller-Bridge and David Schweitzer, and Alexandra Byrne’s spectacular costumes, the film captures the whirl of a predatory society that can no longer hide behind surface prettiness. That sounds a lot like right now.

Dude like can we be friends? i know you already have an amanda but like i could be the east coast friend amanda. I am very HAPPY,because you posted this aMMazing song. She definitely looks like shes been crying. Emma. jannie. slime gule. Emma emma. (this is lowkey irrelevant but whatever 🤷‍♀️) before i started watching emma i had a really bad eating disorder, and some how, watching her videos has made me feel more comfortable in my skin, so i am really happy for her and she totally deserves this! i'm sure that she has also help others get through hard times! but i love her sooo so muchhh! one thing i will say that i think is important is that she has made me feel like it's ok to be myself.

Emma de caunes.

I mean Josh O'Connor, Miranda Hart & Bill Nighy all my faves I'm in

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Coauthor: Misis Emma Peel

Biography: BeşiktAŞK🦅.. hesap vereceğim tek şey kendi vicdanım, Atatürk’e minnetim sonsuz, kitap/ kahve/sinema ve müziksiz yapamam..Brahms’ı Sever misiniz?

 

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