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- In Mexico City's wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent help
- Release Year=2019
- Mexico
- Genres=Crime, Drama
- writed by=Luke Lorentzen
The moment you realize what a joke the Oscars are is when they snub Howie and a film which had debut actors like Kevin Garnett and Juila Fox perform like seasoned pros.
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Family law attorney consultation. Somehow this version of Sandler gives me hints of Scarface in him. Midnight family clip. Midnight family and friends. Radiohead - Discography 1993-2011 [FLAC] Radiohead were one of the few alternative bands of the early 90s to draw heavily from the grandiose arena rock that characterized U2 s early albums. But the band internalized that epic sweep, turning it inside out to tell tortured, twisted tales of angst and alienation. Vocalist Thom Yorke s pained lyrics were brought to life by the group s three-guitar attack, which relied on texture. borrowing as much from My Bloody Valentine and Pink Floyd as R. E. M. and Pixies. instead of virtuosity. It took Radiohead a while to formulate their signature sound. Their 1993 debut, Pablo Honey, only suggested their potential, and one of its songs, Creep. became an unexpected international hit, its angst-ridden lyrics making it an alternative rock anthem. Many observers pigeonholed Radiohead as a one-hit wonder, but the group s second album, The Bends, was released to terrific reviews in the band s native Britain in early 1995, helping build a more stable fan base. Having demonstrated unexpected staying power, as well as increasing ambition, Radiohead next released OK Computer, a progressive, electronic-tinged masterpiece that became one of the most acclaimed albums of the 90s. Thom Yorke (vocals, guitar) Ed O Brien (guitar, vocals) Jonny Greenwood (guitar) Colin Greenwood (bass) and Phil Selway (drums) formed Radiohead as students in 1988 while living in Oxford. Initially called "On a Friday. the band began pursuing a musical career in earnest in the early 90s, releasing the Drill EP in 1992. Shortly afterward, the group signed to EMI/Capitol and released the single "Creep. a fusion of R. and Nirvana highlighted by a noisy burst of feedback prior to the chorus. "Creep" was a moderate hit, and their next two singles, Anyone Can Play Guitar" and "Pop Is Dead. gained a small following, even as the British music press ignored the group. Pablo Honey, Radiohead s album, was released to mixed reviews in the spring of 1993. As the band launched a European supporting tour, Creep" became a sudden smash hit in America, earning heavy airplay on modern rock radio and MTV. On the back of the single s success, Radiohead toured the U. S. extensively, opening for Belly and Tears for Fears. All the exposure helped Pablo Honey go gold, and "Creep" was re-released in the U. K. at the end of 1993. This time, the single became a Top Ten hit, and the band spent the following summer touring the world. Although "Creep" made Radiohead a success, it also led many observers to peg the band as a one-hit wonder. Conscious of such thinking, the group entered the studio with producer John Leckie to record its second album, The Bends. Upon its spring 1995 release, The Bends was greeted with overwhelmingly enthusiastic reviews, all of which praised the group s deeper, more mature sound. However, positive reviews didn t sell albums, as Radiohead struggled to be heard during the U. s summer of Brit-pop and as American radio programmers and MTV ignored the record. The band continued to tour as the opening act on R. s prestigious Monster tour. By the end of the year, The Bends began to catch on, thanks not only to the band s constant touring but also to the stark, startling video for "Just. The album made many year-end best-of lists in the U. K., and early in 1996, the record reentered the British Top Ten and climbed to gold status in the U. S., helped in the latter by the video for "Fake Plastic Trees. " During the first half of 1996, Radiohead continued to tour before re-entering the studio that fall to record their third album, OK Computer, which was released in the summer of 1997. A devoted following of fans and a handful of enthusiastic critical supporters immediately embraced the album s majestic blend of unfettered prog rock, post-punk angst, eerie electronic textures, and assured songwriting. Since it skillfully teetered between rock classicism and futurism, it earned near-unanimous critical and popular support over the course of the year, which turned into unrestrained adoration in the final two years of the decade, even though its sales still hadn t climbed above gold status. Expectations for Radiohead s fourth album were stratospheric, which placed additional pressure on the already perfectionist band, and led to several stumbling blocks along the way. An intense buzz of excitement among the band s still-growing following greeted the pre-release appearance of most of the album s tracks on the Internet in MP3 form; they displayed an all-out fascination with challenging, often minimalist electronica. Titled Kid A, the album was finally released in October 2000 and astonished many observers by debuting at number one on the U. album charts. While the band didn t release any singles or embark on a formal tour, the album met with a mixed critical response as the group was accused of creating a distant and radio-unfriendly record; however, it did remain a fan favorite. In June of 2001, Radiohead quickly released an album under the name Amnesiac that consisted of material that was recorded during the Kid A sessions. The band made it very clear, though, that it was not to be considered an outtakes album; rather, they insisted that the two albums were of clear and separate concept. Regardless, Amnesiac debuted at number one in the U. and number two on the U. chart (behind then-stronghold Staind) while outselling Kid A in week one by 25, 000 copies. The singles "Pyramid Song" and "Knives Out" were culled from Amnesiac with a subsequent world tour. While planning "I Might Be Wrong" for a third single, the idea expanded into a live "mini-album. titled after the track, that was released in November of 2001. Hail to the Thief, the proper follow-up to Amnesiac, was relatively direct in structure and peaked at number three on the U. chart. Sporadic recording sessions resumed in early 2005, but a projected release date for the band s seventh studio album remained 2007 as Yorke prepared a solo album, The Eraser, which was issued in July 2006. On October 1, 2007, the bandmembers announced that they had finished their seventh album, In Rainbows, and that it would be "out" in a matter of ten days. Giving fans the option to pay whatever they d like for the album as a zip file of MP3s, Radiohead also devised a pre-order system for the physical version of the album. a "discbox" containing a double-vinyl version, a CD copy with an enhanced six-track bonus disc, a lyric book, and photos. This was done without the involvement of a record label. However, deals were eventually struck for standard retail releases. In late December, XL issued the album in the U. K., where it topped the album chart. The feat was repeated the following month in the U. S., where it was issued through the TBD label. Sonically and lyrically, In Rainbows was one of their warmest and most direct albums to date. Radiohead took a somewhat similar approach for the release of The King of Limbs. On February 14, 2011, the band announced that the album would be issued in five days as a fixed-price download with physical releases to follow. Standard CD and vinyl versions were scheduled for late March via XL and TBD, while an elaborately packaged double 10" vinyl/CD set was scheduled for early May. The two-disc TKOL RMX 1234567 followed five months later, featuring 19 remixes of King of Limbs tracks from the likes of Jamie xx, Caribou, Four Tet, and Nathan Fake. The band also recorded a live set of songs from the album as part of the From the Basement video series, and subsequently released the set, titled King of Limbs: Live from the Basement, in 2012. 1993 - Pablo Honey 1995 - The Bends 1997 - OK Computer 2000 - Kid A 2001 - Amnesiac 2001 - I Might Be Wrong: Live Recordings 2003 - Hail to the Thief 2007 - In Rainbows 2011 - The King of Limbs Album artwork and audiochecker logs are included. Enjoy. torrent name size files age seed leech 125 Radiohead Discography @ 320Kbps in Music > Mp3 844. 75 MB 98 5 years 1218 320 4 RADIOHEAD Discography (PBTHAL vinyl) FLAC in Music > FLAC 2. 18 GB 4 months 20 31 Radiohead - Discography (1997 2011) FLAC] Posted by maximersk in Music > FLAC 2. 19 GB 81 9 months 7 2 Radiohead - Studio Albums Discography (mp3 LAME v3. 98. 2 VBR -V2) in Music 524. 68 MB 97 4 years 1 0 The Kinks in Mono [10-CD Box Set] 2011) FLAC] Compared to The Beatles in Mono or Bob Dylan: The Original Mono Recordings, the ten-disc box set The Kinks in Mono may not seem revelatory, partially because so much of it was released earlier in 2011 as part of Universals campaign of double-disc deluxe reissues of the bands catalog. Apart from a newly remastered mono mix of The Village Green Preservation Society and six stray alternate mixes. including significantly different mixes of “Rats” and “Apeman”. all of this appeared on the 2011 deluxe editions, thereby diminishing this set s appeal for the devoted who already snatched up the reissues. But for those diehards who, for whatever reason, opted out of the two-disc sets, this is a mightily attractive way to get all the mono mixes at once, considering that each of the seven albums, along with the bonus EP and Mono Kollectables discs, are packaged as mini-LPs and the set has a clever mini-hardcover book designed in the fashion of a ‘60s fan mag with new notes by Kinks expert Peter Doggett. Disc 1: Kinks Disc 2: Kinda Kinks Disc 3: The Kink Kontroversy Disc 4: Face to Face Disc 5: Something Else by the Kinks Disc 6: The Kinks Are the Village Green Preservation Society Disc 7: Arthur (Or the Decline and Fall of the British Empire) Disc 8: The Kinks EP s Disc 9: Mono Kollectables, Vol. 1 Disc 10: Mono Kollectables, Vol. 2 Extras: Greatest Hits [Rhino] Album artwork is also included. Enjoy. The Kinks - Greatest Hits You Really Got Me [Bubanee] Posted by Bubanee in Music > Mp3 102. 57 MB 25 1 week 171 38 22 The Kinks - Discography (1964-1993) mp3@320] 3. 1 GB 434 2 years 132 72 45 The Kinks Greatest Hits 169. 39 MB 30 129 28 6 The Kinks discography 1964-2001 2. 37 GB 736 41 29 The Kinks - The Pye Album Collection [10-CD Box Set] 2005) FLAC] This box set delivers both a little more and a little less than it promises. though the packaging is so cryptic that it s difficult to say precisely what it does promise. Billed as The Pye Album Collection, it contains ten nicely packaged mini-LP sleeves (each with an appropriate inner sleeve to protect the CD. are you listening, Sony Classical, Rhino Handmade, and Hip-O Select. representing the group s ten original albums for Pye Records. Not that these haven t been available before in various incarnations on both sides of the Atlantic (including some extant audiophile editions) and loaded up with bonus tracks. but the producers have correctly reckoned that for the fans, on some level, the Kinks are like the Beatles, the Rolling Stones, and the Who, in that their albums carry some serious significance for a lot of people, standing up well on their own and also evoking a specific time and place in listeners respective pasts. There are no bonus tracks anywhere here, and onlookers should also be reminded that the Kinks released a ton of important singles early in their history. including "All Day and All of the Night. A Well Respected Man. Dedicated Follower of Fashion. and "Till the End of the Day. that were never part of any official LPs (except greatest-hits compilations) and, thus, are not represented here in any form. But that said, on the original Pye albums themselves, the spot-on, state-of-the-art, up-to-date mastering is so close that you feel like the Davies brothers guitars are in the room with you on "So Mystifying" and "Just Can t Go to Sleep" from their self-titled debut LP) and everything on the disc sounds that way. On the other hand, the makers have opened that album with "You Really Got Me. which was track number seven on the original LP, and also moved "Too Much Monkey Business" from its spot at track number 11, and everything except for "You Really Got Me" is in stereo, which is OK because they got the sound right (in fact, better than it was on the original LP. And the cover is a kind of hybrid, re-creating a Japanese cover for the album (with all songs listed in Japanese) and using the title "Kinks" on the spine but Kinks-Size on the front cover. Kinda Kinks, by contrast, contains only 12 songs (no singles) and a French Vogue Records cover (which uses the title "The Kinks" on its front and back jackets. Kink Kontroversy is present with the art from the Italian version (cover title "United Kinksdom" and the basic 12 songs. Face to Face is offered with its familiar U. cover art missing, replaced by a really cool photo of the band from the Greek version of the album. And Live at Kelvin Hall uses a cheerful shot of the bandmembers, all holding clocks, from the French issue. The real treat, however, is the Japanese version of Something Else, with its shot of the bandmembers staring out in full color, while the foreground presents as pretty a psychedelic array of flowers as anyone saw in 1967. Village Green Preservation Society appears in its ornate Italian jacket, with its cheerful shot of the band on a grassy field, and Arthur (Or the Decline and Fall of the British Empire) in its Dutch sleeve, has the black-and-white profiles of the bandmembers flanked by visual Victoriana, including the old girl herself. Lola vs. the Powerman & the Money-Go-Round, Pt. 1 features the familiar U. and U. art, and Percy. which is really an afterthought as an album. offers the U. sleeve art. The total running time seems skimpy for a ten-CD set, but the price is right and the packaging is fun. Disc 7: Lola vs. the Powerman and the Money-Go-Round, Pt. 1 Disc 8: Soundtrack from the Film "Percy" Disc 9: Arthur (Or the Decline and Fall of the British Empire) Disc 10: Live at Kelvin Hall Extras: The Kink Kronikles New Order - Discography 1981-2013 [FLAC] Rising from the ashes of the legendary British post-punk unit Joy Division, the enigmatic New Order triumphed over tragedy to emerge as one of the most influential and acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group s pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop appealing equally to the mind, body, and soul. New Order s origins officially date back to mid-1976, when guitarist Bernard Sumner (formerly Albrecht) and bassist Peter Hook. inspired by a recent Sex Pistols performance. announced their intentions to form a band of their own. Recruiting singer Ian Curtis and drummer Stephen Morris, they eventually settled on the name Joy Division, and in 1979 issued their landmark debut LP, Unknown Pleasures. After completing sessions for Joy Division s sophomore effort, Closer, Curtis hanged himself on May 18, 1980; devastated, the remaining trio immediately disbanded, only to re-form soon after as New Order with the addition of keyboardist Gillian Gilbert. With Sumner assuming vocal duties, the new group debuted in March 1981 with the single "Ceremony. a darkly melodic effort originally composed for use by Joy Division. The LP Movement followed a few months later, and when it too mined territory similar to New Order s previous incarnation, many observers were quick to dismiss the band for reliving former glories. However, with its next single, Everything s Gone Green. the quartet first began adorning its sound with synthesizers and sequencers, inspired by the music of Kraftwerk as well as the electro beats coming up from the New York underground; 1982 s "Temptation" continued the trend, and like its predecessor was a major favorite among club-goers. After a year-long hiatus, New Order resurfaced in 1983 with their breakthrough hit "Blue Monday" packaged in a provocative sleeve designed to recall a computer disk, with virtually no information about the band itself. a hallmark of their mysterious, distant image. it perfectly married Sumner s plaintive yet cold vocals and abstract lyrics with cutting-edge drum-machine rhythms ideal for club consumption. "Blue Monday" went on to become the best-selling 12" release of all time, moving over three million copies worldwide. After releasing their brilliant 1983 sophomore album, Power, Corruption and Lies, New Order teamed with the then-unknown producer Arthur Baker to record "Confusion. another state-of-the-art dance classic, which even scraped into the American R&B charts. The group s success soon won them a stateside contract with Quincy Jones Qwest label; however, apart from a pair of singles, Thieves Like Us" and "Murder. they remained out of the spotlight throughout 1984. Heralded by the superb single "The Perfect Kiss. New Order resurfaced in 1985 with Low-life, their most fully realized effort to date; breaking with long-standing tradition, it actually included photos of the individual members, suggesting an increasing proximity with their growing audience. Brotherhood followed in 1986, with the single "Bizarre Love Triangle" making significant inroads among mainstream pop audiences. A year later the group issued Substance, a much-needed collection of singles and remixes; it was New Order s American breakthrough, cracking the Top 40 on the strength of the newly recorded single "True Faith. which itself reached number 32 on the U. pop charts. The remixed "Blue Monday 1988" followed, and in 1989. inspired by the ecstasy-fueled house music that their work had clearly predated and influenced. New Order issued Technique; their most club-focused outing to date, it launched the hits "Fine Time" and "Round and Round. " After recording the 1990 English World Cup Soccer anthem "World in Motion. New Order went on an extended hiatus to pursue solo projects; Hook formed the band Revenge, longtime companions Morris and Gilbert recorded as the Other Two, and, most notably, Sumner teamed with ex-Smiths guitarist Johnny Marr and Pet Shop Boys frontman Neil Tennant in Electronic, which scored a Top 40 hit with the single "Getting Away with It. New Order reconvened in 1993 for their biggest hit to date, Republic, which earned the band its highest charting American single ( Regret" and fell just shy of the U. Top Ten, despite charges from longtime fans that the band had lost its edge. A major tour followed, although rumors of escalating creative conflicts plagued the group; refusing to either confirm or deny word of a breakup, New Order simply spent the mid- 90s in a state of limbo, with Sumner eventually recording a long-awaited second Electronic LP and Hook mounting another new project, Monaco. "Brutal. the first new effort from New Order in a number of years, was featured on the soundtrack of the 2000 film The Beach, and the full-length Get Ready followed one year later. By this time, Gillian Gilbert had left the band to care for her and Stephen Morris children, and Marion guitarist Phil Cunningham had been added to bolster the lineup. Dedicated touring followed the release of Get Ready, and New Order recorded a follow-up for release in 2005, Waiting for the Sirens Call. 1981 - Movement 1981 - Movement [2008 Collector s Edition] 1982 - 1981-1982 [EP] 1983 - Power, Corruption & Lies 1983 - Power, Corruption & Lies [2008 Collector s Edition] 1985 - Low-life 1985 - Low-life [2008 Collector s Edition] 1986 - Brotherhood 1986 - Brotherhood [2008 Collector s Edition] 1987 - Substance 1988 - Peel Sessions #1 [EP] 1989 - Technique 1989 - Technique [2008 Collector s Edition] 1993 - Republic 1994. the best of) New Order 1995. the rest of) New Order 2001 - Get Ready 2002 - International 2002 - Retro 2004 - In Session 2005 - Singles 2005 - Waiting for the Sirens Call 2011 - Total: From Joy Division to New Order 2013 - Lost Sirens Note: The 2008 Collector s Edition versions of the first five albums are the corrected versions that we re re-released in 2009. Album artwork and audiochecker logs are also included. Enjoy. 32 New Order Discography [8 Albums] 320kbps] 1. 41 GB 118 141 New Order [Studio Album Discography] AAC] 320kb/s] CBR] CodeTempest] Posted by CodeTempest in Music 886. 04 MB 3 years 11 Joy Division + New Order [Studio Album Discography] AAC] 320kb/s] CBR] CodeTempest] 1. 09 GB 158 Nu ordeR discography (until may 2008) 19. 9 MB 13 Modest Mouse - Discography 1996-2009 [FLAC] Modest Mouse were one of the most surprising commercial success stories of the new millennium. while their music was by turns taut and elliptical, and the lyrics sometimes cryptic and introspective, the band broke through to the mainstream audience with the platinum-selling Good News for People Who Love Bad News, and they became genuine rock stars at a time when their musical peers remained cult figures. Modest Mouse was founded in 1993 by guitarist and vocalist Isaac Brock, bassist Eric Judy, and drummer Jeremiah Green. Brock, who had a nomadic childhood, was only 18 and living in a shed next to his mother s trailer home when Modest Mouse began working together, with the shed becoming the new band s rehearsal space and base of operations. In 1994, Modest Mouse booked time at Calvin Johnson s Dub Narcotic Studio in Olympia, Washington to cut their first record, and Johnson released their debut 7. Blue Cadet-3, Do You Connect. on his K Records label. Modest Mouse soon began work on an album, but the project was abandoned and the material went unreleased until 2001, when it appeared on a collection called Sad Sappy Sucker. After releasing a handful of singles, Modest Mouse went into the studio with Johnson as producer to record an EP, The Fruit That Ate Itself, but by the time it was released, the group had already moved on to another Northwest-based indie label, Up Records. 1996 s This Is a Long Drive for Someone with Nothing to Think About, produced in collaboration with Steve Wold (who would find fame a few years later as grizzled blues hobo Seasick Steve) was Modest Mouse s first proper album, and received enthusiastic reviews in the independent music press. In 1997, Modest Mouse returned with The Lonesome Crowded West, which earned more positive press and was a considerable sales success by indie label standards, supported by extensive touring. As Modest Mouse s following grew, they were courted by major-label scouts, and they eventually signed with Epic Records, who released The Moon & Antarctica in 2000. A collection of demos and session outtakes, Everywhere and His Nasty Parlour Tricks, was issued in 2001, and Brock released an album with his side project Ugly Casanova in 2002. In 2003, it was announced that drummer Green had left Modest Mouse; Benjamin Weikel of the Helio Sequence became the group s new percussionist (he also doubled on keyboards) and Dann Gallucci, who had been a guest guitarist on the sessions for Sad Sappy Sucker and The Lonesome Crowded West, became an official member of the band. The new lineup recorded 2004 s Good News for People Who Love Bad News, which proved to be Modest Mouse s commercial breakthrough, rising to the top of the album charts, spawning the hit singles "Float On" and "Ocean Breathes Salty. and selling over a million copies as the band began headlining arenas. By the end of 2004, Green returned to Modest Mouse, and in 2006, after Gallucci left the group, the band recruited Johnny Marr, legendary guitarist with the Smiths, to take his place for the recording of their next album. Marr not only appeared on 2007 s We Were Dead Before the Ship Even Sank, he became a full member of Modest Mouse and toured with the group in support of the album, which debuted at number one on the Billboard album charts. In 2005, Brock had launched his own record label, Glacial Pace Records, saying the name reflected his own slow working habits; while Modest Mouse continued to play live shows, work on their next album progressed very gradually, and in 2009 they issued a collection of outtakes and non-LP single sides, No One s First, And You re Next, as a stopgap. A tour was launched in support, but as Marr had joined the Cribs, Jim Fairchild (who had worked with Grandaddy and All Smiles) became the group s new guitarist, and when Modest Mouse played a round of shows in 2012, the group debuted a new lineup with the addition of second percussionist Joe Plummer. While Eric Judy was still an official member of the band, for some 2012 dates he was replaced by multi-instrumentalist Tom Peloso, who had been touring with the group as a sideman since 2004. 1996 - Interstate 8 1996 - This Is a Long Drive for Someone with Nothing to Think About 1997 - The Fruit That Ate Itself 1997 - The Lonesome Crowded West 2000 - Building Nothing Out of Something 2000 - The Moon & Antarctica 2001 - Everywhere and His Nasty Parlour Tricks 2001 - Sad Sappy Sucker 2002 - Sharpen Your Teeth [Ugly Casanova] 2004 - Good News for People Who Love Bad News 2007 - We Were Dead Before the Ship Even Sank 2009 - No One s First, and You re Next Album artwork and and audiochecker logs are included. Enjoy. 24 Modest Mouse - Discography [FLAC. Kitlope Posted by Kitlope in Music > FLAC 3. 53 GB 203 10 [SUPER] Modest Mouse Discography [320kbps] IPASuperior Posted by IPASuperior in Music > Mp3 3. 7 GB 562 3 weeks 12 Modest Mouse Discography - 1996-2004 752. 3 MB Modest Mouse - Discography (1996-2007) FLAC] 2. 78 GB 154 5 months 3 Kraftwerk - 12345678: The Catalogue (2004) FLAC] During the mid- 70s, Germany s Kraftwerk established the sonic blueprint followed by an extraordinary number of artists in the decades to come. From the British new romantic movement to hip-hop to techno, the group s self-described "robot pop. hypnotically minimal, obliquely rhythmic music performed solely via electronic means. resonates in virtually every new development to impact the contemporary pop scene of the late- 20th century, and as pioneers of the electronic music form, their enduring influence cannot be overstated. This box set is the the limited edition promo version that was released in 2004. All eight albums are digitally remastered. Disc 1 - Autobahn [1974] Disc 2 - Radio-Activity [1975] Disc 3 - Trans-Europe Express [1977] Disc 4 - The Man-Machine [1978] Disc 5 - Computer World [1981] Disc 6 - Techno Pop (Electric Cafe) 1986] Disc 7 - The Mix [1991] Disc 8 - Tour de France Soundtracks [2003] Album artwork and audiochecker logs are included. Enjoy. Kraftwerk - The Catalogue Remastered 1. 94 GB 67 Kraftwerk - The Catalogue - Kling Klang Studio Digital Master 476. 93 MB 7 years Kraftwerk- The Catalogue 483. 71 MB 84 Kraftwerk - The Catalogue 2009 (12345678 Dig Rem Box Set) mp3 HI 635. 5 MB 77 The Doors - Perception [6CD+6DVD Box Set] 2006) FLAC] This 6CD/DVD-Audio box celebrates the rock icons 40th anniversary with 2-disc editions of their six Morrison-era album classics, all featuring the new 40th Anniversary Mixes. plus rare & previously unreleased audio & DVD content! The Original Limited Edition first release sold out - now all 12-discs are in a slipcase at a special price! All DVDs feature Live Video Clips, the corresponding album in 5. 1 Surround Sound, a New Stereo Mix in Advanced Resolution, Dolby Digital/DTS versions of New Stereo and 5. 1 Mixes, and Photo Galleries. Remastered for CD & DVD by Bruce Botnick from the Original 4-Track Masters! Transfered at 96kHz/24 bit to ProTools HD. The mix was accomplished on a Digidesign Icon console using the latest state-of-the-art Digital Equalizers from George Massenberg and Sony Oxford. On the digital reverb front, both ReVibe convolution and Altiverb Impulse room simulation were used. In analogue, EMT 140 reverberation plates were employed, which are the same type that were used on all the Doors ablums! When Rhino began celebrating the 40th anniversary of the Doors 1967 debut LP - which veteran rock journalist Ben Fon-Torres calls near perfect. a cornerstone of the sweeping catalog restoration campaign was the 12-disc box set Perception. The massive set houses expanded two-disc CD/DVD-Audio digipak editions of the group s six classic studio albums released before lead singer Jim Morrison s 1971 death, each including the new "40th Anniversary Mixes" plus a wealth of rarities and previously unissued audio and DVD tracks, videos, 5. 1 mixes, and more. Features: • 6CD / 6DVD-Audio box set • 40th Anniversary Mixes included • Each title housed in Digipak packaging • New producer s notes by Bruche Botnick • New liner notes by prominent music writers • Original album artwork • 24 Rare & Previously unreleased bonus tracks • Bonus extras DVD-Audios features: • 5. 1 Advanced Resolution Surround • Advanced Resolution Stereo • Dolby Digital Surround and DTS 5. 1 • 12 Live Video Clips • Bonus Videos • Photo Gallery • Lyrics • Discography Contents: CD 1 - The Doors (1967) 1. Break On Through (To The Other Side) 2. Soul Kitchen 3. The Crystal Ship 4. Twentieth Century Fox 5. Alabama Song (Whisky Bar) 6. Light My Fire 7. Back Door Man 8. I Looked At You 9. End Of The Night 10. Take It As It Comes 11. The End Bonus Tracks: 12. Moonlight Drive (Version 1) 13. Moonlight Drive (Version 2) 14. Indian Summer (8/19/66 Vocal) DVD: Entire Album in 5. 1 DTS encoded Surround Sound, 5. 1 Dolby Digital and new Advanced Resolution stereo mixes Video Content: 1. Break On Through (To The Other Side) Music Video) 2. The End (Soundstage Performance, Toronto, 1967) CD 2 - Strange Days (1967) 1. Strange Days 2. Youre Lost Little Girl 3. Love Me Two Times 4. Unhappy Girl 5. Horse Latitudes 6. Moonlight Drive 7. People Are Strange 8. My Eyes Have Seen You 9. I Cant See Your Face In My Mind 10. When The Musics Over 11. People Are Strange (False Starts & Dialogue) 12. Love Me Two Times (Take 3) Entire album in 5. 1 Dolby Digital and new Advanced Resolution stereo mixes 1. Love Me Two Times (Live In Europe, 1968) 2. When The Musics Over (Live In Europe, 1968) CD 3 - Waiting For The Sun (1968) 1. Hello, I Love You 2. Love Street 3. Not To Touch The Earth 4. Summers Almost Gone 5. Wintertime Love 6. The Unknown Soldier 7. Spanish Caravan 8. My Wild Love 9. We Could Be So Good Together 10. Yes, The River Knows 11. Five To One 12. Albinonis Adagio In G Minor 13. Not To Touch The Earth (Dialogue) 14. Not To Touch The Earth (Take 1) 15. Not To Touch The Earth (Take 2) 16. Celebration Of The Lizard (An Experiment/work In Progress) Entire Album in 5. Spanish Caravan (Live at the Hollywood Bowl, 1968) 2. The Unknown Soldier (Soundstage Performance, Denmark, 1968) CD 4 - The Soft Parade (1969) 1. Tell All The People 2. Touch Me 3. Shamans Blues 4. Do It 5. Easy Ride 6. Wild Child 7. Runnin Blue 8. Wishful Sinful 9. The Soft Parade 10. Who Scared You 11. Whiskey, Mystics And Men (Version 1) 12. Whiskey, Mystics And Men (Version 2) 13. Push Push 14. Touch Me (Dialogue) 15. Touch Me (Take 3) 1. The Soft Parade (Soundstage Performance, New York, 1969) 2. Tell All The People (Soundstage Performance, New York, 1969) CD 5 - Morrison Hotel (1970) Hardrock Cafe 1. Roadhouse Blues 2. Waiting For The Sun 3. You Make Me Real 4. Peace Frog 5. Blue Sunday 6. Ship Of Fools Morrison Hotel 7. Land Ho! 8. The Spy 9. Queen Of The Highway 10. Indian Summer 11. Maggie Mgill 12. Talking Blues 13. Roadhouse Blues (11/4/69, Takes 1-3) 14. Roadhouse Blues (11/4/69, Take 6) 15. Carol (11/4/69) 16. Roadhouse Blues (11/5/69, Take 1) 17. Money Beats Soul (11/5/69) 18. Roadhouse Blues (11/5/69, Takes 13-15) 19. Peace Frog (False Starts & Dialogue) 20. The Spy (Version 2) 21. Queen Of The Highway (Jazz Version) 1. Roadhouse Blues (Music Video) 2. Wild Child (Music Video) CD 6 - L. A. Woman (1971) 1. The Changeling 2. Love Her Madly 3. Been Down So Long 4. Cars Hiss By My Window 5. L. Woman 6. Lamerica 7. Hyacinth House 8. Crawling King Snake 9. The Wasp (Texas Radio And The Big Beat) 10. Riders On The Storm 11. Orange County Suite 12. (You Need Meat) Dont Go No Further 1. The Changeling (Music Video) 2. Crawling King Snake (Footage from The Doors rehearsal space filmed for Australian TV, 1971) Album artwork and audiochecker logs are included. Enjoy. The Doors – Perception (6CD Boxset Remastered 2006) 797. 58 MB 103 1 month The Doors Of Perception - Aldous Huxley [PDF] in Books > Ebooks 258. 09 KB The Doors - Waiting For The Sun (Perception Remaster) EAC-FLAC] 390. 48 MB The Doors - The Soft Parade (Perception Box DVD) RePoPo] in Movies 1. 99 GB 18 5 Hüsker Dü - Discography 1981-1994 [FLAC] Hüsker Dü and R. were the two American post-punk bands of the 80s that changed the direction of rock & roll. R. became a superstar band; Hüsker Dü never was more than a cult favorite. Nevertheless, their albums between 1981 and 1987 have proven remarkably influential; they provided the sonic blueprint for the roaring punk-pop hybrid that crossed over into the mainstream in the early 90s. Not only did they shape the sound of the music, they shaped the way independent bands made the transition to the major labels; they showed other bands that it was possible to record uncompromising music on a major label without losing any integrity or creative control. From the Replacements to Nirvana, the Pixies to Superchunk, nearly every major and minor band that appeared in the alternative underground in the late 80s and 90s owed a major debt to Hüsker Dü, whether they were aware of it or not. The band s two songwriters, guitarist Bob Mould and drummer Grant Hart, both had a knack for writing songs that essentially followed conventional pop structures, complete with memorable melodies, but were still punk songs. Hüsker Dü took the Buzzcocks pioneering punk-pop and made it harder, both musically and lyrically. Throughout their career, Hüsker Dü never lost their edge, never turned down their amplifiers, never compromised their music. While Hart and bassist Greg Norton were an unfailingly strong rhythm section, Mould would prove to be one of the most influential guitarists of the decade. With his slashing rhythms, distorted strumming, and blazing leads, he set the stage for the alternative guitar heroes of the late 80s and the 90s. Hüsker Dü formed in Minneapolis, MN, in 1979. Guitarist/vocalist Bob Mould was studying at Macalester College in St. Paul, MN, and working at a record store, which is where he met drummer/vocalist Grant Hart and bassist Greg Norton. The three musicians had diverse tastes, but all shared a love for hardcore punk rock. Naming themselves Hüsker Dü after a 50s Danish board game (the name means "do you remember. the trio began rehearsing in Norton s basement. In the early 80s, Hüsker Dü developed a strong local following; nearly every local band, from the Replacements to Soul Asylum, sounded like the Hüskers. Both Mould and Hart wrote songs and sang lead. In 1981, they released their first single, Statues. on the local label Reflex, which was quickly followed by their debut album, Land Speed Record, which was released on New Alliance Records. Recorded live, Land Speed Record boasted 17 songs that lasted a full 26 minutes. Later that year, they released an equally fast and hard EP, In a Free Land. In 1982, they moved backed to Reflex, where they released Everything Falls Apart, their first album recorded in a studio. By this time, Hüsker Dü had begun touring the United States relentlessly, traveling across the country in a van and playing small clubs. Along with the Minutemen, R. M., Black Flag, the Meat Puppets, and the Replacements, Hüsker Dü formed the core of a group of independent rock & roll bands that carved out a reputation for touring ceaselessly and getting their records played through college radio stations; they formed the core of the American rock underground in the mid- 80s. Hüsker Dü concerts were a nonstop barrage; the band rarely spoke to the audience and each song segued directly into the next, without interruption. In addition to touring constantly, Hüsker Dü was recording quickly, turning out the Metal Circus EP in 1983. After Metal Circus, Hüsker Dü developed musically at a rapid pace, with Mould and Hart coming into their own as songwriters on 1984 s Zen Arcade, their first album for SST Records and their critical breakthrough. Zen Arcade was a double album. something that was completely unheard of in the underground. that showed the band stretching out musically, writing sharper pop songs as well as lengthy abrasive instrumentals. Critics embraced the record, as did independent rock fans. At the end of 1984, they released "Eight Miles High. a cover of the Byrds song; it was only available as a single. Hüsker Dü continued to record and tour at a blindingly fast speed throughout 1984 and 1985. Mould and Hart were beginning to develop an unspoken rivalry as well as a dependency on alcohol and speed. Nevertheless, the group was at its peak in 1985, turning out two albums. The first, New Day Rising, was released in the spring and showed the band moving closer to concise pop songwriting while accentuating their fierce sonic barrage. Flip Your Wig, released late in 1985, featured their cleanest, most accessible production, without making any concessions to mainstream rock. Both albums received excellent reviews, both in fanzines and some mainstream rock publications. Following the release of Flip Your Wig, Hüsker Dü became the first of the mid- 80s independent post-punk bands to sign a contract with a major label, as they closed a deal with Warner Bros. Candy Apple Grey, the band s first major-label album, appeared in 1986. During that year, tensions between Mould and Hart escalated. Mould began to clean up and Hart continued to sink further into drug and alcohol addiction. Nevertheless, they managed to write and record another double album, Warehouse: Songs and Stories. Although Warner didn t want the band to release another double record, Warehouse was released in the spring of 1987, to uniformly positive reviews. Hüsker Dü was preparing to launch a series of concerts to support Warehouse when their manager, David Savoy, committed suicide the night before the start of the tour. Hüsker played the tour anyway. they ran through the new album in order every night, without interruption. but Savoy s suicide helped the inner-band turmoil reach a peak. Hart showed no signs of sobering. he was developing a heroin addiction. while Mould was clean. Following the Warehouse tour, the band played no more concerts for the rest of the year, which caused speculation that the group was breaking up. Those rumors were confirmed during the winter of 1987-1988, when Hart was fired and the band broke up. Hart released a solo EP, 2541, on SST later that year, followed by a full-length album called Intolerance a year later. After its release, Hart shook loose his addictions and formed a new band, Nova Mob. Nova Mob released their debut album, The Last Days of Pompeii, in 1991; a self-titled second album appeared in 1994. Norton became a chef in Red Wing. Immediately after the breakup of Hüsker Dü, Mould embarked on a solo career. After releasing two solo albums. Workbook (1989) and Black Sheets of Rain (1990. he formed a trio called Sugar in 1992. Between 1992 and 1994, Sugar released two albums: Copper Blue (1992) and File Under: Easy Listening (1994. Mould broke up the band in 1995 and returned to a solo career the following year. 1. Land Speed Record (1982) 2. Metal Circus [EP] 1983) 3. Zen Arcade (1984) 4. New Day Rising (1985) 5. Flip Your Wig (1985) 6. Candy Apple Grey (1986) 7. Warehouse: Songs and Stories (1987) 8. Eight Miles High/Makes No Sense at All [EP] 1990) 9. Everything Falls Apart and More (1993) 10. The Living End (1994) Album artwork, rip logs and audiochecker logs are also included. Enjoy. Amy Winehouse - Discography (Deluxe) CDRips 2011 [Bubanee] 363. 83 MB 69 1 year 2236 411 135 Red Hot Chili Peppers - Discography (Fixed) 2. 64 GB 418 1364 615 49 MAC MILLER DISCOGRAPHY 818. 55 MB 145 1268 202 80 Various Artists - Left of the Dial: Dispatches from the 80s Underground (4CD Box) FLAC] Alternative rock of the 1980s was such a large and diverse scene that any box set documenting the genre is bound to be the cause of debate as to what is and isn t included, even a four-CD, 82-track production such as this one. Despite the inevitable exclusions, Left of the Dial: Dispatches from the 80s Underground does a decent job of collecting representative cuts from all spectrums of the style, even if it does tilt toward the more mainstream of such acts. Of course, artists like R. M., the Cure, Aztec Camera, the Pretenders, Ultravox, Lone Justice, the Smithereens, Concrete Blonde, Echo & the Bunnymen, and the Church (all sampled on this box) were "mainstream" only by the standards of the more left-leaning college radio programmers; by the measurements of the actual mainstream, they were still pretty "alternative. even "underground" in some cases. And the set doesn t neglect the edgier side of 80s underground rock, with tracks by the Dead Kennedys, Minor Threat, Throbbing Gristle, the Minutemen, Black Flag, Nick Cave & the Bad Seeds, Gun Club, the Butthole Surfers, the Raincoats, and Beat Happening as well. Between the poles are numerous slices of music of different shades of anti-mainstreamdom, from the paisley underground (the Three O Clock, the Rain Parade, the Dream Syndicate) and an iconoclastic singer/songwriter (Billy Bragg) to British guitar-grounded sounds (the Jesus and Mary Chain, the Stone Roses, XTC) goth (Sisters of Mercy, Bauhaus) folk-punk (the Violent Femmes) retro-garage (the Lyres) ska (the English Beat) and even punk novelty (the Dead Milkmen. Naturally, there s room for argument about some of the choices: Prefab Sprout s alt-rock credentials are certainly specious, for instance, and the roll call of missing notables includes the Fall, Shonen Knife, the Chills, Romeo Void, the Television Personalities, the Wipers, the Mekons, and many others. There are few real surprises or underexposed gems: the Passions 1981 single "I m in Love With a German Film Star" is about the only item by a group that hasn t been canonized in the 80s alternative rock pantheon, though actually that song was a British hit. On the other hand, the astute and eclectic programming makes for a better listen than other attempts that have been made to compile 80s alternative rock. It s sort of like listening to an actual 80s college radio station, but one that s more listenable than any college radio stations actually were, both because of the catholic stylistic assortment and the selection of some of these artists very best songs. If you did listen to this sort of music devotedly back in the 80s, in fact, much of this will be like revisiting familiar hits and standards, even if few of them actually made the charts as actual hits (and then usually in the U. R. s "Radio Free Europe. the Dead Kennedys. Holiday in Cambodia. the Jesus and Mary Chain s "Just Like Honey. Joy Division s "Love Will Tear Us Apart. the Violent Femmes. Blister in the Sun. XTC s "Senses Working Overtime. the Sugarcubes. Birthday. Faith No More s "We Care a Lot. the Church s "Under the Milky Way. Siouxsie & the Banshees. Christine. Gun Club s "Sex Beat. and Suicidal Tendencies. Institutionalized. for instance, all fall into that category. And if you didn t experience the music directly during the era, this box set still gives you a pretty good idea of what was going on, and what paths to travel down for further investigation. Track Listing: Disc: 1 1. Radio Free Europe - R. M. 2. Going Underground - The Jam 3. A Forest - The Cure 4. Holiday in Cambodia - Dead Kennedys 5. I m In Love With A German Film Star - Passions 6. I Will Dare - The Replacements 7. That s When I Reach For My Revolver - Mission Of Burma 8. Johny Hit And Run Paulene - X 9. Just Like Honey - The Jesus And Mary Chain 10. Black Celebration - Depeche Mode 11. Tell Me When It s Over - The Dream Syndicate 12. Hollywood (Africa. The Red Hot Chili Peppers 13. Temptation - New Order 14. Ghosts - Japan 15. A Song From Under The Floorboards - Magazine 16. Oblivious - Aztec Camera 17. Don t Want To Know If You Are Lonely - Husker Du 18. Rise Above - Black Flag 19. Back In Flesh - Wall Of Voodoo 20. Cattle And Cane - The Go-Betweens Disc: 2 1. Message Of Love - The Pretenders 2. Vienna - Ultravox 3. Freak Scene - Dinosaur Jr. 4. The Charming Man - The Smiths 5. Stigmata - Ministry 6. Ways To Be Wicked - Lone Justice 7. Wardance - Killing Joke 8. Enola Gay - Orchestral Manoeuvres In The Dark 9. Mirror In The Bathroom - The English Beat 10. Fairytale In The Supermarket - The Raincoats 11. Behind The Wall Of Sleep - The Smithereens 12. Political Song For Michael Jackson To Sing - Minutemen 13. Punk Rock Girl - The Dead Milkmen 14. Still In Hollywood - Concrete Blonde 15. Love Will Tear Us Apart - Joy Division 16. Blister In The Sun - Violent Femmes 17. Lake Of Fire - Meat Puppets 18. Amplifier - The DB s 19. When Love Breaks Down - Prefab Sprout 20. Goo Goo Muck - The Cramps 21. This Corrosion - Sisters Of Mercy 22. Senses Working Overtime - XTC Disc: 3 1. The Cutter - Echo & The Bunnymen 2. Pay To Cum. Bad Brains 3. Birthday - The Sugarcubes 4. Madonna Of The Wasps - Robyn Hitchcock n The Egyptians 5. We Care A Lot - Faith No More 6. Teen Age Riot - Sonic Youth 7. To Hell With Poverty - Gang Of Four 8. Fa Ce-La - The Feelies 9. Ana Ng - They Might Be Giants 10. Swamp Thing - The Chameleons UK 11. The Mercy Seat - Nick Cave & The Bad Seeds 12. I Look Around - The Rain Parade 13. All That Money Wants - Psychedelic Furs 14. Under The Milky Way - The Church 15. Rise - Public Image Ltd. 16. Kundalini Express - Love And Rockets 17. Gravity Talks - Green On Red 18. Adrenalin - Throbbing Gristle 19. She Bangs The Drums - The Stone Roses Disc: 4 1. Monkey Gone To Heaven - Pixies 2. Uncertain Smile (Original 7 Inch Version. The The 3. Bela Lugosi s Dead - Bauhaus 4. Christine - Siouxsie And The Banshees 5. Straight Edge - Minor Threat 6. I Want To Help You Ann - The Lyres 7. Our Secret - Beat Happening 8. Jane Says - Jane s Addiction 9. World Shut Your Mouth - Julian Cope 10. Running Up That Hill - Kate Bush 11. Sex Beat - Gun Club 12. Take The Skinheads Bowling - Camper Van Beethoven 13. Institutionalized - Suicidal Tendencies 14. Pearly-Dewdrops Drops - Cocteau Twins 15. 24 Hour Party People - Happy Mondays 16. I Want You Back - Hoodoo Gurus 17. Suburban Home - Descendents 18. A Pair Of Brown Eyes - The Pogues 19. Jet Fighter - The Three O Clock 20. Moving To Florida - Butthole Surfers 21. A New England - Billy Bragg Album artwork and rip logs are included. Enjoy. Various Artists - No Thanks! The 70s Punk Rebellion (4CD Box) FLAC] Like all the great rock revolutions, punk was fueled by singles. Sure, there were a lot of tremendous albums, but all the artists that cut great LPs also had great 7"s. and in the case of Television and Patti Smith, they had independent singles released prior to their first albums that never appeared on their debuts. Since rock criticism tends to be album-driven, singles tend to get slightly overlooked, and since punk is a rock critic s favorite, some revisionist historians paint the era as fueled by albums, not singles. Rhino s excellent four-disc No Thanks! The 70s Punk Rebellion corrects that error by focusing on the singles, winding up with a one-stop introduction and summary of the era that is as good as Loud, Fast & Out of Control, their similar set on early rock & roll. The compilers have bent the rules of punk slightly, deciding to include proto-punkers like New York Dolls, the Stooges, the Dictators, and Jonathan Richman, and then to not present the cuts in a strictly chronological order. This benefits the album, since these artists are in the same spirit of the bands they inspired, and the sequencing plays like a great mixtape. Rhino has also evenly balanced the set between American and British punk, including both early hardcore punkers the Dead Kennedys and British pub rock renegades like Nick Lowe and Ian Dury in equal measure. Though there s a bit of difference between "California Über Alles" and "Heart of the City. they deserve to be paired on this set because they both were genuinely independent, exciting 45s that crackled with energy and captured the spirit of punk, albeit in different ways. And that s what makes No Thanks! work so well. it illustrates how diverse punk and new wave were in the late 70s, but it places a premium on adventure and excitement, which means even artier bands like Pere Ubu and Suicide come across as pure rock & roll. If there is any flaw to the box, it s that most record collectors will already own the lion s share of these songs. in fact, if they own Rhino s previous 1993 multi-disc punk retrospective D. I. Y., they ll own no less than 53 of these songs (an additional 14 songs have appeared on other Rhino titles, making for a grand total of 67 of 100 songs already released by Rhino. While this is undoubtedly a problem for some collectors, it is also true that it functions more as an overview for fans that don t already own a bunch of this on CD, and on that level it can t be faulted. True, this may contain no tracks from the Sex Pistols, since John Lydon refused them permission (allegedly because Rhino chose not to release the 2002 Sex Pistols box set in the States) but every other major player is here, and the music here is so good they re not missed at all. Finally, if a collector is wondering whether it s worth the expense to buy this box, there are three rare singles that make their debut here: the aforementioned Television and Patti Smith singles, Little Johnny Jewel" and "Hey Joe [version. plus an early single version of the Pretenders. The Wait. Note: Little Johnny Jewel" was released nearly simultaneously on an expanded reissue of Television s Marquee Moon. For those that can afford it, that s reason enough to pick up the set. 1. Blitzkrieg Bop - Ramones 2. White Riot - The Clash 3. Heart Of The City - Nick Lowe 4. Boredom - Buzzcocks featuring Howard Devoto 5. (I m) Stranded - The Saints 6. Neat Neat Neat - The Damned 7. In The City - The Jam 8. Final Solution - Pere Ubu 9. Roadrunner - The Modern Lovers 10. Little Johnny Jewel - Television 11. One Chord Wonders - The Adverts 12. Born To Lose - The Heartbreakers 13. Search And Destroy - Iggy & The Stooges 14. Let Me Dream If I Want To (Amphetamine Blues. Mink DeVille 15. Oh Bondage Up Yours. X-Ray Spex 16. 1 2 X U - Wire 17. Blank Generation - Richard Hell & The Voidoids 18. (Get A) Grip (On Yourself. The Stranglers 19. Cherry Bomb - The Runaways 20. Personality Crisis - New York Dolls 21. Teenage Depression - Eddie & The Hot Rods 22. Two Tub Man - The Dictators 23. Hey Joe (Version. Patti Smith 24. Your Generation - Generation X 1. Lust For Life - Iggy Pop 2. Gary Gilmore s Eyes - The Adverts 3. Satday Night In The City Of The Dead - Ultravox! 4. What Do I Get. Buzzcocks 5. X Offender - Blondie 6. Lookin After No. 1 - The Boomtown Rats 7. Don t Dictate - Penetration 8. Bingo Master - The Fall 9. Free Money - Patti Smith 10. The Modern World - The Jam 11. Chinese Rocks - The Heartbreakers 12. New Rose - The Damned 13. Ambition - Subway Sect 14. See No Evil - Television 15. Suspect Device - Stiff Little Fingers 16. Mannequin - Wire 17. Baby Baby - The Vibrators 18. Love Comes In Spurts - Richard Hell & The Voidoids 19. First Time - The Boys 20. Sonic Reducer - Dead Boys 21. Shot By Both Sides - Magazine 22. Mystery Dance - Elvis Costello 23. Trash - New York Dolls 24. The Day The World Turned Day-Glo - X-Ray Spex 25. Do Anything You Wanna Do - Eddie & The Hot Rods 1. Ready Steady Go - Generation X 2. Teenage Kicks - The Undertones 3. Sex & Drugs & Rock & Roll - Ian Dury 4. Ever Fallen In Love (With Someone You Shouldn t ve. Buzzcocks 5. Rocket U. Suicide 6. Mongoloid - Devo 7. Homicide - 999 8. Mr. Big - The Dils 9. Warsaw - Joy Division 10. Where Were You. The Mekons 11. Lexicon Devil - The Germs 12. (My Baby Does) Good Sculptures - The Rezillos 13. The Wait - The Pretenders 14. We Got The Neutron Bomb - The Weirdos 15. Pablo Picasso - The Modern Lovers 16. Action Time Vision - Alternative TV 17. 2-4-6-8 Motorway - Tom Robinson Band 18. We Are The One - The Avengers 19. Borstal Breakout - Sham 69 20. Wasted - Black Flag 21. Sheena Is A Punk Rocker - Ramones 22. I Love Livin In The City - Fear 23. She s So Modern - The Boomtown Rats 24. Ghosts Of Princes In Towers - Rich Kids 25. We re Desperate - X 26. You Drive Me Ape (You Big Gorilla. The Dickies 27. Dancing The Night Away - The Motors 1. Hong Kong Garden - Siouxsie & The Banshees 2. Hanging On The Telephone - Blondie 3. Top Of The Pops - The Rezillos 4. Adult Books - X 5. The Sound Of The Suburbs - The Members 6. California =DCber Alles - Dead Kennedys 7. Another Girl, Another Planet - The Only Ones 8. (I Want To Be An) Anglepoise Lamp - The Soft Boys 9. Radio, Radio - Elvis Costello & The Attractions 10. Typical Girls - The Slits 11. Human Fly - The Cramps 12. Psycho Killer - Talking Heads 13. Babylon s Burning - The Ruts 14. If The Kids Are United - Sham 69 15. Alternative Ulster - Stiff Little Fingers 16. Boys Don t Cry - The Cure 17. She Is Beyond Good And Evil - The Pop Group 18. Is She Really Going Out With Him. Joe Jackson 19. Get Over You - The Undertones 20. Love Like Anthrax - Gang Of Four 21. Peaches - The Stranglers 22. Into The Valley - Skids 23. You Can t Put Your Arms Round A Memory - Johnny Thunders 24. Love Will Tear Us Apart - Joy Division Album artwork and rip logs are included. Enjoy. No Thanks. The '70s Punk Rebellion 423. 67 MB 107 8 years No Thanks! 70- s Punk Rebellion [CD-3-4 132. 49 MB No Thanks! The 70's Punk Rebellion 601. 6 MB 102 No Thanks! 70's Punk Rebellion Cd3 132. 39 MB 27 Various Artists - Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 (4CD Box) FLAC] Compiled by rock critic and future Patti Smith Group guitarist Lenny Kaye, 1972 s Nuggets was the anthology responsible for reviving interest in mid- 60s American garage rock. After the proliferation of specialized volumes with the Nuggets title by reissue label Rhino, this four-CD box set is intended as the ideal summation/expansion of the Nuggets concept. The first CD reproduces, track-by-track, the original 27-song Nuggets, while the other three CDs add what may be considered 91 bonus tracks, from the biggest-selling garage hits ( Louie Louie. Wooly Bully" to some cuts that only devout 60s specialists will know. All important permutations of the mid- 60s garage style are present: primitive fuzz, folk-rock, horn rock, psychedelic dementia, protest rock, etc. Major heroes the Music Machine, the Seeds, the Shadows of Knight, the Electric Prunes, the Standells, the Sonics, the Chocolate Watch Band, and many others are all represented, often by more than one song. If it s possible to give a five-star rating with reservations, it s tempting to do so here. No one could have possibly satisfied all rabid garage collectors with a mere 118 songs, but that s not really the point here; the object was to provide a wide-ranging box set of 60s garage rock that would entertain, represent the considerable span of garage styles, and be massive. yet affordable. for the committed rock fan who nonetheless doesn t want everything. Rhino has succeeded, while also presenting the songs in the best possible quality (in mono) whether from the master tapes or best existing copies. With a 100-page booklet of new liner notes (Kaye s original annotation is also included) it is the best investment possible for those who thirst for more 60s garage rock than is available on the best single-volume compilations, with a track selection geared toward cream-of-the-crop quality and variety rather than narrow collector prejudices. Tracklisting: 1. I Had Too Much To Dream (Last Night. Electric Prunes 2. Dirty Water - The Standells 3. Night Time - Strangeloves 4. Lies - The Knickerbockers 5. Respect - Vagrants 6. A Public Execution - Mouse 7. No time like the right time - Blues Project 8. Oh Yeah - Shadows Of Knight 9. Pushin Too Hard - Seeds 10. Moulty - Barbarians 11. Don t Look Back - Remains 12. An invitation to cry - The Magicians 13. Liar, Liar - Castaways 14. You re Gonna Miss Me - Thirteenth Floor Elevators 15. Psychotic Reaction - Count Five 16. Hey Joe - Leaves 17. Romeo & Juliet - Michael & The Messengers 18. Sugar And Spice - Cryan Shames 19. Baby Please Don t Go - Amboy Dukes 20. Tobacco Road - Blues Magoos 21. Let s Talk About Girls - Chocolate Watch Band 22. Sit Down, I Think I Love You - Mojo Men 23. Run, Run, Run - Third Rail 24. My World Fell Down - Sagittarius 25. Open My Eyes - Nazz 26. Farmer John - Premiers 27. It s-A-Happening - Magic Mushrooms 1. Talk Talk - The Music Machine 2. Last Time Around - Del-Vetts 3. Nobody But Me - Human Beinz 4. Journey To Tyme - Kenny & The Kasuals 5. No Friend Of Mine - Sparkles 6. Outside Chance - Turtles 7. Action Woman - Litter 8. Spazz - Elastik Band 9. Sweet Young Thing - Chocolate Watchband 10. Incense And Peppermints - Strawberry Alarm Clock 11. I Ain t No Miracle Worker - Brogues 12. 7 And 7 Is - Love 13. Time won t let me - The Outsiders 14. Going All The Way - Squires 15. I m Gonna Make You Mine - Shadows Of Knight 16. The Trip - Kim Fowley 17. Can t Seem To Make You Mine - Seeds 18. Why Do I Cry - Remains 19. Laugh, Laugh - Beau Brummels 20. The Little Black Egg - The Night Crawlers 21. I Wonder - Gants 22. I See The Light - Five Americans 23. Who Do You Love - Woolies 24. Double Shot (Of My Baby s Love. Swingin Medallions 25. Live - Merry-Go-Round 26. Steppin Out - Paul Revere & The Raiders 27. Diddy Wah Diddy - Captain Beefheart & His Magic Band 28. Strychnine - Sonics 29. Little Girl - Syndicate Of Sound 30. (We ain t got) Nothing yet - Blues Magoos 31. Shape Of Things To Come - Max Frost & The Troopers 1. Let It Out (Let It All Hang Out. Hombres 2. Fight Fire - Golliwogs 3. At The River s Edge - New Colony Six 4. Jack Of Diamonds - Daily Flash 5. Follow Me - Lyme & Cybelle 6. It s Cold Outside - Choir 7. Beg, Borrow And Steal - Rare Breed 8. She s About A Mover - Sir Douglas Quintet 9. Little Bit O Soul - Music Explosion 10. Put The Clock Back On The Wall. E Types 11. Falling Sugar - Palace Guard 12. Run, Run, Run - Gestures 13. I Need You - Rationals 14. Knock, Knock - Humane Society 15. Primitive - Groupies 16. Psycho - Sonics 17. So What. Lyrics 18. You Must Be A Witch - Lollipop Shoppe 19. A question of temperature - The Baloon Farm 20. Maid Of Sugar-Maid Of Spice - Mouse & The Traps 21. You Ain t Tuff - Uniques 22. Sometimes Good Guys Don t Wear White - Standells 23. She s My Baby - Mojo Men 24. Story Of My Life - Unrelated Segments 25. I m Five Years Ahead Of My Time - Third Bardo 26. Mirror Of Your Mind - We The People 27. Bad Little Woman - Shadows Of Knight 28. Double Yellow Line - Music Machine 29. Optical Sound - Human Expression 30. Journey To The Center Of The Mind - Amboy Dukes 1. Are You Gonna Be There (At The Love-In. Chocolate Watchband 2. Too Many People - Leaves 3. (Would I still be) Her big man - The Brigands 4. Are You A Boy Or Are You A Girl - Barbarians 5. Wooly Bully - Sam The Sham & The Pharaohs 6. I Wan t Candy - Strangeloves 7. Louie Louie - Kingsmen 8. One Track Mind - Knickerbockers 9. Out Of Our Tree - Wailers 10. I Think I m Down - Harbinger Complex 11. What Am I Going To Do - Dovers 12. Codine - Charlatans 13. Johnny Was A Good Boy - Mystery Trend 14. Stop-Get A Ticket - Clefs Of Lavender Hill 15. Complication - Monks 16. The Witch - Sonics 17. Get Me To The World On Time - Electric Prunes 18. Pharmacist - Other Half 19. Open Up Your Door - Richard & The Young Lions 20. Just Like Me - Paul Revere & The Raiders 21. You Burn Me Up And Down - We The People 22. I Live In The Springtime - Lemon Drops 23. Mindrocker - Fenwyck 24. Hold Me Now - Rumors 25. Love s Gone Bad - Underdogs 26. Why Pick On Me - Standells 27. Bad Girl - Zakary Thaks 28. Blackout Of Gretely - Gonn 29. Voices Green And Purple - Bees 30. Blues Theme (from the motion picture "The Wild Angels. Davie Allan & The Arrows Album artwork and rip logs are included. Enjoy. Nuggets Original Artyfacts From The First Psychedelic Era 1965-1 405. 45 MB 417. 21 MB 400. 59 MB Nuggets Original Artyfacts From The First Psychedelic Era 1965-1968(Cd-2) EAC-FLAC] TWR10] 402. 54 MB 42 Brand New - Studio Album Discography 2001-2009 [FLAC] Although the members of Brand New cut their teeth in various hardcore bands, the group took a more melodic approach to its own work, embracing punk-pop on the debut album Your Favorite Weapon and incorporating aspects of indie rock during future projects. Formed in Long Island, NY, the band took shape in 2000 around the talents of drummer Brian Lane, vocalist/guitarist Jesse Lacey, bassist Garrett Tierney, and guitarist Vin Accardi. Brand New wasted little time attracting local attention with a self-released demo, and shows alongside Midtown and Glassjaw helped spread the band s buzz outside of New York. In 2001, the musicians issued their first record, Your Favorite Weapon, which featured production from friend Mike Sapone. Lacey s clever and cutting lyrics sprinkled the album, which produced the semi-hit "Jude Law and a Semester Abroad. and more touring with the likes of Taking Back Sunday and Finch followed. Proving to be more than just another punk-pop outfit, the group made something of a stylistic leap with Deja Entendu, a decidedly matured follow-up that was recorded with Steve Haigler (Pixies, Blake Babies) and released in summer 2003 to warm reviews. Music videos for "The Quiet Things That No One Ever Knows" and "Sic Transit Fades" found significant airplay on MTV, and Brand New graduated to larger venues by playing with New Found Glory, Good Charlotte, Dashboard Confessional, and blink-182. By that fall, as the band s underground following continued growing into a mainstream audience, Brand New inked a deal with Dreamworks, which later led to a partnership with Interscope following the former label s buyout. Touring eventually slowed to a halt as Brand New holed themselves up to work on their third album and major-label debut. After an extended quiet spell. little to no interviews or updates came from the band s camp for quite some time. Brand New finally emerged in summer 2006 for several headlining dates in America, their first nationwide tour in three years. The highly anticipated The Devil and God Are Raging Inside Me appeared in November 2006. Though significantly darker and less immediate than past efforts, the album was commended for its depth and maturity, and the band supported it with a sold-out spring 2007 tour. Meanwhile, sales for Deja Entendu continued to trickle in, and the album went gold that May. Brand New set to work on another album one year later, once again working with producer Mike Sapone on the new material. The resulting record, Daisy, was issued in 2009, and the band took a different approach by focusing nearly all of its promotional abilities on European audiences instead of American fans. A Deluxe version of Your Favorite Weapon was released in 2011. 1. Your Favorite Weapon (2001) 2. Deja Entendu (2003) 3. The Devil and God Are Raging Inside Me (2006) 4. Daisy (2009) Enjoy. New York Dolls - Studio Discorgaphy 1973-2011 [FLAC] The New York Dolls created punk rock before there was a term for it. Building on the Rolling Stones dirty rock & roll, Mick Jagger s androgyny, girl group pop, the Stooges anarchic noise, and the glam rock of David Bowie and T. Rex, The New York Dolls created a new form of hard rock that presaged both punk rock and heavy metal. Their drug-fueled, shambolic performances influenced a generation of musicians in New York and London, who all went on to form punk bands. And although they self-destructed quickly, the band s first two albums remain among the most popular cult records in rock & roll history. All of the members of The New York Dolls played in New York bands before the band formed in late 1971. Guitarists Johnny Thunders and Rick Rivets, bassist Arthur Kane, and drummer Billy Murcia were joined by vocalist David Johansen. Early in 1972, Rivets was replaced by Syl Sylvain and the group began playing regularly in Lower Manhattan, particularly at the Mercer Arts Center. Within a few months, they had earned a dedicated cult following, but record companies were afraid of signing the Dolls because of their cross-dressing and blatant vulgarity. Late in 1972, the Dolls embarked on their first tour of England. During the tour, drummer Murcia died after mixing drugs and alcohol. He was replaced by Jerry Nolan. After Nolan joined the band, the Dolls finally secured a record contract with Mercury Records. Todd Rundgren. whose sophisticated pop seemed at odds with the band s crash-and-burn rock & roll. produced the band s debut New York Dolls, which appeared in the summer of 1973. The record received overwhelmingly positive reviews, but it didn t stir the interest of the general public; the album peaked at number 116 on the U. charts. The band s follow-up, Too Much Too Soon, was produced by the legendary girl group producer George "Shadow" Morton. Although the sound of the record was relatively streamlined, the album was another commercial failure, only reaching number 167 upon its early summer 1974 release. Following the disappointing sales of the Dolls two albums, Mercury Records dropped the band. No other record labels were interested in the group, so the Dolls decided to hire a new manager, the British Malcolm McLaren, who would soon become famous for managing the Sex Pistols. With the Dolls, McLaren began developing his skill for turning shock into invaluable publicity. Although he made it work for the Pistols just a year later, all of his strategies backfired for the Dolls. McLaren made the band dress completely in red leather and perform in front of the U. s flag, all of which meant to symbolize the Dolls alleged communist allegiance. The new approach only made record labels more reluctant to sign the band and members soon began leaving the group. By the middle of 1975, Thunders and Nolan left the Dolls. The remaining members, Johansen and Sylvain, fired McLaren and assembled a new lineup of the band. For the next two years, the duo led a variety of different incarnations of the band, to no success. In 1977, Johansen and Sylvain decided to break up the band permanently. Over the next two decades, various outtakes collections, live albums, and compilations were released by a variety of labels and The New York Dolls two original studio albums never went out of print. Upon the Dolls breakup, David Johansen began a solo career that would eventually metamorphose into his lounge-singing alter ego, Buster Poindexter, in the mid- 80s. Syl Sylvain played with Johansen for two years before he left to pursue his own solo career. Johnny Thunders formed the Heartbreakers with Jerry Nolan after they left the group in 1975. Over the next decade, the Heartbreakers would perform sporadically and Thunders would record an occasional solo album. On April 23, 1991, Thunders. who was one of the more notorious drug abusers in rock & roll history. died of a heroin overdose. Nolan performed at a tribute concert for Thunders later in 1991; a few months later, he died of a stroke at the age of 40. In 2004, former Smiths vocalist Morrissey. who was once the president of a British New York Dolls fan club. invited the surviving members of The New York Dolls to perform at the 2004 Meltown Festival, a music and cultural festival that was being curated that year by the singer. To the surprise of many, David Johansen, Syl Sylvain, and Arthur Kane agreed to the gig, with Steve Conte (from Johansen s solo band) standing in for Thunders and Gary Powell from the Libertines sitting in on drums. The group s set was well received by critics and fans (and was recorded for release on DVD and compact disc) which led to offers for other festival appearances, but only a few weeks after the Meltdown show, Kane checked himself into a Los Angeles hospital with what he thought was a severe case of the flu. Kane s ailment was soon diagnosed as leukemia, and he died only a few hours later, on July 13, 2004, at age 55. With Sam Yaffa (of Hanoi Rocks) on bass, the remaining Dolls played a hometown tribute to their fallen brothers at Little Steven s International Underground Garage Festival in New York City on August 14, 2004, reuniting again (this time with Brian Delaney on drums) in 2006 for the all-new CD/DVD One Day It Will Please Us to Remember Even This. The Todd Rundgren-produced Cause I Sez So appeared on Rhino in 2009. A fifth studio album, Dancing Backward in High Heels, featuring both Johansen and Sylvain and produced and mixed by Jason Hill, appeared from 429 Records early in 2011. 1. New York Dolls (1973) Original & 2009 Japan Remaster] 2. Too Much Too Soon (1974) Original & 2009 Japan Remaster] 3. One Day It Will Please Us to Remember Even This (2006) 4. Private World: The Complete Early Studio Demos 1972-73 (2006) 5. Cause I Sez So (2009) 6. Dancing Backward in High Heels (2011) Album artwork and audiochecker logs are included. Enjoy. Seeds: 0 Peers: 1 Filesize: 5315 mb Cheap Trick - The Complete Epic Albums Collection (2012) FLAC] THE COMPLETE EPIC ALBUMS COLLECTION gathers Cheap Trick s seminal recordings in one essential, exhaustive package. Besotted by the British Invasion, Cheap Trick took the music of their UK heroes and transformed it into something uniquely American. While lead guitarist Rick Nielsen has humorously described the band as “four great guys with three great chords, ” they are much more than that. From their hometown of Rockford, Illinois, Cheap Trick has taken their inventive, high-energy brand of rock to every corner of the globe, selling over 20 million albums and amassing devotees from Kurt Cobain to Homer Simpson. The Complete Epic Albums Collection gathers their seminal recordings in one essential, exhaustive package. After all, songs like “I Want You to Want Me, ” “Surrender, ” “The Flame” and “Dream Police” dont just live on the radio—they live inside of your head as well. At Budokan: The Complete Concert—the expanded 2-CD version of their breakthrough 1978 live album. The rare Found All the Parts EP, on CD for the first time in the U. S. The "Authorized version" of Next Position Please, available here for the first time on CD. Newly mastered versions of One on One, Standing on the Edge, The Doctor, Lap of Luxury and Busted available exclusively within this box set. Albums Included: Disc 1: Cheap Trick (Expanded) Disc 2: In Color (Expanded) Disc 3: Heaven Tonight (Expanded) Disc 4 & 5: At Budokan: The Complete Concert (2 CDs) Disc 6: Dream Police (Expanded) Disc 7: Found All the Parts EP Disc 8: All Shook Up Disc 9: One on One (newly remastered for this box) Disc 10: Next Position Please (Authorized Version) Disc 11: Standing on the Edge (newly remastered for this box) Disc 12: The Doctor (newly remastered for this box) Disc 13: Lap of Luxury (newly remastered for this box) Disc 14: Busted (newly remastered for this box) Enjoy. U2 - Studio Discography 1980-2011 [FLAC] Through a combination of zealous righteousness and post-punk experimentalism, U2 became one of the most popular rock & roll bands of the 80s. They were rock & roll crusaders during an era of synthesized pop and heavy metal, equally known for their sweeping sound as for their grandiose statements about politics and religion. The Edge provided the group with a signature sound by creating sweeping sonic landscapes with his heavily processed, echoed guitars. Though The Edge s style wasn t conventional, the rhythm section of Larry Mullen, Jr. and Adam Clayton played the songs as driving hard rock, giving the band a forceful, powerful edge that was designed for arenas. And their lead singer, Bono, was a frontman with a knack of grand gestures that played better in stadiums than small clubs. It s no accident that footage of Bono parading with a white flag with "Sunday Bloody Sunday" blaring in the background became the defining moment of U2 s early career. there rarely was a band that believed so deeply in rock s potential for revolution as U2, and there rarely was a band whose members didn t care if they appeared foolish in the process. During the course of the early 80s, the group quickly built up a dedicated following through constant touring and a string of acclaimed records. By 1987, U2 s following had grown large enough to propel them to the level of international superstardom with the release of The Joshua Tree. Unlike many of their contemporaries, they were able to sustain such popularity in the 90s by reinventing themselves as a postmodern, self-consciously ironic, dance-inflected pop/rock act, owing equally to the experimentalism of late- 70s Bowie and 90s electronic dance and techno. By performing such a successful reinvention, the band confirmed its status as one of the most popular bands in rock history, in addition to earning additional critical respect. With its textured guitars, the band s sound was undeniably indebted to post-punk, so it s slightly ironic that U2 formed in 1976, before punk had even reached their hometown of Dublin, Ireland. Larry Mullen Jr. (born October 31, 1961; drums) posted a notice on a high-school bulletin board asking for fellow musicians to form a band. Bono (born Paul Hewson, May 10, 1960; vocals) The Edge (born David Evans, August 8, 1961; guitar, keyboards, vocals) Adam Clayton (born March 13, 1960; bass) and Dick Evans responded to the ad, and the teenagers banded together as a Beatles and Stones cover band called the Feedback. They then changed their name to the Hype in 1977. Shortly afterward, Dick Evans left the band to form the Virgin Prunes, and the group changed names once again, this time adopting the moniker of U2. U2 s first big break arrived in 1978, during the members final year of high school, when they won a talent contest sponsored by Guinness. By the end of the year, the Stranglers manager, Paul McGuinness, had seen U2 play and offered to manage them. Even with a powerful manager in their corner, the band had trouble making much headway, and failed an audition with CBS Records at the end of the year. In the fall of 1979, U2 released their debut EP, U2 Three. The EP was available only in Ireland, where it topped the national charts. Shortly afterward, they began to play in England, but they failed to gain much attention away from home. U2 scored one more chart-topping single, Another Day. in early 1980 before Island Records offered the group a contract. Later that year, the band s full-length debut, Boy, was released. Produced by Steve Lillywhite, the album s sweeping, atmospheric but edgy sound was unlike most recordings by U2 s post-punk contemporaries, and the band earned further attention for its public embrace of Christianity; only Clayton was not a practicing Christian. Through constant touring, including opening gigs for Talking Heads, U2 were able to take Boy into the American Top 70 in early 1981. October, also produced by Lillywhite, followed in the fall, and it became their British breakthrough, reaching number 11 on the charts. By early 1983, Boy s "I Will Follow" and October s "Gloria" had become staples on MTV, which, along with their touring, gave U2 a formidable cult following in the U. S. Released in the spring of 1983, the Lillywhite-produced War became U2 s breakthrough release, entering the U. charts at number one and elevating them into arenas in the United States, where the album peaked at number 12. War had a stronger political message than its predecessors, as evidenced by the international hits "Sunday Bloody Sunday" and "New Year s Day. During the supporting tour, the band filmed its concert at Colorado s Red Rocks Amphitheater, releasing the show as an EP and video titled Under a Blood Red Sky. The EP entered in the U. charts at number two, becoming the most successful live recording in British history. U2 had become one of the most popular bands in the world, and their righteous political stance soon became replicated by many other bands, providing the impetus for the Band Aid and Live Aid projects in 1984 and 1985, respectively. For the follow-up to War, U2 entered the studios with co-producers Brian Eno and Daniel Lanois, who helped give the resulting album an experimental, atmospheric tone. Released in the fall of 1984, The Unforgettable Fire replicated the chart status of War, entering the U. charts at number one and reaching number 12 in the U. The album also generated the group s first Top 40 hit in America with " Pride) In the Name of Love. a tribute to Martin Luther King Jr. U2 supported the album with a successful international tour, highlighted by a show-stealing performance at Live Aid. Following the tour, the band released the live EP Wide Awake in America in 1985. While U2 had become one of the most successful rock bands of the 80s, they didn t truly become superstars until the spring 1987 release of The Joshua Tree. Greeted with enthusiastic reviews, many of which proclaimed the album a masterpiece, The Joshua Tree became U2 s first American number one hit and their third straight album to enter the U. charts at number one; in England, it set a record by going platinum within 28 hours. Generating the U. number one hits "With or Without You" and "I Still Haven t Found What I m Looking For. The Joshua Tree and the group s supporting tour became the biggest success story of 1987, earning U2 the cover of respected publications like Time magazine. U2 decided to film a documentary about their American tour, recording new material along the way. The project became Rattle & Hum, a film that was supported by a double-album soundtrack that was divided between live tracks and new material. While the album Rattle & Hum was a hit, the record and film received the weakest reviews of U2 s career, with many critics taking issue with the group s fascination with American roots music like blues, soul, country, and folk. Following the release of Rattle & Hum, the band took an extended hiatus. U2 reconvened in Berlin in 1990 to record a new album with Eno and Lanois. While the sessions for the album were difficult, the resulting record, Achtung Baby, represented a successful reinvention of the band s trademark sound. Where they had been inspired by post-punk in the early career and American music during their mid-career, U2 delved into electronic and dance music with Achtung Baby. Inspired equally by late- 70s Bowie and the Madchester scene in the U. K., Achtung Baby was sonically more eclectic and adventurous than U2 s earlier work, and it didn t alienate their core audience. The album debuted at number one throughout the world and spawned Top Ten hits with "Mysterious Ways" and "One. " Early in 1992, the group launched an elaborate tour to support Achtung Baby. Dubbed Zoo TV, the tour was an innovative blend of multimedia electronics, featuring a stage filled with televisions, suspended cars, and cellular phones. Bono devised an alter ego called the Fly, which was a knowing send-up of rock stardom. Even under the ironic guise of the Fly and Zoo TV, it was evident that U2 were looser and more fun than ever before, even though they had not abandoned their trademark righteous political anger. Following the completion of the American Zoo TV tour in late 1992 and preceding the launch of the tour s European leg, U2 entered the studio to complete an EP of new material that soon became the full-length Zooropa. Released in the summer of 1993 to coincide with the tour of the same name, Zooropa demonstrated a heavier techno and dance influence than Achtung Baby and received strong reviews. Nevertheless, the album stalled at sales of two million and failed to generate a big hit single. During the subsequent Zooropa tour, the Fly metamorphosed into the demonic MacPhisto, which dominated the remainder of the tour. Upon the completion of the Zooropa tour in late 1993, the band took another extended break. During 1995, U2 re-emerged with "Hold Me, Thrill Me, Kiss Me, Kill Me. a glam rock theme to Batman Forever that was produced by Nellee Hooper (Björk, Soul II Soul. Later that year, they recorded the collaborative album Original Soundtracks, Vol. 1 with Brian Eno, releasing the record under the name the Passengers late in 1995. It was greeted with a muted reception, both critically and commercially. Many hardcore U2 fans (including drummer Larry Mullen Jr. were unhappy with the Passengers project, and U2 promised their next album, to be released in the fall of 1996, would be a rock & roll record. The album took longer to complete than usual, ultimately being pushed back to the spring of 1997. During its delay, a few tracks, including the forthcoming first single "Discotheque. were leaked, and it became clear that the new album was going to be heavily influenced by techno, dance, and electronic music. When it was finally released, Pop did indeed bear a heavier dance influence, but it was greeted with strong initial sales and a few positive reviews. Demand for the album lessened in the following months, however, and Pop ultimately became the band s least popular album in over a decade. In late 1998, the group returned with Best of 1980-1990, the first in a series of hits collections issued in conjunction with a reported 50 million dollar agreement with Polygram. Included in the comprehensive track list was a remixed version of "Sweetest Thing. originally released as B-side in 1987, which charted well in multiple countries. Three years after the mediocre response to Pop, U2 teamed up with Eno and Lanois once again to release All That You Can t Leave Behind in fall 2000. The album was heralded as a return to form, melding the band s classic sound with contemporary trends. It topped charts around the world, reached number three in America, earned Grammy Awards for the singles "Beautiful Day" and "Walk On. and became the band s biggest-selling record in years. (The Elevation tour that followed also brought U2 a hefty paycheck. Steve Lillywhite, producer of the early- 80s landmarks Boy, October, and War, returned to the helm for U2 s next record, How to Dismantle an Atomic Bomb. Released in November 2004, it hit the top of the Billboard charts and quickly gained platinum status. The album also garnered eight Grammy Awards, including Album of the Year, Rock Album of the Year, and Song of the Year (for "Sometimes You Can t Make It on Your Own. which Bono had written for his father. U2 were inducted into the Rock & Roll Hall of Fame in early 2005 and launched an international tour soon after, selling out arena venues in the U. and outdoor stadium shows abroad. The Vertigo Tour became the highest-grossing tour of 2005; by the time the entire tour concluded in late 2006, its gross of 389 million had made it the second most successful tour ever. U2 returned to the drawing board in 2006 by partnering with veteran rock producer Rick Rubin. Two songs from those sessions appeared on the compilation U218 Singles, but the remaining material was ultimately scrapped. The band then turned to longtime friends Brian Eno, Daniel Lanois, and Steve Lillywhite, all of whom helped shape the sound of U2 s 12th studio effort. Entitled No Line on the Horizon, the album was originally slated to appear in October 2008, although the release date was ultimately pushed back to March 2009. No Line on the Horizon was met with enthusiastic reviews but failed to yield a big radio single; even so, the band embarked on another lucrative tour that summer. A second leg, originally planned for 2010, was postponed when Bono suffered a slipped disc and underwent emergency back surgery. Touring resumed the following year, and the so-called 360 Tour was ultimately named the highest-grossing concert tour in history. Meanwhile, Bono and The Edge also worked on music for the Broadway musical Spider-Man: Turn Off the Dark, which opened in June 2011. 1980 - Boy 1981 - October 1983 - War 1983 - Under a Blood Red Sky 1984 - The Unforgettable Fire 1987 - The Joshua Tree 1988 - Rattle and Hum 1991 - Achtung Baby 1993 - Zooropa 1997 - Pop 1998 - The Best of 1980-1990 & B-Sides 2000 - All That You Can t Leave Behind 2002 - The Best of 1990-2000 & B-Sides 2004 - How to Dismantle an Atomic Bomb 2006 - U218 Singles [UK Version] 2007 - The Joshua Tree [20th Anniversary Super Deluxe Limited Edition] 2008 - Boy [Deluxe Edition] 2008 - October [Deluxe Edition] 2008 - War [Deluxe Edition] 2008 - Under a Blood Red Sky [Deluxe Edition] 2009 - No Line on the Horizon 2009 - The Unforgettable Fire [25th Anniversary Super Deluxe Limited Edition] 2011 - Achtung Baby [20th Anniversary Super Deluxe Edition] Full album artwork and rip logs are included. Enjoy. The Police - Remastered Studio Discography 1978-1983 [FLAC] Nominally, the Police were punk rock, but that s only in the loosest sense of the term. The trio s nervous, reggae-injected pop/rock was punky, but it wasn t necessarily punk. All three members were considerably more technically proficient than the average punk or new wave band. Andy Summers had a precise guitar attack that created dense, interlocking waves of sounds and effects. Stewart Copeland could play polyrhythms effortlessly. And Sting, with his high, keening voice, was capable of constructing infectiously catchy pop songs. While they weren t punk, the Police certainly demonstrated that the punk spirit could have a future in pop music. As their career progressed, the Police grew considerably more adventurous, experimenting with jazz and various world musics. All the while, the band s tight delivery and mastery of the pop single kept their audience increasing, and by 1983, they were the most popular rock & roll band in the world. Though they were at the height of their fame, internal tensions caused the band to splinter apart in 1984, with Sting picking up the majority of the band s audience to become an international superstar. 1978 - Outlandos d Amour [2003 Remaster] 1979 - Reggatta de Blanc [2003 Remaster] 1980 - Zenyatta Mondatta [2003 Remaster] 1981 - Ghost in the Machine [2003 Remaster] 1983 - Synchronicity [2003 Remaster] The Clash - Sound System [11CD+DVD] 2013) FLAC] Most box sets are designed to enshrine an artist in the amber of posterity. The idea is that the artist has transcended their time, that they can now be appreciated outside of the context of their era. The digital age, where recordings from the past sit comfortably with tunes from the present, accelerates this trend, suggesting that all the classic artists exist upon their own continuum, that their development was almost a product of self-divination. What is interesting about Sound System is that it throws this notion out the window and celebrates the era that produced the Clash as much as it celebrates the band itself. As designed by Clash bassist Paul Simonon, Sound System looks like an old-school ghetto blaster, and it s filled with replicas of fanzines, stickers, badges, press photos, posters, dog tags. all manner of period-specific tchotchkes that walk the line between nostalgia and commercial art. This aesthetic trickles down to the presentation of the music itself, with London Calling split over two CDs where it could easily fit onto one and Sandinista! taking up a full three discs. Such details slightly impede playability if Sound System is listened to as a series of CDs, but once the set is ripped and listened to digitally, the divided discs are simply another design flourish, one of many little things to appreciate. But Sound System is also attractive in delivering what effectively is the Complete Clash in one sitting. Apart from the disowned Cut the Crap, all the albums are here. the U. version of The Clash, Give Em Enough Rope, London Calling, Sandinista! Combat Rock. along with three discs of extras that include all the non-LP singles (i. e., the singles that were added to the U. pressing of the debut, plus everything that wound up on the clearinghouse Super Black Market Clash, such as the Cost of Living EP) oddities that appeared on the first Clash box Clash on Broadway in 1991, and B-sides; then, most attractively for collectors, previously unreleased mixes, outtakes from Combat Rock, extracts" from the band s first recording session in 1976, Polydor demos from that same year produced by Guy Stevens, and six live cuts from the Lyceum in 1979. Then, there s the DVD which contains all the band s promo videos, the Clash on Broadway video, the White Promo Film, footage from Sussex University in 1977, and individual selections from Clash compatriots Don Letts and Julian Temple. Perhaps there are still some stray tracks in the vaults. this seems to excavate all the unheard songs from Rat Patrol from Fort Bragg, aka the original version of Combat Rock and some cuts may be left behind. but this is as complete as we ll get and if it doesn t present any fresh revelations, it brings the Clash s era back to life, both sonically and visually. The set will contain all the albums, newly remastered, across eight CDs, plus a further three discs of demos, non-album singles, B-sides and rarities. Additionally Sound System comes with a DVD which features all of the bands videos and unseen footage from the archives of Julien Temple and Don Letts. The boombox packaging is designed by Paul Simonon and houses memorabilia including Clash Fanzines, poster, dog tags, stickers and badges. A new 2CD set The Clash – Hits Back will also be released on the same day. Sound System box set contains eight CDs (below) to cover the normal albums and a further four bonus discs with rarities – giving a total of 12 discs in this set. 1. The Clash [UK Version] 1 CD) 2. Give ‘Em Enough Rope (1 CD) 3. London Calling (double album, 2 CDs) 4. Sandinista! triple album, 3 CDs) 5. Combat Rock (1 CD) 6. Sound System Extras (3 CDs) 7. Bonus DVD (1 Disc) All newly remastered by The Clash with award-winning engineer Tim Young. Sound System Extra CDs Full track listing: Disc One 1. White Riot (Single version) 2. 1977 (B-side) 3. Listen (Capital Radio EP. Interviews (Capital Radio EP) 4. Capital Radio (Capital Radio EP) 5. Londons Burning (Live B-side Remote Control) 6. Complete Control (Single version) 7. City Of The Dead (B-side) 8. Clash City Rockers (Original single version) 9. Jail Guitar Doors (B-side) 10. White Man In Hammersmith Palais (A-side) 11. The Prisoner (B-side) 12. 1-2 Crush On You (B-side Tommy Gun) 13. Time Is Tight (Black Market Clash) 14. Pressure Drop (B-side English Civil War) 15. I Fought The Law (Cost Of Living EP) 16. Groovy Times (Cost Of Living EP) 17. Gates Of The West (Cost Of Living EP) 18. Capital Radio (Cost Of Living EP) 19. Armagideon Time 20. Bankrobber (A-side) 21. Rockers Galore On A UK Tour (B-side) Disc Two 1. Magnificent Dance (12”) 5:36 (available on Singles box set) 2. Midnight To Stevens (Outtake) 3. Radio One (B-side Hitsville UK) 4. Stop The World (B-side The Call Up) 5. The Cool Out (US 12” B-side of The Call Up) 6. This Is Radio Clash (A-side) 7. This Is Radio Clash (B-side 7” – different lyrics) 8. First Night Back In London (B-side Know Your Rights) 9. Rock The Casbah (Bob Clearmountain 12” mix) – PREVIOUSLY UNRELEASED 10. Long Time Jerk (B-side Rock The Casbah) 11. The Beautiful People Are Ugly Too (Outtake) – PREVIOUSLY UNRELEASED 12. Idle In Kangaroo Court (Outtake listed as Kill Time) – PREVIOUSLY UNRELEASED 13. Ghetto Defendant (Extended version – unedited) – PREVIOUSLY UNRELEASED 14. Cool Confusion (B-side Should I Stay Or Should I Go 7”) 15. Sean Flynn (Extended ‘Marcus Music version) – PREVIOUSLY UNRELEASED 16. Straight To Hell (Extended unedited version from Clash On Broadway) – PREVIOUSLY UNRELEASED Disc Three Extracts from The Clashs first ever recording session at Beaconsfield Film School 1976. Recorded by Julien Temple 1. Im So Bored With The USA 2. Londons Burning – PREVIOUSLY UNRELEASED 3. White Riot 4. 1977 – PREVIOUSLY UNRELEASED Polydor Demos – The Clashs second recording session November 1976 (Produced by Guy Stevens) 5. Janie Jones 6. Career Opportunities 7. Londons Burning – PREVIOUSLY UNRELEASED 8. 1977 – PREVIOUSLY UNRELEASED 9. White Riot – PREVIOUSLY UNRELEASED Live at The Lyceum, London 28th December 1978 10. City Of The Dead 11. Jail Guitar Doors – PREVIOUSLY UNRELEASED 12. English Civil War 13. Stay Free – PREVIOUSLY UNRELEASED 14. Cheapstakes – PREVIOUSLY UNRELEASED 15. I Fought The Law Bonus DVD Julien Temple Archive – 6:20 White Riot Interview – 7:10 Promo and interviews with Tony Parsons 1977 1:87 White Riot 1:48 Londons Burning 2:05 Sussex University 1977 Im So Bored With The USA 2:14 – PREVIOUSLY UNRELEASED Hate & War 1:94 – PREVIOUSLY UNRELEASED Career Opportunities 1:42 – PREVIOUSLY UNRELEASED Remote Control 2:73 – PREVIOUSLY UNRELEASED Don Letts Super 8 Medley 11:40 White Riot 1:52 Janie Jones 1:73 City of the Dead 2:04 Clash City Rockers 2:15 White Man in Hammersmith Palais 2:53 1977 1:41 Clash On Broadway – 19:50 London Calling This Is Radio Clash The Magnificent Seven Guns Of Brixton Safe European Home Promo Videos Tommy Gun 3:00 London Calling 3:20 Bankrobber 4:00 Clampdown (Live) 5:00 Train In Vain (Live) 2:10 The Call Up 3:10 Rock The Casbah 3:20 Should I Stay Or Should I Go (Live at Shea Stadium) 2:50 Career Opportunities (Live at Shea Stadium) 3:00 Enjoy. Tony! Toni! Toné. Discography 1988-1997 [FLAC] Brothers Dwayne and Raphael Wiggins and cousin Timothy Christian have proven themselves durable guardians of the soul and funk tradition, while also infusing their music with enough contemporary devices to remain popular. This Oakland trio scored a number one R&B hit right out of the box in 1988 with "Little Walter. a song that generated some criticism from gospel audiences for its use of the melody from "Wade in the Water. But they ve since been able to keep things going on their own, as their LPs, The Revival in 1990 and Sons of Soul in 1993, have also been enormously successful. Tony! Toni! Toné! released their fourth album, House of Music, in the fall of 1996. 1988 - Who? 1990 - The Revival 1993 - Sons of Soul 1996 - House of Music 1997 - Hits Album artwork and rip logs are included. Enjoy. Kings of Leon - Studio Album Discography 2003-2013 [FLAC] Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. The Tennessee-bred quartet debuted in 2003 with the Holy Roller Novocaine EP, whose blend of raw, unpolished boogie rock was further explored on their debut full-length, Youth & Young Manhood. Such revivalist music was matched by a similarly revivalist appearance. including long hair, mustaches, and tight-fitting denim. and Kings of Leon experienced immediate popularity in the U. (where they would later enjoy platinum album sales, despite an initially lukewarm reception at home. As the band explored different sonic textures with subsequent releases, most notably on 2007 s Because of the Times and 2008 s Only by the Night, those tenuous links to the Strokes were finally dissolved. Comprised of three Followill brothers. Caleb (guitar) Nathan (drums) and Jared (bass. as well as first cousin Matthew Followill (guitar) Kings of Leon formed in 2000. The Followill siblings had spent their youth traveling across America s heartland with their evangelist father, decamping at Pentecostal churches and tent revivals for several days at a time before moving onward. When their father resigned from the church and divorced his wife in 1997, the boys relocated to Nashville and embraced the rock music (not to mention the accompanying lifestyle) they d previously been denied. Cousin Matthew was added to the lineup, and a Southern garage rock sound quickly emerged. RCA took note, signing the band in 2001 and facilitating a partnership with Nashville-based producer Angelo Petraglia, who furthered the band s rock & roll education and co-wrote the material for 2003 s Holy Roller Novocaine EP. Tours across North America and the U. coincided with the release of the band s full-length debut, Youth & Young Manhood, that same summer. Thanks to the popular single "Molly s Chambers. the album found moderate success in the U. However, it was their sophomore effort, 2004 s Aha Shake Heartbreak, that made them European stars, with three songs cracking the U. The album saw an American release in February 2005, and Kings of Leon toured the country alongside U2 before retreating to work on their third effort. The darker, expansive Because of the Times followed in 2007. Featuring production from Ethan Johns (who had helmed the band s previous releases as well) the album proved to be the band s biggest release to date, debuting at number 25 on the U. Billboard 200 and topping the album charts in the U. K., Ireland, and New Zealand. Kings of Leon returned one year later with Only by the Night, a colossally popular album whose lead single, Sex on Fire. gave the band its first number one hit in the U. The album itself fared similarly well, topping the U. charts upon its release and debuting at number four in America. It eventually gained platinum status in eight countries, including America, and its success allowed the band to tour heavily throughout much of 2008 and 2009. Live at the O2 was released at the tail-end of 2009, capturing one of the band s midsummer performances in London. Kings of Leon briefly holed up in Manhattan s Avatar Studios to work on a fifth record, but they returned to the road during the summer of 2010, taking the opportunity to play some of their new material in concert. By the time the tour wrapped up in September, the group s newest single, Radioactive. had already been released. The accompanying album, Come Around Sundown, followed in October. The record was a worldwide hit and it reached number one in 15 countries, including the U. S., U. K., Canada and Australia. Later that year they embarked on a marathon tour, however: a disastrous show in Texas resulted in frontman Caleb walking off the stage without returning for the end of the set. After this incident the brothers decided to undertake a self-imposed hiatus in 2011 and cancelled the rest of the tour while the band attempted to reconcile the personal and group problems. In the time apart, bassist Jared released music with Mona frontman Nick Brown under the moniker Smoke & Jackal while Caleb found sobriety after moving to New York and the birth of his son. They returned to the band with a batch of new material and set to work on their sixth record, Mechanical Bull, which was expected in 2013. 2003 - Youth & Young Manhood 2004 - Aha Shake Heartbreak 2007 - Because of the Times 2008 - Only by the Night 2010 - Come Around Sundown 2013 - Mechanical Bull Album artwork and audiochecker logs are included. Enjoy. Bad Brains - Discography 1982-2012 [FLAC] By melding punk with reggae, Bad Brains became one of the definitive American hardcore punk groups of the early 80s. Although the group released only a handful of records during its peak, including the legendary cassette-only debut, Bad Brains, they developed a dedicated following, many of whom would later form their own hardcore and alternative bands. As for Bad Brains themselves, they continued to record and tour in varying lineups led by guitarist Dr. Know into the late 90s yet never managed to break out of their cult status. Dr. Know (born Gary Miller) a former jazz fusion guitarist, formed Bad Brains in 1979, inspired by both the amateurish rage of the Sex Pistols and the political reggae of Bob Marley. Realizing that the lines between punk and reggae were already blurred in the U. K., he set out to replicate that situation in the U. S., and he recruited several similarly minded musicians. vocalist H. (born Paul D. Hudson) bassist Darryl Aaron Jenifer, and drummer Earl Hudson. to prove his point. Bad Brains quickly became one of the most popular punk bands on the East Coast, particularly in their hometown of Washington, D. C. Their live performances were legendary, but their recordings were difficult to find. Their debut single, Pay to Cum. was pressed in limited numbers, and their 1982 debut album was only issued in cassette form by ROIR. In addition to the Bad Brains tape, the group released a handful of other EPs in 1982, finally moving to PVC for 1983 s full-length debut, Rock for Light, which was produced by Ric Ocasek. The handful of indie recordings Bad Brains left behind, as well as their live shows, made the band legendary in American hardcore, yet few potential fans could actually hear the band due to poor distribution and erratic touring. The band took three years to deliver the follow-up to Rock for Light, finally releasing I Against I on SST in 1986. In those three years, the group developed more heavy metal leanings, and the resulting record received mixed reviews. More importantly, it divided the band, with Dr. Know and Jenifer wishing to continue to pursue heavy rock, and H. and Hudson wanting to devote themselves to reggae. Over the next three years, the latter pair frequently left the band to make reggae albums before finally departing in 1989. They were replaced by Israel Joseph-I (born Dexter Pinto) and Mackie Jayson, respectively. In the wake of the alternative rock boom of the early 90s, Bad Brains were finally offered a major-label contract in 1993, releasing Rise on Epic later that year. The album bombed and the group was dropped. Maverick Records offered the group a contract in 1995, provided that the original lineup reunited. They did so and released God of Love that summer, to mixed reviews and poor sales. H. and Hudson left the band shortly after the album s release, and the band was dropped by Maverick. In 1998 the band again reunited and began touring under the name Soul Brains. In 2002, Reggae Lounge compiled remixes of Bad Brains. 80s hits and released a full-length dub album titled I & I Survived. The following year Caroline released Banned in DC: Bad Brains Greatest Riffs, a solid anthology compiling songs from their first album up to Quickness. For the next few years, the group members concentrated on solo endeavors, with a few scattered guest appearances on other bands albums or live shows. In 2006, Bad Brains reunited for a few shows at CBGB s, which quickly sold out. With a resurging interest in the band, in early 2007, Megaforce announced that they had signed them to their roster. Under Beastie Boy Adam Yauch s studio supervision, the original band went back to the studio for the first time in over a decade and recorded Build a Nation, an inspired attempt at returning to the band s hardcore roots. In early 2011 the band began work on the next record. The record was initially titled "Let s Have Fun" but that title didn t stick and was changed to Into the Future, an album which saw release in November of 2012. 1982 - Bad Brains [1996 Reissue] 1983 - Rock for Light [1991 Reissue] 1986 - I Against I 1988 - Live 1989 - Attitude: The ROIR Sessions 1989 - Quickness 1990 - The Youth Are Getting Restless: Live in Amsterdam 1991 - Spirit Electricity [EP] 1993 - Rise 1995 - God of Love 1996 - Black Dots 1997 - Omega Sessions [EP] 2001 - Soul Brains: A Bad Brains Reunion Live from Maritime Hall 2002 - I & I Survived (Dub) 2003 - Banned in D. Bad Brains Greatest Riffs 2006 - Live at CBGB 1982 - The Audio Recordings 2007 - Build a Nation 2012 - Into the Future Album artwork is included. Enjoy. Explosions in the Sky - Discography 2000-2013 [FLAC] With a reputation for a scathingly intense live performance and a quickly sold-out CD-R demo, How Strange, Innocence, which was later reissued in 2005, Explosions in the Sky was touted early on in their career as the next phenomenon in moody and dynamic instrumental indie rock à la Mogwai and Godspeed You Black Emperor! The quartet of Texas kids, made up of Mark Smith and Munaf Rayani on guitars, Michael James on bass, and Christopher Hrasky on drums, was signed for its first release on Temporary Residence Limited after half a listen to their demo, which was submitted by the American Analog Set with a brief note saying "This totally f*cking destroys. From that, they released their first six-song album, Those Who Tell the Truth, in the latter half of 2001. After a new record, 2003 s contemplative The Earth Is Not a Cold Dead Place, and the 2005 re-release, Explosions in the Sky, who had by this time garnered a dedicated fan base, came out with All of a Sudden I Miss Everyone in 2007. The band also found some exposure by lending their emotive songwriting to the soundtracks of both the film and television series Friday Night Lights, creating a stirring soundtrack to the drama set in their home state of Texas. In 2011, the quartet got back to writing albums, releasing Take Care, Take Care, Take Care on Temporary Residence. Two years later, the band teamed up with fellow Austin resident David Wingo to do the score for David Gordon Green s film, Prince Avalanche. 2000 - How Strange, Innocence 2001 - Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever 2003 - The Earth Is Not a Cold Dead Place 2004 - Friday Night Lights (Original Motion Picture Soundtrack) 2005 - The Rescue 2007 - All of a Sudden I Miss Everyone [Deluxe Version] 2011 - Take Care, Take Care, Take Care 2013 - Prince Avalanche: An Original Motion Picture Soundtrack Album artwork and rip logs are included. Enjoy. Bon Iver - Studio Discography 2008-2011 [FLAC] Justin Vernon began recording under the nom de band Bon Iver following the breakup of DeYarmond Edison, an indie folk group similar in tone and manner to Iron & Wine, Little Wings, and. to a certain extent. Bonnie "Prince" Billy. Vernon s solo project took DeYarmond Edison s introspective, folky sound and embellished it with squinchy, quirky orchestral touches that nodded to Sparklehorse and the drifty optimism of the Flaming Lips. Vernon moved back to Wisconsin the winter following DeYarmond s demise, setting up camp in a remote cabin in the north woods for three months. It was a hugely generative period for Vernon; writing and recording songs in 12-hour bursts, he found himself with a nine-song debut album by spring. He dubbed the project Bon Iver (an intentional misspelling of the French for "good winter. and the disc, For Emma, Forever Ago, was released on Jagjaguwar in early 2008. Joined in his live shows by Sean Carey, Vernon toured throughout the eastern U. and Canada throughout the remainder of the year, sharing the stage with like-minded singer/songwriter Elvis Perkins. As the year progressed, the album became quite popular with both the buying public and critics, eventually landing on a number of "best of 2008" year-end lists. In January 2009, Bon Iver returned with an EP of old and new songs titled Blood Bank. One of Vernon s fans turned out to be Kanye West, who brought him to Hawaii later that year to add vocals to a couple tracks on West s 2010 album, My Beautiful Dark Twisted Fantasy. When it came time to return to Vernon s own music, he continued stretching his legs by composing orchestral, lushly arranged folk songs that turned their back on For Emma s intimate sound. The new tunes were released during the following summer as Bon Iver. It received generally positive reviews, topped the charts in several countries, and hit number two in America. In February 2012, Bon Iver won two Grammy awards: Best Alternative Album and Best New Artist. 2008 - For Emma, Forever Ago 2009 - Blood Bank [EP] 2011 - Bon Iver, Bon Iver Album artwork and rip logs are included. Enjoy. Eric B. Rakim - Studio Album Discography 1987-1992 [FLAC] They never had a mainstream hit of their own, but during rap s so-called golden age in the late 80s, Eric B. Rakim were almost universally recognized as the premier DJ/MC team in all of hip-hop. Not only was their chemistry superb, but individually, each represented the absolute state of the art in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul s back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan to Eminem. While certain elements of their sound might come off as slightly dated today, it s also immediately clear how much of a hand Eric B. Rakim had in leading hip-hop into the modern age. Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single. Eric B. Is President" an ode to Barrier s DJ skills) b/w "My Melody. was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain t No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim s line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S hit of the same name. In 1987, 4th & Broadway issued the duo s full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums. Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U. smash. The exposure helped make "Paid in Full" s drum track one of the most sampled beats this side of James Brown s "Funky Drummer" it provided the foundation for Milli Vanilli s "Girl You Know It s True. among many other, more credible hits. On the heels of Paid in Full, Eric B. Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988 s Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends. which brought them into the pop Top Ten for the first and only time. The 1990 follow-up Let the Rhythm Hit Em proved relatively disappointing from a creative standpoint, although 1992 s slightly jazzier Don t Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo s contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time. The only recording to appear was Rakim s first solo cut, Heat It Up. which was featured on the soundtrack of the 1993 film Gunmen. Finally, in 1995, Eric B. issued his self-titled solo debut on his own 95th Street label. Rakim, meanwhile, signed with Universal and delivered a pair of acclaimed comeback albums, 1997 s The 18th Letter and 1999 s The Master. 1987 - Paid in Full [2009 Remaster] 1988 - Follow the Leader 1990 - Let the Rhythm Hit Em 1992 - Don t Sweat the Technique Plus special a bonus: Rakim - The 18th Letter/The Book of Life [1997] Album artwork, rip logs and audiochecker logs are included. Enjoy. Roxy Music The Complete Studio Recordings (1972-1982) Year: 2012 Tracks: 106 Quality: Flac (Image. Cue) lossless Total Size File: 3. 86 Gb Genre: Art Rock, Pop Rock, Glam Rock TracklistInfo. Cocteau Twins - Discography 1982-2005 [FLAC] A group whose distinctly ethereal and gossamer sound virtually defined the enigmatic image of the record label 4AD, Cocteau Twins were founded in Grangemouth, Scotland, in 1979. Taking their name from an obscure song from fellow Scots Simple Minds, the Cocteaus were originally formed by guitarist Robin Guthrie and bassist Will Heggie and later rounded out by Guthrie s girlfriend Elizabeth Fraser, an utterly unique performer whose swooping, operatic vocals relied less on any recognizable language than on the subjective sounds and textures of verbalized emotions. In 1982, the trio signed to 4AD, the arty British label then best known as the home of the Birthday Party, whose members helped the Cocteaus win a contract. The group debuted with Garlands, which offered an embryonic taste of their rapidly developing, atmospheric sound, crafted around Guthrie s creative use of distorted guitars, tape loops, and echo boxes and anchored in Heggie s rhythmic bass as well as an omnipresent Roland 808 drum machine. Shortly after the release of the Peppermint Pig EP, Heggie left the group, and Guthrie and Fraser cut 1983 s Head Over Heels as a duo; nonetheless, the album largely perfected the Cocteaus gauzy formula, and established the foundation from which the group would continue to work for the duration of its career. In late 1983, ex-Drowning Craze bassist Simon Raymonde joined the band to record the EP The Spangle Maker; as time wore on, Raymonde became an increasingly essential component of Cocteau Twins, gradually assuming an active role as a writer, arranger, and producer. With their lineup firmly solidified, they issued The Spangle Maker, followed by the LP Treasure, their most mature and consistent work yet. A burst of creativity followed, as the Twins issued three separate EPs. Aikea-Guinea, Tiny Dynamine, and Echoes in a Shallow Bay. in 1985, trailed a year later by the acoustic Victorialand album, the Love s Easy Tears EP, and The Moon and the Melodies, a collaborative effort with minimalist composer Harold Budd. With 1988 s sophisticated Blue Bell Knoll, the trio signed an international contract with Capitol Records, which greatly elevated their commercial visibility. After 1990 s Heaven or Las Vegas, the Cocteaus severed their long-standing relationship with 4AD; notably, the album also found Fraser s vocals offering the occasional comprehensible turn of phrase, a trend continued on 1993 s Four-Calendar Cafe. In 1995, they explored a pair of differing musical approaches on simultaneously released EPs: while Twinlights offered subtle acoustic sounds, Otherness tackled ambient grooves, remixed by Seefeel s Mark Clifford. On the other hand, 1996 s Milk & Kisses LP marked a return to the band s archetypal style. Cocteau Twins quietly disbanded while working on an uncompleted follow-up. Posthumous releases followed, such as 1999 s BBC Sessions, 2000 s Stars and Topsoil, and 2005 s Lullabies to Violaine. Albums: 1982 - Garlands [2003 Remaster] 1983 - Head Over Heels [2003 Remaster] 1984 - Treasure [2003 Remaster] 1986 - Victorialand [2003 Remaster] 1986 - The Moon and the Melodies (with Harold Budd) 1988 - Blue Bell Knoll [2004 Remaster] 1990 - Heaven or Las Vegas [2004 Remaster] 1993 - Four-Calendar Café [2006 Remaster] 1996 - Milk & Kisses [2006 Remaster] Compilations: 1985 - The Pink Opaque 1991 - Singles Box [Bonus Disc] 1999 - BBC Sessions 2000 - Stars and Topsoil: A Collection 1982-1990 2005 - Lullabies to Violaine_ Singles and Extended Plays 1982-1996 Soundtracks and Special Appearances: 1995 - Judge Dredd [Original Motion Picture Soundtrack] 1996 - Volume 15_ Technology Alert! Disc 1] 1996 - Volume 17_ Fifth Birthday Bumper Bonanza! Disc 2] Album artwork and rip logs are included. Enjoy. Guns N Roses - Discography 1987-2008 [FLAC] At a time when pop was dominated by dance music and pop-metal, Guns N Roses brought raw, ugly rock & roll crashing back into the charts. They were not nice boys; nice boys don t play rock & roll. They were ugly, misogynistic, and violent; they were also funny, vulnerable, and occasionally sensitive, as their breakthrough hit, Sweet Child O Mine. showed. While Slash and Izzy Stradlin ferociously spit out dueling guitar riffs worthy of Aerosmith or the Stones, Axl Rose screeched out his tales of sex, drugs, and apathy in the big city. Meanwhile, bassist Duff McKagan and drummer Steven Adler were a limber rhythm section who kept the music loose and powerful. Guns N Roses music was basic and gritty, with a solid hard, bluesy base; they were dark, sleazy, dirty, and honest. everything that good hard rock and heavy metal should be. There was something refreshing about a band that could provoke everything from devotion to hatred, especially since both sides were equally right. There hadn t been a hard rock band this raw or talented in years, and they were given added weight by Rose s primal rage, the sound of confused, frustrated white trash vying for his piece of the pie. As the 80s became the 90s, there simply wasn t a more interesting band around, but owing to intra-band friction and the emergence of alternative rock, Rose s supporting cast gradually disintegrated, as he spent years in seclusion. Guns N Roses released their first EP in 1986, which led to a contract with Geffen; the following year, the band released its debut album, Appetite for Destruction. They started to build a following with their numerous live shows, but the album didn t start selling until almost a year later, when MTV started playing "Sweet Child O Mine. Soon, both the album and single shot to number one, and Guns N Roses became one of the biggest bands in the world. Their debut single, Welcome to the Jungle. was re-released and shot into the Top Ten, and "Paradise City" followed in its footsteps. By the end of 1988, they released G N R Lies, which paired four new, acoustic-based songs (including the Top Five hit "Patience" with their first EP. G N R Lies inflammatory closer, One in a Million. sparked intense controversy, as Rose slipped into misogyny, bigotry, and pure violence; essentially, he somehow managed to distill every form of prejudice and hatred into one five-minute tune. Guns N Roses began work on the long-awaited follow-up to Appetite for Destruction at the end of 1990. In October of that year, the band fired Adler, claiming that his drug dependency caused him to play poorly; he was replaced by Matt Sorum from the Cult. During recording, the band added Dizzy Reed on keyboards. By the time the sessions were finished, the new album had become two new albums. After being delayed for nearly a year, the albums Use Your Illusion I and Use Your Illusion II were released in September 1991. Messy but fascinating, the albums showcased a more ambitious band; while there were still a fair number of full-throttle guitar rockers, there were stabs at Elton John-style balladry, acoustic blues, horn sections, female backup singers, ten-minute art rock epics with several different sections, and a good number of introspective, soul-searching lyrics. In short, they were now making art; amazingly, they were successful at it. The albums sold very well initially, but while they had seemed destined to set the pace for the decade to come, that turned out not to be the case at all. Nirvana s Nevermind hit number one in early 1992, suddenly making Guns N Roses. with all of their pretensions, impressionistic videos, models, and rock star excesses. seem very uncool. Rose handled the change by becoming a dictator, or at least a petty tyrant; his in-concert temper tantrums became legendary, even going so far as to incite a riot in Montreal. Stradlin left by the end of 1991, and with his departure the band lost its best songwriter; he was replaced by ex-Kills for Thrills guitarist Gilby Clarke. GNR didn t fully grasp the shift in hard rock until 1993, when they released an album of punk covers, The Spaghetti Incident. it received some good reviews, but the band failed to capture the reckless spirit of not only the original versions, but its own Appetite for Destruction. By the middle of 1994, there were rumors flying that GNR were about to break up, since Rose wanted to pursue a new, more industrial direction and Slash wanted to stick with their blues-inflected hard rock. The band remained in limbo for several more years, and Slash resurfaced in 1995 with the side project Slash s Snakepit and an LP, It s Five O Clock Somewhere. Rose remained out of the spotlight, becoming a virtual recluse and doing nothing but tinkering in the studio; he also recruited various musicians. including Dave Navarro, Tommy Stinson, and ex-Nine Inch Nails guitarist Robin Finck. for informal jam sessions. Remaining members were infuriated by Rose s inclusion of childhood friend Paul Huge in the new sessions when both Stradlin and Clarke were excluded from rejoining the band. And a remake of the Rolling Stones. Sympathy for the Devil" was essentially the straw that broke the camel s back, as Rose cut out some of the other members contributions and pasted Huge over the song without consulting anyone else. By 1996, Slash was officially out of Guns N Roses, leaving Rose the lone remaining survivor from the group s heyday; rumors continued to swirl, and still no new material was forthcoming, though Rose did re-record Appetite for Destruction with a new lineup for rehearsal purposes. The first new original GNR song in eight years, the industrial metal sludge of "Oh My God" finally appeared on the soundtrack to the 1999 Arnold Schwarzenegger film End of Days. Soon after, Geffen issued the two-disc Live Era. 87- 93. The year 2000 brought the addition of guitarists Robin Finck (of Nine Inch Nails) and Buckethead, and 2001 was greeted with Guns N Roses first live dates in nearly seven years, as the band (which consisted of Rose plus guitarists Finck and Buckethead, bassist Stinson, former Primus drummer Brian "Brain" Mantia, childhood friend and guitarist Paul Huge, and longtime GNR keyboardist Dizzy Reed) played a show on New Year s Eve 2000 in Las Vegas, playing as well at the mammoth Rock in Rio festival the following month. On New Year s Eve 2001, the band played almost the exact same set as the year before. An appearance at MTV s 2002 Video Music Awards helped garner interest in the new lineup, but a rusty performance from Rose and an interview where he said his new album wasn t coming out anytime soon didn t do much to further their cause. That summer, GNR started on their first tour in almost eight years, and they managed to fulfill all of their commitments in Europe and Asia. Sadly, they caused a violent and destructive riot in Vancouver when Rose failed to show up for the first date of their North American tour. While he was up to his old shenanigans with the retooled lineup, former Stone Temple Pilots vocalist Scott Weiland, Slash, Sorum, and McKagan formed the successful Velvet Revolver in spring 2002. And so years passed and still no new GNR album, to the point where it became one joke too many. The album was long billed as Chinese Democracy, and occasionally session recordings would leak and make their way onto Internet file-sharing networks. A fascinating article written by Jeff Leeds for The New York Times, published in March 2005, revealed how tangled and costly the making of the album had become. According to the article, titled "The Most Expensive Album Never Released. Rose began work on the album in 1994 and racked up production costs of at least 13 million dollars. Producers involved with the album at one time or another included Mike Clink, Youth, Sean Beavan, and even Roy Thomas Baker. (Curiously, Moby claimed to have been offered the job as well. Marco Beltrami and Paul Buckmaster were allegedly brought in for orchestral arrangements, and there was a revolving door of guitarists. In 2006, the album seemed closer to release, as Rose began surfacing in public and even took his band on the road for some shows. The music industry s biggest boondoggle finally bore fruit in 2008 when Axl unveiled a record that was well over a decade in the making. While Chinese Democracy received many rave reviews, and the critical response was positive overall, the record underperformed (its almost impossible) expectations, debuting at number three on the Billboard 200 when it came out in November. A worldwide tour followed. 1987 - Appetite for Destruction [1997 MFSL Remaster] 1987 - Guns N Roses [EP] also known as Live from the Jungle 1988 - G N R Lies 1991 - Use Your Illusion I 1991 - Use Your Illusion II 1993. The Spaghetti Incident? 1999 - Live Era 87- 93 [Japan Edition] 2004 - Greatest Hits 2008 - Chinese Democracy Full album artwork and rip logs are also included. Enjoy. Creedence Claerwater Revival - Remastered Discography 1968-1980 [FLAC] At a time when rock was evolving away from the forces that had made the music possible in the first place, Creedence Clearwater Revival brought things back to their roots with their concise synthesis of rockabilly, swamp pop, R&B, and country. Though the music of CCR was very much a group effort in their tight, punchy arrangements, their vision was very much singer, songwriter, guitarist, and leader John Fogerty s. Fogerty s classic compositions for Creedence both evoked enduring images of Americana and reflected burning social issues of the day. The band s genius was their ability to accomplish this with the economic, primal power of a classic rockabilly ensemble. The key elements of Creedence had been woodshedding in bar bands for about a decade before their breakthrough to national success in the late 60s. John s older brother Tom formed the Blue Velvets in the late 50s in El Cerrito, California, a tiny suburb across the bay from San Francisco. By the mid- 60s, with a few hopelessly obscure recordings under their belt, the band. including Tom and John with two high-school friends, drummer Doug Clifford and bassist Stu Cook. signed to Fantasy, releasing several singles as the Golliwogs that went nowhere. In fact, there s little promise to be found on those early efforts; they were extremely derivative of the British Invasion and other R&B and rock trends of the day, with few hints of the swampy roots rock that would characterize CCR. The group only found themselves when John took firm reins over the band s direction, singing and writing virtually all of their material. On their first album, 1968 s Creedence Clearwater Revival, the group played it both ways, offering extended, quasi-psychedelic workouts of the 50s classics "I Put a Spell on You" and "Suzie-Q. The latter song became their first big hit, but the band didn t really bloom until "Proud Mary. a number two single in early 1969 that demonstrated John s talent at tapping into Southern roots music and imagery with a natural ease. It was the start of a torrent of classic hits from the gritty, Little Richard-inspired singer over the next two years, including "Bad Moon Rising. Green River. Down on the Corner. Travelin Band. Who ll Stop the Rain. Up Around the Bend. and "Lookin Out My Back Door. " Creedence also made good albums. Green River, Willy and the Poor Boys, and Cosmo s Factory all rank among the best of the rock era. but their true forte was as a singles band. When the Beatles broke up in early 1970, CCR was the only other act that provided any competition in the fine art of crafting bold, super-catchy artistic statements that soared to the upper reaches of the charts every three or four months. Although they hailed from the San Francisco area, they rarely succumbed to the psychedelic indulgences of the era. John Fogerty also proved adept at voicing the concerns of the working class in songs like "Fortunate Son. as well as partying with as much funk as any white rock band would muster on "Travelin Band" and "Down on the Corner. " With John Fogerty holding such a strong upper hand, Creedence couldn t be said to have been a democratic unit, and Fogerty s dominance was to sow the seeds of the group s quick dissolution. Tom Fogerty left in 1971 (recording a few unremarkable solo albums of his own) reducing the band to a trio. John allowed drummer Doug Clifford and bassist Stu Cook equal shares of songwriting and vocal time on the group s final album, Mardi Gras (1972) which proved conclusively that Fogerty s songs and singing were necessary to raise CCR above journeyman status. It was John Fogerty, of course, who produced the only notable work after the quartet broke up. Even his solo outings, though, were erratic and, for nearly ten years, nonexistent as he became embroiled in a web of business disputes with Fantasy Records. His 1984 album Centerfield proved he could still rock in the vintage Creedence mode when the spirit moved him, but Tom Fogerty s death in 1990 ended any hopes of a CCR reunion with the original members intact. Remastered Discography: 1968 - Creedence Clearwater Revival (20-Bit K2 Remaster/Hybrid SACD Remaster/40th Anniversary Edition) 1969 - Bayou Country (20-Bit K2 Remaster/Hybrid SACD Remaster/40th Anniversary Edition) 1969 - Green River (20-Bit K2 Remaster/Hybrid SACD Remaster/40th Anniversary Edition) 1969 - Willy and the Poor Boys (20-Bit K2 Remaster/Hybrid SACD Remaster/40th Anniversary Edition) 1970 - Cosmo s Factory (20-Bit K2 Remaster/Japan Hybrid SACD Remaster/40th Anniversary Edition) 1970 - Pendulum (20-Bit K2 Remaster/Hybrid SACD Remaster/40th Anniversary Edition) 1972 - Mardi Gras (20-Bit K2 Remaster/Hybrid SACD Remaster) 1980 - The Concert (20-Bit K2 Remaster/Hybrid SACD Remaster) 40th Anniversary Editions were not released for these albums Extras: 1973 - Live in Europe 1976 - Chronicle, Vol. 1: The 20 Greatest Hits Each album has full artwork and rip logs. Enjoy. Souls of Mischief - 93 til Infinity [20th Anniversary Edition] 2013) FLAC] Reissued for the first time as a 2 CD set, Get On Downs deluxe version of this Souls Of Mischief classic features the original album, as well as bonus remixes and instrumentals all bundled in a 36-page case book filled with art elements, liner notes, and interviews. The book even plays a clip from the title track when opened! Consisting of MCs A+ Phesto, Opio and Tajai (with production by A+ Domino, Del the Funky Homosapien, Jay Biz and Casual) East Oaklands Souls of Mischief burst onto the scene in the early ‘90s with an impact that few other West Coast artists had at the time. Culminating in the release of their classic debut, they created a bouillabaisse that was most parts West Coast swagger but – similar to The D. O. and Cypress Hill – with a sonic approach that could just as well have stepped off the streets of New York City. Recorded in less than two weeks at San Franciscos Hyde Street Studios, 93 ‘til Infinity doesnt suffer from a single freshman jitter or misstep. Its a fully-realized effort, packed from start to finish with ridiculous lyricism – all carried out in impressive four-part, tag-team style – and backed by a wide range of musical possibilities, from hard boom-bap to ‘70s CTI-jazz-sprinkled grooves. But without worthy music, the groups high-level lyricism could have fallen by the wayside. Digging deep into crates that other producers had yet to mine, the production crew gave the quartet exactly what they needed, with unpredictable rolling basslines, dusty drums and jazz keyboard and horn stabs and swirls. Non-singles like “Disseshowedo” (produced by Domino and Jay Biz) “Batting Practice” (Casual) “Limitations” (Jay Biz, with Del and Casual contributing verses) and “What A Way To Go Out” (Domino) made sure that the fast-forward button remained untouched. No matter the angle from which you approach 93 til Infinity, back-in-the-day listeners and new fans will both find much to enjoy. CD1 (93 til Infinity) 1. Let Em Know 2. Live and Let Live 3. That s When Ya Lost 4. A Name I Call Myself 5. Disseshowedo 6. What a Way to Go Out 7. Never No More 8. 93 til Infinity 9. Limitations 10. Anything Can Happen 11. Make Your Mind Up 12. Batting Practice 13. Tell Me Who Profits 14. Outro CD2 (Bonus Material) 1. 93 til Infinity (12" Remix Version) 2. That s When Ya Lost (I Ain t Trippin Remix) 3. Make Your Mind Up (Rock on Mix) 4. Never No More (76 Seville Mix) 5. Good Feeling (12" Version) 6. 93 til Infinity (LP Instrumental) 7. 93 til Infinity (Remix Instrumental) 8. That s When Ya Lost (LP Instrumental) 9. Never No More (LP Instrumental) 10. Never No More (76 Seville Mix Instrumental) 11. 93 til Infinity (Acapella Version) Full album artwork and rip logs are included. Enjoy. ABBA - The Albums [Box] 2008) FLAC] The Albums is a box set of recordings by the Swedish pop group ABBA. It was released on November 11, 2008, through Universal box set includes nine discs, the first eight are all of the original studio albums the way they were originally released between 1973 and 1981 while the ninth disc features all of the singles that were not released on the band s studio albums along with some of the b-sides. It does not include rarities or extras. Disc 1: Ring Ring (1973) 1. Ring Ring (English Version) 2. Another Town, Another Train 3. Disillusion 4. People Need Love 5. I Saw It In The Mirror 6. Nina, Pretty Ballerina 7. Love Isn t Easy (But It Sure Is Hard Enough) 8. Me And Bobby And Bobby s Brother 9. He Is Your Brother 10. She s My Kind Of Girl 11. I Am Just A Girl 12. Rock N Roll Band Disc 2: Waterloo (1974) 1. Waterloo (English Version) 2. Sitting In The Palmtree 3. King Kong Song 4. Hasta Manana 5. My Mama Said 6. Dance (While The Music Still Goes On) 7. Honey, Honey 8. Watch Out 9. What About Livingstone 10. Gonna Sing You My Love Song 11. Suzy-Hang-Around Disc 3: ABBA (1975) 1. Mamma Mia (Album Version) 2. Hey, Hey Helen 3. Tropical Loveland 4. (Album Version) 5. Man In The Middle 6. Bang-A-Boomerang 7. I Do, I Do, I Do, I Do, I Do 8. Rock Me 9. Intermezzo No. 1 10. I ve Been Waiting For You 11. So Long Disc 4: Arrival (1976) 1. When I Kissed The Teacher 2. Dancing Queen 3. My Love, My Life 4. Dum Dum Diddle 5. Knowing Me, Knowing You 6. Money, Money, Money 7. That s Me 8. Why Did It Have To Be Me? 9. Tiger 10. Arrival Disc 5: The Album (1977) 1. Eagle Long Version 2. Take A Chance On Me 3. One Man, One Woman 4. The Name Of The Game 5. Move On 6. Hole In Your Soul 7. Thank You For The Music 8. I Wonder (Departure) 9. I m A Marionette Disc 6: Voulez-Vous (1979) 1. As Good As New 2. Voulez-Vous 3. I Have A Dream 4. Angel Eyes 5. The King Has Lost His Crown 6. Does Your Mother Know 7. If It Wasn t For The Nights 8. Chiquitita 9. Lovers (Live A Little Longer) 10. Kisses Of Fire Disc 7: Super Trouper (1980) 1. Super Trouper 2. The Winner Takes It All (Album Version) 3. On And On And On 4. Andante, Andante 5. Me And I 6. Happy New Year 7. Our Last Summer 8. The Piper 9. Lay All Your Love On Me 10. The Way Old Friends Do (Wembley Arena Live Version) Disc 8: The Visitors (1981) 1. The Visitors 2. Head Over Heels 3. When All Is Said And Done 4. Soldiers 5. I Let The Music Speak 6. One Of Us 7. Two For The Price Of One 8. Slipping Through My Fingers 9. Like An Angel Passing Through My Room Disc 9: Bonus Tracks (2008) 1. Merry-Go-Round 2. Santa Rosa 3. Ring, Ring (Bara Du Slog En Signal) Swedish Version) 4. Waterloo (Swedish Version) 5. Fernando 6. Crazy World 7. Happy Hawaii 8. Summer Night City 9. Medley: Pick A Bale Of Cotton/On Top Of Old Smokey/Midnight Special 10. Lovelight Original Version 11. Gimme! Gimme! Gimme! A Man After Midnight) 12. Elaine 13. Should I Laugh Or Cry 14. You Owe Me One 15. Cassandra 16. Under Attack 17. The Day Before You Came Extra: ABBA Gold: Greatest Hits (1992) Full album artwork and rip logs are included. Enjoy. Minutemen - Discography 1980-1998 [FLAC] More than any other hardcore band, the Minutemen epitomized the free-thinking independent ideals that formed the core of punk/alternative music. Wildy eclectic and politically revolutionary, the Minutemen never stayed in one place too long; they moved from punk to free jazz to funk to folk at a blinding speed. And they toured and recorded at blinding speed; during the early 80s, they were constantly on the road, turning out records whenever they had a chance. Like their peers Black Flag, Hüsker Dü, R. M., Sonic Youth, and the Meat Puppets, the Minutemen built a large, dedicated cult following throughout the United States through their relentless touring. Like their fellow American indie bands, the trio was poised to break into the world of major labels in 1986, and they would have if it wasn t for the tragic death of guitarist/vocalist D. Boon in December of 1985. Even though bassist Mike Watt and drummer George Hurley carried on with fIREHOSE in the late 80s, the legacy of the Minutemen overshadowed the new band in the late 80s and early 90s, as the San Pedro trio influenced several generations of musicians. D. Boon and Mike Watt began playing music when they were teenagers in the mid- 70s, covering 70s hard rock standards. After they graduated from high school in 1976, they heard their first punk rock records, which marked a significant change in their musical development. Once Boon and Watt heard punk, they began writing their own songs and decided to form their first full-fledged rock & roll band. In 1980, the pair assembled a quartet called the Reactionaries, which featured drummer Frank Tonche and a second guitarist. Within a few months, their second guitarist left and the band changed their name to the Minutemen, since most of their songs were not much longer than a minute in duration. They recorded one single with Tonche before he was replaced by George Hurley. After Hurley joined the band, the Minutemen recorded Paranoid Time, their first EP; the record was released on SST Records in 1981. From the start, the band was eclectic and political, but they didn t find their voice until their first full-length album, 1981 s The Punch Line. Following the release of The Punch Line, the Minutemen embarked on a punishing touring schedule, driving across America and playing any city where they could get a gig. They were recording frequently, too. All of their major records appeared on SST Records, but they also issued selected tracks and EPs for other independent labels, beginning with 1982 s Bean-Spill EP, which appeared on Thermidor Records. The band s second full-length album, 1983 s What Makes a Man Start Fires? earned them considerable critical acclaim throughout the underground and alternative press. Later in 1983, they released their third album, Buzz or Howl Under the Influence of Heat. By the end of 1983, the Minutemen had become one of the most popular bands in the American underground, a status they only built upon during 1984. That year, they delivered the double album Double Nickels on the Dime. The length of the album was a response to Hüsker Dü s 1984 double album Zen Arcade, but the expanded length gave the group an opportunity to stretch out and showcase their increasing musical depth and vision. Double Nickels on the Dime was a considerable underground hit, earning substantial college radio play and critical praise; many critics named it one of the best albums of the year. Also in 1984, the band released a collection of outtakes and unreleased material called The Politics of Time on New Alliance Records. Throughout 1985, the Minutemen churned out recordings, beginning with the Tour-Spiel EP on Reflex Records. It was followed by the cassette-only retrospective My First Bells, which was released on SST. After My First Bells, the group issued another EP, Project Mersh, which featured covers of "commercial" arena rock bands plus several long original "spiels. Around the same time, the group recorded the Minuteflag EP, a one-off collaboration with Black Flag. Finally, the Minutemen released the full-length follow-up to Double Nickels on the Dime, 3-Way Tie (For Last) toward the end of the year. Like its predecessor, 3-Way Tie (For Last) received overwhelming positive reviews, including notices in mainstream publications. In December of 1985, D. Boon and his girlfriend were driving home from the house of one of her relatives when they were involved in a fatal automobile accident. For the first part of 1986, Mike Watt and George Hurley tried to decide whether they would continue playing music. During this time, the live Ballot Result was compiled and released. After a few months, both Watt and Hurley had decided to quit music when they were convinced to continue playing by a passionate Minutemen fan and guitarist called Ed Crawford. Watt, Hurley, and Crawford formed fIREHOSE in 1986 and later in the year, the new band released their debut album, Ragin. Full-On. fIREHOSE toured and recorded for the next seven years, signing with the major label Columbia in 1991. 1980 - Paranoid Time [EP] 1981 - Joy [EP] 1981 - The Punch Line 1983 - What Makes a Man Start Fires? 1983 - Buzz or Howl Under the Influence of Heat [EP] 1984 - The Politics of Time 1984 - Double Nickels on the Dime 1985 - Project: Mersh [EP] 1985 - 3 Way Tie (For Last) 1987 - Ballot Result 1987 - Post-Mersh Vol. 1 1988 - Post-Mersh Vol. 2 1989 - Post-Mersh Vol. 3 1998 - Introducing the Minutemen Album artwork and rip logs included. Enjoy. Slint - Discography 1989-2014 [FLAC] Though largely overlooked during their relatively brief lifespan, Slint grew to become one of the most influential and far-reaching bands to emerge from the American underground rock community of the 1980s; innovative and iconoclastic, the group s deft, extremist manipulations of volume, tempo, and structure cast them as clear progenitors of the post-rock movement that blossomed during the following decade. Whatever the extent of Slint s own influence, the group grew out of Louisville, Kentucky s legendary Squirrel Bait, another seminal band that languished in relative obscurity during its own lifetime but ultimately spawned the likes of Gastr del Sol, Big Wheel, and Bastro. Guitarist/vocalist Brian McMahan formed his first group at the age of 12; within a few years, he teamed with drummer Britt Walford, and after the addition of vocalist Peter Searcy, guitarist David Grubbs, and bassist Clark Johnson, they founded Squirrel Bait in the mid- 80s. After two ferocious records, a self-titled 1985 effort and 1987 s Skag Heaven, the group disbanded, leaving McMahan and Walford to continue on as Slint with guitarist David Pajo and bassist Ethan Buckler. With producer Steve Albini, the quartet recorded 1989 s Tweez, issued on their own Jennifer Hartman label; a collection of odd stylistic approaches, fractured rhythms, and strange lyrical fragments, the album owed debts to few (if any) historical precedents and steadfastly defied easy classification. Shortly after the record s completion, Buckler left to form King Kong, and was replaced by bassist Todd Brashear for 1991 s Spiderland, an even more sophisticated and adventurous set. With the exception of a posthumous 1994 EP (originally recorded between the two full-length albums) Spiderland was Slint s swan song, although the individual members remained key figures in the independent scene. After attending art college, Pajo joined the ranks of Tortoise, while Walford (under the alias Shannon Doughton) played drums with the Breeders before rejoining Buckler in King Kong. McMahan and Brashear, meanwhile, aided Will Oldham in his ever-shifting Palace aggregate (which additionally housed Pajo and Walford at one point or another) McMahan and Pajo also briefly reunited as members of the For Carnation, while Slint came together for a well-received series of reunion concerts in 2007. In 2014, Touch & Go released an ambitious expanded edition of Spiderland that included a remastered version of the original album, as well as 79 minutes of outtakes, demos, and other bonus material. The new edition of Spiderland also included a DVD of Breadcrumb Trail, a documentary by Lance Bangs about Slint and the making of Spiderland; the film also received a limited theatrical release. To celebrate the release of the film and the Spiderland box set, Slint reunited for a brief U. S concert tour. 1989 - Tweez 1991 - Spiderland 1994 - Slint [EP] 2014 - Spiderland [Remastered Box Set] 2CD+DVD) Album artwork and rip logs are included. Enjoy. The Beat: Deluxe Editions [2CD+DVD] 2012) FLAC] The Beat - I Just Cant Stop It: Deluxe Edition (Edsel EDSG8016 (U. 2012) Disc 1: Original LP (released as Go Feet BEAT-001 (U. I. SP-70606 (U. 1980) 1. Mirror in the Bathroom 2. Hands Off…Shes Mine 3. Two Swords 4. Twist & Crawl 5. Rough Rider 6. Click Click 7. Big Shot 8. Whine & Grine/Stand Down Margaret 9. Noise in This World 10. Cant Get Used to Losing You 11. Best Friend 12. Jackpot Disc 2: Bonus Material 1. The Tears of a Clown (single A-side – 2 Tone TT6A, 1979) 2. Ranking Full Stop (single A-side – 2 Tone TT6A, 1979) 3. Twist & Crawl (Extended Remix) 12? A-side – Go Feet FEET121, 1980) 4. Hands Off…Shes Mine (Extended Remix) 12? B-side – Go Feet FEET121, 1980) 5. Stand Down Margaret (Dub) 12? B-side – Go Feet FEET3, 1980) 6. Mirror in the Bathroom (Sure is Pure Mix) from B. P. compilation – Arista 74321 23195-2, 1996) 7. Mirror in the Bathroom (Tic Tac Toe Mix) from B. compilation – Arista 74321 23195-2, 1996) 8. Mirror in the Bathroom (Mark “Spike” Stent Mix) from B. compilation – Arista 74321 23195-2, 1996) 9. Dub in the Bathroom (Simon & Diamond Mix) from B. compilation – Arista 74321 23195-2, 1996) 10. Just Cant Stop the Dub (Adelphi Mix) from B. compilation – Arista 74321 23195-2, 1996) 11. The Tears of a Clown (John Peel Session – 11/5/1979) 12. Ranking Full Stop (John Peel Session – 11/5/1979) 13. Click Clack (John Peel Session – 11/5/1979) 14. Mirror in the Bathroom (John Peel Session – 11/5/1979) 15. Big Shot (John Peel Session – 11/5/1979) 16. Big Shot (Mike Read Session – 2/11/1980) 17. Mirror in the Bathroom (Mike Read Session – 2/11/1980) 18. Hands Off…Shes Mine (Mike Read Session – 2/11/1980) 19. Rough Rider (Mike Read Session – 2/11/1980) 20. Twist & Crawl (Mike Read Session – 2/11/1980) Disc 3: DVD 1. Hands Off…Shes Mine (promo video) 2. Mirror in the Bathroom (promo video) 3. Best Friend (promo video) 4. The Tears of a Clown (Top of the Pops – 12/13/1979) 5. The Tears of a Clown (Top of the Pops – 1/3/1980) 6. Hands Off…Shes Mine (Top of the Pops – 2/22/1980) 7. Mirror in the Bathroom (Top of the Pops – 5/1/1980) 8. Best Friend (Top of the Pops – 9/4/1980) 9. ALRIGHT NOW broadcast on 12th December 1980 – Film from a live performance at Top Rank Suite, Birmingham: Hands Off…Shes Mine The Beat - Whappen. Deluxe Edition (Edsel EDSG8017 (U. 2012) Disc 1: Original LP (released as Go Feet BEAT-003 (U. SP-70607 (U. 1981) 1. Doors of Your Heart 2. All Out to Get You 3. Monkey Murders 4. I Am Your Flag 5. French Toast (Soleil Trop Chaud) 6. Drowning 7. Dream Home in NZ 8. Walk Away 9. Over and Over 10. Cheated 11. Get-a-Job 12. The Limits We Set 1. Too Nice to Talk To (single A-side – Go Feet FEET4, 1980) 2. Psychedelic Rockers (single B-side – Go Feet FEET4, 1980) 3. Too Nice to Talk To (Dubweiser) 12? A-side – Go Feet FEET124, 1980) 4. Psychedelic Rockers (Dubweiser) 12? B-side – Go Feet FEET124, 1980) 5. Doors of Your Heart (Dub) 12? A-side – Go Feet FEET129, 1981) 6. Drowning (Dub) 12? B-side – Go Feet FEET129, 1981) 7. Hit It (single A-side – Go Feet FEET11, 1981) 8. Which Side of the Bed…? single B-side – Go Feet FEET11, 1981) 9. Hit It (12? Mix) 12? A-side – Go Feet FEET1211, 1981) 10. Which Side of the Bed…? 12? Mix) 12? B-side – Go Feet FEET1211, 1981) 11. Too Nice to Talk To (John Peel Session – 9/22/1980) 12. New Psychedelic Rockers (John Peel Session – 9/22/1980) 13. Monkey Murders (John Peel Session – 9/22/1980) 14. Walk Away (John Peel Session – 9/22/1980) 1. Too Nice to Talk To (promo video) 2. All Out to Get You (promo video) 3. Doors to Your Heart (promo video) 4. Drowning (promo video) 5. Hit It (promo video) 6. Too Nice to Talk To (Top of the Pops – 12/18/1980) 7. Drowning (Top of the Pops – 4/16/1981) 8. All Out to Get You (Top of the Pops – 4/30/1981) 9. Too Nice to Talk To (Top of the Pops – 12/25/1981) 10. Get-A-Job (from World in Action d0cumentary) 11. Interview with Dave Wakeling (from World in Action documentary) 12. Stand Down Margaret (from World in Action documentary) 13. Interview with Dave Wakeling, Ranking Roger and Andy Cox (from World in Action documentary) The Beat - Special Beat Service: Deluxe Edition (Edsel EDSG8018 (U. 2012) Disc 1: Original LP (released as Go Feet BEAT-005 (U. SP-70032 (U. 1982) and bonus material 1. I Confess 2. Jeanette 3. Sorry 4. Sole Salvation 5. Spar Wid Me 6. Rotating Head 7. Save It for Later 8. Shes Going 9. Pato and Roger A Go Talk 10. Sugar and Stress 11. End of the Party 12. Ackee 1-2-3 13. Whats Your Best Thing? B-side to “Save It for Later” – Go Feet FEET333, 1982) 14. Save It for Later (Extended) 12? A-side – Go Feet FEET12333, 1982) 15. Whats Your Best Thing? Dub Style) 12? B-side – Go Feet FEET12333, 1982) 16. Cool Entertainer (B-side to “Pat & Roger A Go Talk” – Go Feet FEET 14, 1982) 17. A Go Talk (Tappy Luppy Dub) 12? A-side – Go Feet FEET1214, 1982) 18. Cool Entertainer (Extended) 12? B-side – Go Feet FEET1214, 1982) 19. March of the Swivelheads (B-side to “Jeanette” – Go Feet FEET15, 1982) Disc 2: More Bonus Material 1. Jeanette (Extended) 12? A-side – Go Feet FEET1215, 1982) 2. March of the Swivelheads (Extended) 12? B-side – Go Feet FEET1215, 1982) 3. I Confess (Dave Allen Remix) 12? A-side – Go Feet FEET1216, 1982) 4. It Makes Me Rock (Unreleased Outtake) 5. Doors of Your Heart (Live @ Hammersmith Palais – 10/1982) from “I Confess” double 7? single – Go Feet FEET 16, 1983) 6. I Confess (Live @ Hammersmith Palais – 10/1982) from “I Confess” 12? single – Go Feet FEET 1216, 1983) 7. Spar Wid Me (Live @ Hammersmith Palais – 10/1982) from “I Confess” 12? single – Go Feet FEET 1216, 1983) 8. Save It for Later (Live @ Hammersmith Palais – 10/1982) from “I Confess” double 7? single – Go Feet FEET 16, 1983) 9. Mirror in the Bathroom (Live @ Hammersmith Palais – 10/1982) from “I Confess” double 7? single – Go Feet FEET 16, 1983) 10. Cant Get Used to Losing You (1983 Remix) single A-side – Go Feet FEET 17, 1983) 11. Ackee 1-2-3 (Nike Mix) 12? A-side – Go Feet FEET 1218, 1983) 12. Cant Get Used to Losing You (1983 Extended Remix) 12? A-side – Go Feet FEET 1217, 1983) 13. I Confess (United States of America Remix) 12? B-side – Go Feet FEET 1218, 1983) 14. Spar Wid Me (John Peel Session – 3/29/1982) 15. Shes Going (John Peel Session – 3/29/1982) 16. Save It for Later (John Peel Session – 3/29/1982) 17. Sole Salvation (John Peel Session – 3/29/1982) 18. Pato and Roger A Go Talk (John Peel Session – 3/29/1982) 19. End of the Party (John Peel Session – 3/29/1982) 20. Night and Day (Kid Jensen Session – 4/22/1982) 1. Save It for Later (promo video) 2. I Confess (promo video) 3. Cant Get Used to Losing You (Top of the Pops – 5/5/1983) 4. Cant Get Used to Losing You (Top of the Pops - 5/19/1983) 5. Save It for Later (OTT – 3/27/1982) 6. Stand Down Margaret (OTT – 3/27/1982) 7. Save It for Later (The Tube – 1/14/1983) 8. Mirror in the Bathroom (The Tube – 1/14/1983) 9. Too Nice to Talk To (The Tube – 1/14/1983) 10. Jools Holland Interviews Dave Wakeling and Ranking Roger (The Tube – 1/14/1983) Comsat Angels - The Renascent Studio Album Remasters [FLAC] Erroneously regarded as a synth pop band. and, every now and then, as a band that peaked with a song placed in a scene of Real Genius. the Comsat Angels were one of the finest bands of the post-punk/new wave era. Often as moody if less dramatic than Joy Division, their first and best albums. 1980 s Waiting for a Miracle, 1981 s Sleep No More, and 1982 s Fiction. featured abstract pop songs with spare instrumentation, many of which were bleak and filled with some form of heartache. The albums were almost unrelentingly sullen, but they were always transfixing. The band then fell prey to various commercial pressures for several years. In the 90s they resurfaced with a pair of powerful albums that resembled logical extensions of their earliest work, and then they vanished again. After numerous incarnations and name changes, the Sheffield-based Radio Earth. guitarist and vocalist Stephen Fellows, drummer Mik Glaisher, keyboardist Andy Peake, bassist Kevin Bacon. found themselves opening for Pere Ubu in Newcastle. After the gig, the quartet realized that they had been blown off the stage and intimidated by the headliners sense of focus and ability to confuse. Following a rethink, they came back as the less self-conscious Comsat Angels (the name referenced a short story by J. G. Ballard. They took a loan from Glaisher s father to record and release the Red Planet EP in 1979; BBC DJ John Peel, who was sent a copy, liked what he heard, requested a few more copies and booked the band for one of his famous Peel Sessions. An unintrusive deal with Polydor allowed the band to make three stunning albums and pay back Mr. Glaisher, but the label didn t know how to handle the band and the more influential music journalists shied away for whatever reason, though the coverage the band did receive tended to be glowing. Only "Independence Day. from the first album, managed to chart in the U. The albums were not distributed in the States, but the band did support Gang of Four during some 1982 dates and were shocked at the reception they received. the result of spins on college radio stations. The Comsats left Polydor for Jive. 1983 s Land, produced by Mike Howlett, was a marked departure and a conscious aim for the top of the charts. It backfired. 1985 s 7 Day Weekend, produced by Miles Davis associate and funk-pop producer extraordinaire James Mtume, fared worse. (A parallel: imagine a fourth Wire album that resembles Level 42 much more than Wire. 1986 s Chasing Shadows, released on Island, came to life with some help from high-profile fan Robert Palmer; it too was second-rate compared to the first three albums, despite being less compromised, and the band was pleased enough to refer to it as their fourth album. Fire on the Moon, finished the following year and not released until 1990, was the band s lowest point, a very bland hard rock album credited to Dream Command. At this point, The Comsats came to a full realization that their efforts at pleasing others. label heads and consumers alike. had been fruitless. They signed with RPM/Thunderbird in the U. and Caroline in the States, and released 1992 s My Mind s Eye, a toughened updated of the 1979-1982 period. Unsurprisingly, it was met with commercial indifference and spotty critical praise. Kevin Bacon, who had started to produce other artists, left the band after its release. Terry Todd came in as Bacon s replacement on bass, and Simon Anderson was added as second guitarist. In 1995, the band issued The Glamour, their hardest album. It would also be their last. Fellows released an album of ambient guitar instrumentals in 1997 and also managed Gomez. Bacon produced more (Finley Quaye, Longpigs, Ziggy Marley) and put together some of his own electronic material. Glaisher and Peake continued to work together sporadically. The first three Comsat Angels albums were issued on CD in 1995 but went out of print shortly thereafter; Renascent, a heroic independent label in the U. that had previously updated the catalog of the Sound, remedied the matter in 2006. Land and 7 Day Weekend were issued on CD by Connoisseur in 2001. 1980 - Waiting for a Miracle [2006 Remaster] 1981 - Sleep No More [2006 Remaster] 1982 - Fiction [2006 Remaster] 1992 - My Mind s Eye [2007 Remaster] 1995 - The Glamour [2007 2-CD Remaster] Album artwork and rip logs are also included. Enjoy. Led Zeppelin - The First Three Albums Remastered [Super Deluxe Edition Box Sets] FLAC] LED ZEPPELIN (1969) LED ZEPPELIN II (1969) LED ZEPPELIN III (1970) First Three Albums Newly Remastered With Previously Unreleased Companion Audio First Three Albums Newly Remastered By Jimmy Page, Each With An Additional Disc Of Previously Unreleased Companion Audio Multiple CD, Vinyl, And Digital Formats, Including Limited Edition Super Deluxe Boxed Set, Available June 3 John Bonham, John Paul Jones, Jimmy Page and Robert Plant came together in 1968 as Led Zeppelin. Over the next decade, the band would become one of the most influential, innovative and successful groups in modern music, selling more than 300 million albums worldwide. Their songs are some of the most celebrated in rock ‘n roll history that, to this day, resonate with fans young and old around the globe. Still, no matter how many times you may have listened to their music, youve never heard Led Zeppelin like this before. With the June 3 release of deluxe editions of Led Zeppelin, Led Zeppelin II, and Led Zeppelin III, the band will launch an extensive reissue program of all nine of its studio albums in chronological order, each remastered by guitarist and producer Jimmy Page. Led Zeppelin will also open its vaults to share dozens of unheard studio and live recordings, with each album featuring a second disc of companion audio comprised entirely of unreleased music related to that album. "The material on the companion discs presents a portal to the time of the recording of Led Zeppelin, ” says Page. “It is a selection of work in progress with rough mixes, backing tracks, alternate versions, and new material recorded at the time” Led Zeppelin, Led Zeppelin II, and Led Zeppelin III will each be available June 3 from Atlantic/Swan Song in the following formats: o Single CD – Remastered album packaged in a gatefold card wallet. o Deluxe Edition (2CD) – Remastered album, plus a second disc of unreleased companion audio. o Single LP – Remastered album on 180-gram vinyl, packaged in a sleeve that replicates the LPs first pressing in exacting detail. (For example, III will feature the original wheel and die cut holes. ) o Deluxe Edition Vinyl – Remastered album and unreleased companion audio on 180-gram vinyl. o Digital Download – Remastered album and companion audio will both be available. o Super Deluxe Boxed Set – This collection includes: Remastered album on CD in vinyl replica sleeve. - Companion audio on CD in card wallet. - Remastered album on 180-gram vinyl in a sleeve replicating first pressing. - Companion audio on 180-gram vinyl. - High-def audio download card of all content at 96kHz/24 bit. (Live tracks are 48kHz/24 bit. - Hard bound, 70+ page book filled with rare and previously unseen photos and memorabilia. - High quality print of the original album cover, the first 30, 000 of which will be individually numbered. - Led Zeppelin will also include a replica of the bands original Atlantic press kit. The Led Zeppelin legend began in January of 1969 with the groups eponymous debut. From the opening salvo of “Good Times Bad Times, ” on through to “Babe Im Gonna Leave You, ” “Communication Breakdown, ” and “Dazed And Confused, ” the album introduced the bands unmistakable sound and left an indelible mark on the music landscape. Led Zeppelin has been certified diamond by the RIAA for sales over 10 million and was inducted into the Grammy Hall of Fame in 2004. The companion audio for Led Zeppelin features a previously unreleased performance recorded on October 10, 1969 at the Olympia Theatre in Paris. The nine-song set features seven tracks from the album, including an epic 15-minute version of “Dazed And Confused, ” as well as “Heartbreaker” and “Moby Dick, ” which would debut on Led Zeppelin II later that month. The band wrote and recorded nearly all of Led Zeppelin II while touring relentlessly to support its debut album. Incredibly, the album was released just seven months after Led Zeppelin in October of 1969. Led Zeppelin II features some of the bands most beloved tracks including “Ramble On” and “Heartbreaker” as well as “Whole Lotta Love, ” considered by many to be one of the greatest rock ‘n roll songs of all time. The album is certified diamond by the RIAA with sales of over 12 million copies. The Led Zeppelin II companion audio gives fans the first peek into the bands recording sessions, with alternate mixes of five songs from the album, backing tracks to “Thank You” and “Living Loving Maid (Shes Just A Woman) ” and the previously unreleased track “La La. ” Following the whirlwind success of their first two albums and near constant touring, Page and Plant took to the now famous Bron-Yr-Aur cottage in Wales in 1970 to start the early composition of Led Zeppelin III. They later convened with Bonham and Jones for rehearsals before entering Londons Olympic Studios to begin recording in May 1970. Fueled by classic tracks such as “Immigrant Song” and “Since Ive Been Loving You, ” the album soared to the top of charts worldwide upon its release in October of 1970 and has since been certified 6x platinum. The nine tracks featured on Led Zeppelin IIIs companion audio continue to offer a window into the bands recording process with seven studio outtakes of songs from the album as well as three previously unheard compositions: “Jennings Farm Blues” (an instrumental forerunner of “Bron-Yr-Aur Stomp”) “Bathroom Sound” (an instrumental version of “Out On The Tiles”) and their take on the blues classics “Keys To The Highway/Trouble In Mind. ” Led Zeppelin continues to be honored for its pivotal role in music history. The band was inducted into the Rock & Roll Hall of Fame in 1995, received a Grammy Lifetime Achievement Award in 2005, and a year later was awarded with the Polar Music Prize in Stockholm. Founding members Jones, Page and Plant – along with Jason Bonham, the son of John Bonham – took the stage at Londons O2 Arena in 2007 to headline a tribute concert for Ahmet Ertegun, a dear friend and Atlantic Records founder. The band was honored for its lifetime contribution to American culture at the Kennedy Center Honors in 2012. In January of 2014, the band won their first ever Grammy award as Celebration Day, which captured their live performance at the Ertegun tribute concert, was named Best Rock Album. Led Zeppelin Disc 1: Original Album Remastered 1. “Good Times Bad Times” 2. “Babe Im Gonna Leave You” 3. “You Shook Me” 4. “Dazed And Confused” 5. “Your Time Is Gonna Come” 6. “Black Mountain Side” 7. “Communication Breakdown” 8. “I Cant Quit You Baby” 9. “How Many More Times” Disc 2: Companion Audio Live At The Olympia – Paris, France October 10, 1969 1. “Good Times Bad Times/Communication Breakdown” 2. “I Cant Quit You Baby” 3. “Heartbreaker” 5. “White Summer/Black Mountain Side” 6. “You Shook Me” 7. “Moby Dick” 8. “How Many More Times”. Led Zeppelin II 1. “Whole Lotta Love” 2. “What Is And What Should Never Be” 3. “The Lemon Song” 4. “Thank You” 5. “Heartbreaker” 6. “Living Loving Maid (Shes Just A Woman)” 7. “Ramble On” 8. “Moby Dick” 9. “Bring It On Home” 3. “Thank You” 4. “Living Loving Maid (Shes Just A Woman)” 6. “La La” Led Zeppelin III 1. “Immigrant Song” 2. “Friends” 3. “Celebration Day” 4. “Since Ive Been Loving You” 5. “Out On The Tiles” 6. “Gallows Pole” 7. “Tangerine” 8. “Thats The Way” 9. “Bron-Y-Aur Stomp” 10. “Hats Off To (Roy) Harper” 1. “The Immigrant Song” 5. “Bathroom Sound” 7. “Thats The Way” 8. “Jennings Farm Blues” 9. “Keys To The Highway/Trouble In Mind” Technical note: The new remasters were created from 192 kHz/24 bit digital transfers of the original analogue tapes. The catalogue is being remastered now to take advantage of the significant advances in mastering technology that have occurred since 1991. Full album artwork included and rip logs. Enjoy. Thanks to zapalka! Led Zeppelin - Complete Studio Album Discography 1969-1982 [FLAC] Led Zeppelin was the definitive heavy metal band. It wasn t just their crushingly loud interpretation of the blues. it was how they incorporated mythology, mysticism, and a variety of other genres (most notably world music and British folk. into their sound. Led Zeppelin had mystique. They rarely gave interviews, since the music press detested the band. Consequently, the only connection the audience had with the band was through the records and the concerts. More than any other band, Led Zeppelin established the concept of album-oriented rock, refusing to release popular songs from their albums as singles. In doing so, they established the dominant format for heavy metal, as well as the genre s actual sound. Led Zeppelin formed out of the ashes of the Yardbirds. Jimmy Page had joined the band in its final days, playing a pivotal role on their final album, 1967 s Little Games, which also featured string arrangements from John Paul Jones. During 1967, the Yardbirds were fairly inactive. While the Yardbirds decided their future, Page returned to session work in 1967. In the spring of 1968, he played on Jones arrangement of Donovan s "Hurdy Gurdy Man. During the sessions, Jones requested to be part of any future project Page would develop. Page would have to assemble a band sooner than he had planned. In the summer of 1968, the Yardbirds Keith Relf and James McCarty left the band, leaving Page and bassist Chris Dreja with the rights to the name, as well as the obligation of fulfilling an upcoming fall tour. Page set out to find a replacement vocalist and drummer. Initially, he wanted to enlist singer Terry Reid and Procol Harum s drummer B. J. Wilson, but neither musician was able to join the group. Reid suggested that Page contact Robert Plant, who was singing with a band called Hobbstweedle. After hearing him sing, Page asked Plant to join the band in August of 1968, the same month Chris Dreja dropped out of the new project. Following Dreja s departure, John Paul Jones joined the group as its bassist. Plant recommended that Page hire John Bonham, the drummer for Plant s old band, the Band of Joy. Bonham had to be persuaded to join the group, as he was being courted by other artists who offered the drummer considerably more money. By September, Bonham agreed to join the band. Performing under the name the New Yardbirds, the band fulfilled the Yardbirds previously booked engagements in late September 1968. The following month, they recorded their debut album in just under 30 hours. Also in October, the group switched its name to Led Zeppelin. The band secured a contract with Atlantic Records in the United States before the end of the year. Early in 1969, Led Zeppelin set out on their first American tour, which helped set the stage for the January release of their eponymous debut album. Two months after its release, Led Zeppelin had climbed into the U. Top Ten. Throughout 1969, the band toured relentlessly, playing dates in America and England. While they were on the road, they recorded their second album, Led Zeppelin II, which was released in October of 1969. Like its predecessor, Led Zeppelin II was an immediate hit, topping the American charts two months after its release and spending seven weeks at number one. The album helped establish Led Zeppelin as an international concert attraction, and for the next year, the group continued to tour relentlessly. Led Zeppelin s sound began to deepen with Led Zeppelin III. Released in October of 1970, the album featured an overt British folk influence. The group s infatuation with folk and mythology would reach a fruition on the group s untitled fourth album, which was released in November of 1971. Led Zeppelin IV was the band s most musically diverse effort to date, featuring everything from the crunching rock of "Black Dog" to the folk of "The Battle of Evermore. as well as "Stairway to Heaven. which found the bridge between the two genres. "Stairway to Heaven" was an immediate radio hit, eventually becoming the most played song in the history of album-oriented radio; the song was never released as a single. Despite the fact that the album never reached number one in America, Led Zeppelin IV was their biggest album ever, selling well over 16 million copies over the next two and a half decades. Led Zeppelin did tour to support both Led Zeppelin III and Led Zeppelin IV, but they played fewer shows than they did on their previous tours. Instead, they concentrated on only playing larger venues. After completing their 1972 tour, the band retreated from the spotlight and recorded their fifth album. Released in the spring of 1973, Houses of the Holy continued the band s musical experimentation, featuring touches of funk and reggae among their trademark rock and folk. The success of Houses of the Holy set the stage for a record-breaking American tour. Throughout their 1973 tour, Led Zeppelin broke box-office records. most of which were previously held by the Beatles. across America. The group s concert at Madison Square Garden in July was filmed for use in the feature film The Song Remains the Same, which was released three years later. After their 1973 tour, Led Zeppelin spent a quiet year during 1974, releasing no new material and performing no concerts. They did, however, establish their own record label, Swan Song, which released all of Led Zeppelin s subsequent albums, as well as records by Dave Edmunds, Bad Company, the Pretty Things, and several others. Physical Graffiti, a double album released in February of 1975, was the band s first release on Swan Song. The album was an immediate success, topping the charts in both America and England. Led Zeppelin launched a large American tour in 1975, but it came to a halt when Robert Plant and his wife suffered a serious car crash while vacationing in Greece. The tour was canceled and Plant spent the rest of the year recuperating from the accident. Led Zeppelin returned to action in the spring of 1976 with Presence. Although the album debuted at number one in both America and England, the reviews for the album were lukewarm, as was the reception to the live concert film The Song Remains the Same, which appeared in the fall of 1976. The band finally returned to tour America in the spring of 1977. A couple of months into the tour, Plant s six-year-old son Karac died of a stomach infection. Led Zeppelin immediately canceled the tour and offered no word whether or not it would be rescheduled, causing widespread speculation about the band s future. For a while, it did appear that Led Zeppelin were finished. Robert Plant spent the latter half of 1977 and the better part of 1978 in seclusion. The group didn t begin work on a new album until late in the summer of 1978, when they began recording at ABBA s Polar studios in Sweden. A year later, the band played a short European tour, performing in Switzerland, Germany, Holland, Belgium, and Austria. In August of 1979, Led Zeppelin played two large concerts at Knebworth; the shows would be their last English performances. In Through the Out Door, the band s much-delayed eighth studio album, was finally released in September of 1979. The album entered the charts at number one in both America and England. In May of 1980, Led Zeppelin embarked on their final European tour. In September, Led Zeppelin began rehearsing at Jimmy Page s house in preparation for an American tour. On September 25, John Bonham was found dead in his bed. following an all-day drinking binge, he had passed out and choked on his own vomit. In December of 1980, Led Zeppelin announced they were disbanding, since they could not continue without Bonham. Following the breakup, the remaining members all began solo careers. John Paul Jones returned to producing and arranging, finally releasing his solo debut, Zooma, in 1999. After recording the soundtrack for Death Wish II, Jimmy Page compiled the Zeppelin outtakes collection Coda, which was released at the end of 1982. That same year, Robert Plant began a solo career with the Pictures at Eleven album. In 1984, Plant and Page briefly reunited in the all-star oldies band the Honeydrippers. After recording one EP with the Honeydrippers, Plant returned to his solo career and Page formed the Firm with former Bad Company singer Paul Rogers. In 1985, Led Zeppelin reunited to play Live Aid, sparking off a flurry of reunion rumors; the reunion never materialized. In 1988, the band re-formed to play Atlantic s 25th anniversary concert. During 1989, Page remastered the band s catalog for release on the 1990 box set Led Zeppelin. The four-disc set became the biggest-selling multi-disc box set of all time, which was followed up three years later by another box set, the mammoth ten-disc set The Complete Studio Recordings. In 1994, Page and Plant reunited to record a segment for MTV Unplugged, which was released as No Quarter in the fall of 1994. Although the album went platinum, the sales were disappointing considering the anticipation of a Zeppelin reunion. The following year, Page and Plant embarked on a successful international tour, which eventually led to an all-new studio recording in 1998, the Steve Albini-produced Walking Into Clarksdale. Surprisingly, the album was met with a cool reception by the record-buying public, as Page and Plant ended their union shortly thereafter, once again going their separate ways (Page went on to tour with the Black Crowes, while Plant resumed his solo career. Further Zeppelin compilation releases saw the light of day in the late 90s, including 1997 s stellar double-disc BBC Sessions, plus Zep s first true best-of collections. 1999 s Early Days: The Best Of, Vol. 1 and 2000 s Latter Days: The Best Of, Vol. 2. A full reunion of the surviving members of the band, with Jason Bonham filling in for his late father on drums, took place in 2007 when the group played a historic concert at London s 02 in memory of Atlantic Records founder Ahmet Ertegun. The set was filmed and recorded, and finally appeared as a commercial release under the title Celebration Day in the fall of 2012. In 2014, Led Zeppelin launched a massive catalog campaign supervised by Jimmy Page, containing newly remastered versions of all their albums, available on CD, high-resolution downloads, and vinyl. Additionally, there were deluxe editions containing previously unreleased material from the vaults. The first round of reissues contained the band s first three albums and appeared in June 2014. 1969 - Led Zepellin 1969 - led Zeppelin II 1970 - Led Zeppelin III 1971 - Led Zeppelin IV 1973 - Houses of the Holy 1975 - Physical Graffiti 1976 - Presence 1979 - In Through the Out Door 1982 - Coda Note: All of the albums are the Jimmy Page and George Marino remasters that were released in 1994. Full album artwork and rip logs are also included. Enjoy. Snoop Doggy Dogg - Doggystyle [Original 19-Track Version] 1993) FLAC] Doggystyle is the debut album from American rapper Snoop Dogg, then known as Snoop Doggy Dogg, released by Death Row Records on November 23, 1993. The album was recorded soon following the release of Dr. Dre s landmark debut album The Chronic (1992) to which Snoop Dogg contributed significantly. The style he developed for Dre s album was continued on Doggystyle. Critics have praised Snoop Dogg for the lyrical "realism" he delivers on the album and for his distinctive vocal flow. Despite some mixed criticism of the album initially upon its release, Doggystyle has earned recognition from many music critics as one of the most significant albums of the 1990s, as well as one of the most important hip hop albums ever released. Much like The Chronic, the distinctive sounds of Doggystyle helped introduce the hip hop style of G-funk to a mainstream audience, bringing forward West Coast hip hop as a dominant force in the early 1990s. As of 2008, the Recording Industry Association of America (RIAA) has certified Doggystyle quadruple platinum in sales, and it serves as Snoop Dogg s highest-selling album. Doggystyle debuted at number one on the Billboard 200 chart, and sold 802, 858 copies in its first week alone, which was the record for a debuting artist and the fastest-selling album ever until Eminem s The Marshall Mathers LP in 2000. Doggystyle is included in The Source magazine s list of the 100 Best Rap Albums, as well as Rolling Stone magazine s list of Essential Recordings of the 90s. placed the album in number 19 of the greatest hip hop/rap albums of all time. Note: This the original 1993 pressing with the rare track "Gz Up, Hoes Down" that was removed from later pressings because of sample clearance issues. 1. Bathtub 2. G Funk Intro 3. Gin and Juice 4. W Balls 5. Tha Shiznit 6. Interlude 7. Lodi Dodi 8. Murder Was the Case (DeathAfterVisualizingEternity) 9. Serial Killa 10. Who Am I (What s My Name? 11. For All My Niggaz & Bitches 12. Aint No Fun (If the Homies Cant Have None) 13. Interlude 14. Doggy Dogg World 15. Interlude 16. Gz and Hustlas 17. Interlude 18. Gz Up, Hoes Down 19. Pump Pump Full album artwork is and rip logs are included. Enjoy. Fugazi - Studio Discography 1989-2001 [FLAC] If history is kind to Fugazi, their records won t be overshadowed by their reputation and methods of operation. Instead of being known for their community activism, five-dollar shows, ten-dollar CDs, resistance to mainstream outlets, and the laughably fictitious folklore surrounding their lifestyle, they will instead be identified as setting a high bar for artistic excellence that is frequently aimed for but seldom achieved with great frequency. During their existence, the four-piece created some of the most intelligent, invigorating, and undeniably musical post-hardcore rock & roll. Along with their stridently underground ethics. which were more out of pragmatism and modesty than anything else. they gained an extremely loyal and numerous global following. To many, Fugazi meant as much to them as Bob Dylan did to their parents. Somewhat better to look at, perhaps, and certainly more accessible, but just as commanding of attention and adoration. More than anything, Fugazi inspired; they showed that art can prevail over commerce. Drummer Brendan Canty, bassist Joe Lally, and guitarists/vocalists Ian MacKaye, and Guy Picciotto formed Fugazi in 1987. Initially a trio, Picciotto was added to the lineup after the band s first live shows. Prior to forming, the members already had deep pedigrees in the D. punk scene. Dischord labelhead MacKaye, who had previously been in the Teen Idles and Minor Threat, had just come from Embrace. For better or worse, Embrace, along with Picciotto and Canty s better Rites of Spring, kick-started the emocore sub-genre that would rise to prominence ten years later. After further honing their cathartic live act and expanding their material, their first EP (Fugazi, also known as Seven Songs) was released in late 1988. More of an extension of Rites of Spring s thick, dynamic, varied-tempo soul-bearing than anything else, the EP featured "Suggestion. which would become the band s most well-known song. Though the course of rock history shows that loud music created by angry men tends to be of a predatory nature, Suggestion" was an anomaly. MacKaye spoke from the female point of view, railing with frustration at how their sex is objectified. Not hampering the song s status as one of the most recognized chunks of late- 80s post-hardcore was its catchy, vaguely reggae-influenced rhythms and searing guitars. The similarly veined Margin Walker EP followed the next year and was later coupled with Fugazi on CD as 13 Songs. Though suffering slightly from lyrical shortcomings (MacKaye and Picciotto grandstand too much) 1990 s full-length debut Repeater is generally regarded as a classic. Toughening and refining the band s shockingly propulsive lockstep dynamics (see "Repeater" and "Styrofoam. it still left several critics and a few fans wondering if the band was becoming a one-trick pony. A year later, the cynics were proven wrong with Steady Diet of Nothing, clearly the band s most challenging material to date. Branching out lyrically and limiting the finger pointing, Steady Diet also varied from its predecessors with more imaginative arrangements and less visceral qualities. Two years passed until In on the Killtaker, the band s most abrasively black-and-white record. With scabous guitars and extended stretches of discordance, some of the songs were among the band s most aggressive and angular. At this point, the band s reputation for political correctness got a little out of hand. Word of mouth and touring was providing more new fans than ever, which was good and bad. Fugazi s energetic shows became the stuff of legend, known for the level of emotional release and Picciotto s wild stage antics as much as the band s anti-moshing stance. With the rise of the band s popularity, the venues got bigger and the ignorant crowd behavior became harder to control. There were loads of irony in clusters of bare-chested young men throwing themselves around and injuring others while the band played their often anti-violent material. MacKaye would often stop the band mid-song to calm the crowd down, occasionally offering troublemakers their money back to leave the venue. Since the band didn t do interviews with major publications, some journalists were left to improvise and opted to take creative license. The rumor mill amongst the fan base was equally imaginative. In fact, some concertgoers might have been surprised to see the band pull up to venues in a van, not arriving by a convoy of camels. Those who spoke with bandmembers were surprised to hear that they lived in houses. not monasteries. with running furnaces and that their diets weren t strictly rice-based. Worse yet, the band gained a reputation for not having a sense of humor. Their records never kicked out the yucks (they weren t Ween, after all) but this was probably the most unwarranted myth of all. Those who were resourceful enough to find interviews with the band in small fanzines might have been shocked to read that MacKaye was influence by Ted Nugent as much as Jimi Hendrix. Now that takes a sense of humor. As the increasing responsibilities of adulthood and outside musical involvements increased, Fugazi s recordings and tours became more sporadic. Red Medicine was released another two years after In on the Killtaker, chipping away some of the latter s abrasion in favor of more jam-oriented experiments. It certainly wasn t a wholesale junking of the band s early sound, but more a matter of wanting to do things differently. They still sounded like Fugazi, but they weren t painting themselves into a corner, either. The even wilder End Hits came in 1998, amidst rumors of the band being put to rest. Eschewing the notion, more choppy touring in support of the record continued throughout the year. In 1999, the Instrument video and soundtrack hit the shelves. The result of several years spent working on a proper Fugazi documentary, friend Jem Cohen assembled a lengthy homage to the fab four, including live performances and interviews. The soundtrack featured demos, jams, and incidental cutting room scraps, still forming an enjoyable listen that focused on the band s instrumental talents. 2001 saw release of the band s sixth proper LP, The Argument, which was simultaneously issued with the three-song Furniture EP. Outside of Fugazi, both MacKaye and Picciotto helped other bands with production. MacKaye continued to operate Dischord, and Lally began his own label, Tolotta. Picciotto also ventured into filmmaking. 1989 - 13 Songs [2003 Remaster] 1990 - Repeater + 3 Songs [2005 Remaster] 1991 - Steady Diet of Nothing [2004 Remaster] 1993 - In on the Kill Taker [2004 Remaster] 1995 - Red Medicine [2007 Remaster] 1998 - End Hits 1999 - Instrument Soundtrack 2001 - Furniture [EP] 2001 - The Argument Album artwork and rip logs are also included. Enjoy. The Rolling Stones - Studio Album Discography 1964-2005 [FLAC] By the time the Rolling Stones began calling themselves the World s Greatest Rock & Roll Band in the late 60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock. With his preening machismo and latent maliciousness, Mick Jagger became the prototypical rock frontman, tempering his macho showmanship with a detached, campy irony while Keith Richards and Brian Jones wrote the blueprint for sinewy, interlocking rhythm guitars. Backed by the strong yet subtly swinging rhythm section of bassist Bill Wyman and drummer Charlie Watts, the Stones became the breakout band of the British blues scene, eclipsing such contemporaries as the Animals and Them. Over the course of their career, the Stones never really abandoned blues, but as soon as they reached popularity in the U. K., they began experimenting musically, incorporating the British pop of contemporaries like the Beatles, Kinks, and Who into their sound. After a brief dalliance with psychedelia, the Stones re-emerged in the late 60s as a jaded, blues-soaked hard rock quintet. The Stones always flirted with the seedy side of rock & roll, but as the hippie dream began to break apart, they exposed and reveled in the new rock culture. It wasn t without difficulty, of course. Shortly after he was fired from the group, Jones was found dead in a swimming pool, while at a 1969 free concert at Altamont, a concertgoer was brutally killed during the Stones show. But the Stones never stopped going. For the next 30 years, they continued to record and perform, and while their records weren t always blockbusters, they were never less than the most visible band of their era. certainly, none of their British peers continued to be as popular or productive as the Stones. And no band since has proven to have such a broad fan base or far-reaching popularity, and it is impossible to hear any of the groups that followed them without detecting some sort of influence, whether it was musical or aesthetic. 1964 - The Rolling Stones (U. Album) 1964 - England s Newest Hit Makers [2002 Remaster] U. Album) 1964 - 12 X 5 [2002 Remaster] 2nd U. Album) 1965 - The Rolling Stones No. 2 [2002 CD-Maximum Reissue] U. Album) 1965 - The Rolling Stones, Now! 2002 Remaster] U. Album) 1965 - Out of Our Heads [US] 2002 Remaster] 1965 - Out of Our Heads [UK] 2002 Remaster] 1965 - December s Children (And Everybody s) 2002 Remaster] U. Album) 1966 - Aftermath [UK] 2002 Remaster] 1966 - Aftermath [US] 2002 Remaster] 1967 - Between the Buttons [UK] 2002 Remaster] 1967 - Between the Buttons [US] 2002 Remaster] 1967 - Their Satanic Majesties Request [2002 Remaster] 1968 - Beggars Banquet [2002 Remaster] 1969 - Let It Bleed [2002 Remaster] 1971 - Sticky Fingers [2009 Remaster] 1972 - Exile on Main St. [2010 Deluxe Edition] 1973 - Goats Head Soup [2009 Remaster] 1974 - It s Only Rock n Roll [2009 Remaster] 1976 - Black and Blue [2009 Remaster] 1978 - Some Girls [2009 Remaster] 1980 - Emotional Rescue [2009 Remaster] 1981 - Tattoo You [2009 Remaster] 1983 - Undercover [2009 Remaster] 1986 - Dirty Work [2009 Remaster] 1989 - Steel Wheels [2009 Remaster] 1994 - Voodoo Lounge [2009 Remaster] 1997 - Bridges to Babylon [2009 Remaster] 2002 - Forty Licks 2005 - A Bigger Bang [2009 Remaster] Each album contains full artwork, rip logs and cue sheets. Enjoy. Soundgarden - Superunknown [20th Anniversary Deluxe Edition] 2014) FLAC] In 2014 we celebrate the 20th anniversary of Soundgarden s massive album Superunknown which to date has sold 9 million albums worldwide and is certified five times platinum by the RIAA in the US. Both a critical and commercial success, in 1994 Superunknown debuted at #1 on the Billboard charts and earned the band two Grammys for the singles Black Hole Sun and Spoonman in 1995. As relevant today as they were in 1994, the multi-platinum-selling Soundgarden continues to be in the Top 10 most played artists on Active Rock radio and the band s top 4 most played radio songs - accumulating over 1 million in total airplay and 4 billion in total audience to date - are all from this very beloved album. Black Hole Sun. Fell on Black Days. Spoonman and The Day I Tried To Live. In 2003, Rolling Stone ranked the album as one of the 500 Greatest Albums of All Time and the 100 Greatest Albums of the Nineties. - Disc 1: Remastered album - 16 tracks (including international album bonus track She Likes Surprises Disc 2: Highlights of the Super Deluxe version PLUS 2 Unreleased Album Instrumentals Disc 1: Superunknown [Remastered] 1. Let Me Drown 2. My Wave 3. Fell on Black Days 4. Mailman 5. Superunknown 6. Head Down 7. Black Hole Sun 8. Spoonman 9. Limo Wreck 10. The Day I Tried to Live 11. Kickstand 12. Fresh Tendrils 13. 4th of July 14. Half 15. Like Suicide 16. She Likes Surprises Disc 2: Demos, Rehearsals, B-Sides & More 1. Let Me Drown (Demo/Unreleased) 2. Black Hole Sun (Demo/Unreleased) 3. Half (Demo/Unreleased) 4. Head Down (Rehearsal/Unreleased) 5. Limo Wreck (Rehearsal/Unreleased) 6. The Day I Tried to Live (Rehearsal/Unreleased) 7. Like Suicide (Acoustic Version) 8. Black Days III (Originally titled Fell On Black Days (Demo Early Version) 9. Birth Ritual (Original Demo Version) 10. Exit Stonehenge 11. Kyle Petty, Son of Richard 12. Jerry Garcia s Finger 13. Spoonman (Alternative Steve Fisk Remix/Unreleased) 14. The Day I Tried to Live (Alternate Mix/Unreleased) 15. 4th of July (Instrumental/Unreleased) 16. Superunknown (Instrumental/Unreleased) Album artwork and rip logs are included. Enjoy. Bob Marley & the Wailers - Catch a Fire [11-CD Japan Mini-LP Box Set] 2006) FLAC] This box set was released specifically for Japan in 2006. It contains every Bob Marley & the Wailers studio and live album released by Island records from 1973 to 1983 in exact replica minature LP packaging. This box set is currently out of print, but you can purchase each album seperately. These are the same albums that were remastered by Universal Records and originally released seperately in the U. in 2001. This box set includes the following remastered albums: Disc 1 - Catch a Fire (1973) UICY-93118 2006] Disc 2 - Burnin (1973) UICY-93119 2006] Disc 3 - Natty Dread (1974) UICY-93120 2006] Disc 4 - Live! 1975) UICY-93121 2006] Disc 5 - Exodus (1977) UICY-93128 2006] Disc 6 - Kaya (1978) UICY-93123 2006] Disc 7 - Rastaman Vibration (1976) UICY-93122 2006] Disc 8 - Babylon by Bus (1978) UICY-93124 2006] Disc 9 - Survival (1979) UICY-93126 2006] Disc 10 - Uprising (1980) UICY-93125 2006] Disc 11 - Confrontation (1983) UICY-93127 2006] Catch a Fire (1973) 01 – Concrete Jungle 02 – Slave Driver 03 – 400 Years 04 – Stop That Train 05 – Baby Weve Got a Date (Rock It Baby) 06 – Stir It Up 07 – Kinky Reggae 08 – No More Trouble 09 – Midnight Ravers 10 – High Tide or Low Tide (Bonus Track) 11 – All Day All Night (Bonus Track. Burnin (1973) 01 – Get Up, Stand Up 02 – Hallelujah Time 03 – I Shot the Sheriff 04 – Burnin and Lootin 05 – Put It On 06 – Small Axe 07 – Pass It On 08 – Duppy Conqueror 09 – One Foundation 10 – Rasta Man Chant 11 – Reincarnated Souls 12 – No Sympathy (Bonus Track) 13 – The Oppressed Song (Bonus Track) Natty Dread (1974) 01 – Lively Up Yourself 02 – No Woman, No Cry 03 – Them Belly Full (But We Hungry) 04 – Rebel Music (3 OClock Roadblock) 05 – So Jah Seh 06 – Natty Dread 07 – Bend Down Low 08 – Talkin Blues 09 – Revolution 10 – Am-A-Do (Bonus Track) Live! 1975) 01 – Trenchtown Rock 02 – Burnin & Lootin 04 – Lively Up Yourself 05 – No Woman, No Cry 06 – I Shot The Sheriff 07 – Get Up, Stand Up 08 – Kinky Reggae (Bonus Track) Exodus (1977) 01 – Natural Mystic 02 – So Much Things to Say 03 – Guiltiness 04 – The Heathen 05 – Exodus 06 – Jamming 07 – Waiting in Vain 08 – Turn Your Lights Down Low 09 – Three Little Birds 10 – One Love/People Get Ready 11 – Jamming (Long Version) 12 – Punky Reggae Party (Long Version) Kaya (1978) 01 – Easy Skanking 02 – Kaya 03 – Is This Love 04 – Sun Is Shining 05 – Satisfy My Soul 06 – Shes Gone 07 – Misty Morning 08 – Crisis 09 – Running Away 10 – Time Will Tell 11 – Smile Jamaica (Version) Rastaman Vibration (1976) 01 – Positive Vibration 02 – Roots, Rock, Reggae 03 – Johnny Was 04 – Cry to Me 05 – Want More 06 – Crazy Baldhead 07 – Who the Cap Fit 08 – Night Shift 09 – War 10 – Rat Race 11 – Jah Live (Bonus Track) Babylon by Bus (1978) 02 – Punky Reggae Party 03 – Exodus 04 – Stir It Up 05 – Rat Race 06 – Concrete Jungle 08 – Lively Up Yourself 09 – Rebel Music 10 – War/No More Trouble 11 – Is This Love 12 – Heathen 13 – Jamming Survival (1979) 01 – So Much Trouble in the World 02 – Zimbabwe 03 – Top Rankin 04 – Babylon System 05 – Survival 06 – Africa Unite 07 – One Drop 08 – Ride Natty Ride 09 – Ambush in the Night 10 – Wake Up and Live 11 – Ride Natty Ride (12" Mix) Uprising (1980) 01 – Coming in from the Cold 02 – Real Situation 03 – Bad Card 04 – We and Dem 05 – Work 06 – Zion Train 07 – Pimpers Paradise 08 – Could You Be Loved 09 – Forever Loving Jah 10 – Redemption Song 11 – Redemption Song (Band Version) 12 – Could You Be Loved (12" Mix) Confrontation (1983) 01 – Chant Down Babylon 02 – Buffalo Soldier 03 – Jump Nyabinghi 04 – Mix Up, Mix Up 05 – Give Thanks and Praises 06 – Blackman Redemption 07 – Trench Town 08 – Stiff Necked Fools 09 – I Know 10 – Rastaman Live Up! 11 – Buffalo Soldier (12" Mix) Neil Young - Archives Series [FLAC] The Neil Young Archives is a series of archival releases by singer-songwriter Neil Young which feature previously released as well as unreleased studio and live recordings. The project has been long in the making – work began in the late 1980s. Throughout its development, Young himself has made several statements about the material included, release dates, and marketing that have proven false as the project is expanded upon to accommodate new releases or other relevant material. Young has said that there will be five volumes covering approximately 50 years. The archives are divided into several series. The main part is a series of box sets covering separate periods of the artist s career. The Performance Series consists of individual releases of live material. Finally, there is the Special Edition series which will consist of previously unreleased albums. These different series also overlap; since, for example, two volumes of the Performance Series are included on the first Archives box set release, but are also sold separately... 1. Box Set The Archives, Volume 1: 1963-1972 Disc 00 - Early Years (1963-1965) Disc 01 - Early Years (1966-1968) Disc 02 - Topanga 1 (1968-1969) Disc 03 - Live at the Riverboat (Toronto 1969) Disc 04 - Topanga 2 (1969-1970) Disc 05 - Live At the Fillmore East (New York 1970) Disc 06 - Topanga 3 (1970) Disc 07 - Live at Massey Hall (Toronto 1971) Disc 08 - North Country (1971-1972) The first volume, The Archives Vol. 1 1963–1972, was released June 2, 2009, covering Young s early years with The Squires and Buffalo Springfield, as well as cuts, demos, outtakes and alternate mixes from his albums Neil Young, Everybody Knows This Is Nowhere, After the Gold Rush, and Harvest. Also included in the set are several live discs, as well as a DVD of the long out-of-print film Journey Through the Past, directed by Young in the early 1970s. Volume 1 was released as a set of 10 Blu-ray discs in order to present high resolution audio as well as accompanying visual documentation. It is also available as a 10 disc DVD set and an 8 CD set. As of July 2014, Volume 2 still awaits release. 2. Performance Series The series of box sets were preceded by individual concert releases, dubbed the Archives Performance Series. This section contains details of releases so far. The releases are ordered in chronological order of recording. The albums were released in a different order, with Volume 2 coming in 2006, Volume 3 in 2007 and Volume 1 included in the first Archives box. Volume 00: Sugar Mountain - Live at Canterbury House 1968 Sugar Mountain - Live at Canterbury House 1968 is labeled Volume 00 in the Performance Series, but was the third in the series to be released. It features recordings from Young s solo acoustic performances at Canterbury House on 9-10 November 1968. The album was released on December 2, 2008. Volume 01: Live at the Riverboat 1969 Volume 1 is entitled Live at the Riverboat 1969 and is taken from a series of shows at the Riverboat Coffeehouse in Toronto in February, 1969, recorded by Brian Ahern. The CD was released as part of the Archives Vol. 1 in June 2009. Chrome Dreams II from certain retailers also included a bonus CD with a preview track from the Riverboat. Different outlets had different CDs, each with a different preview track. Volume 02: Live at the Fillmore East Live at the Fillmore East, released in November 2006, features a March 1970 concert with Crazy Horse. The album was released on CD, LP and DVD with high definition 24/96 sound accompanied by still images from the concert. Volume 02. 5: Live at the Cellar Door Live at the Cellar Door was recorded in Washington D. during six-show between November 30th and December 2nd, 1970. This was released on December 10th 2013. Volume 03: Live at Massey Hall 1971 A solo acoustic performance from January 1971, Live at Massey Hall 1971, saw release in March 2007. The album was released on LP, CD and DVD Video with the DVD version including high definition sound accompanied by 8mm film footage. In his autobiography Young mentioned that the film footage is not from the same show as the audio. Volume 09: A Treasure A Treasure documents the International Harvesters tours of 1984-1985. It was first released May 24, 2011 as an LP, with Blu-ray (and accompanying film) and CD following June 14. Volume 12: Dreamin Man Live 92 Volume 12 in the Performance Series, Dreamin Man Live 92, was released on December 8, 2009 and features all ten songs from the album Harvest Moon performed live in 1992. 3. Official Release Series Although the Archives label is predominantly used for previously unreleased material, the name is also being attached to remastered editions of existing albums. Such releases are labeled Neil Young Archives Official Release Series. To date, four albums have been re-released as part of the Official Release Series: Neil Young [1968] Everybody Knows This Is Nowhere [1969] After the Gold Rush [1970] Harvest [1972] Compact disc versions of the above albums were released on 14 July 2009. In addition, the albums were reissued as limited edition box sets on 24 November 2009, in both 180-gram vinyl and 24k gold CD versions. 140-gram vinyl editions of the individual albums were also issued on that date. 4. Digital Masterpiece Series In 2003, Neil Young released 4 albums on compact disc for the first time. These were reissued as HDCDs as part of the Neil Young Archives Digital Masterpiece Series. The CD versions were subsequently joined by DVD-Audio versions. On the Beach [1974] American Stars n Bars [1977] Hawks & Doves [1980] Re-ac-tor [1981] De La Soul - Discography 1989-2006 [FLAC] At the time of its 1989 release, De La Soul s debut album, 3 Feet High and Rising, was hailed as the future of hip-hop. With its colorful, neo-psychedelic collage of samples and styles, plus the Long Island trio s low-key, clever rhymes and goofy humor, the album sounded like nothing else in hip-hop. Where most of their contemporaries drew directly from old-school rap, funk, or Public Enemy s dense sonic barrage, De La Soul were gentler and more eclectic, taking in not only funk and soul, but also pop, jazz, reggae, and psychedelia. Though their style initially earned both critical raves and strong sales, De La Soul found it hard to sustain their commercial momentum in the 90s as their alternative rap was sidetracked by the popularity of considerably harder-edged gangsta rap. De La Soul formed while the trio members. Posdnuos (born Kelvin Mercer, August 17, 1969) Trugoy the Dove (born David Jude Jolicoeur, September 21, 1968) and Pasemaster Mase (born Vincent Lamont Mason Jr., March 27, 1970. were attending high school in the late 80s. The stage names of all of the members derived from in-jokes: Posdnuos was an inversion of Mercer s DJ name, Sound-Sop; Trugoy was an inversion of Jolicoeur s favorite food, yogurt. De La Soul s demo tape, Plug Tunin. came to the attention of Prince Paul, the leader and producer of the New York rap outfit Stetsasonic. Prince Paul played the tape to several colleagues and helped the trio land a contract with Tommy Boy Records. Prince Paul produced De La Soul s debut album, 3 Feet High and Rising, which was released in the spring of 1989. Several critics and observers labeled the group as a neo-hippie band because the record praised peace and love as well as proclaiming the dawning of "the D. Y. age" Da Inner Sound, Y all. Though the trio was uncomfortable with the hippie label, there was no denying that the humor and eclecticism presented an alternative to the hardcore rap that dominated hip-hop. De La Soul quickly were perceived as the leaders of a contingent of New York-based alternative rappers that also included A Tribe Called Quest, Queen Latifah, the Jungle Brothers, and Monie Love; all of these artists dubbed themselves the Native Tongues posse. For a while, it looked as if De La Soul and the Native Tongues posse would eclipse hardcore hip-hop in terms of popularity. "Me, Myself and I" became a Top 40 pop hit in the U. (number one R&B) while the album reached number 24 (number one R&B) and went gold. At the end of the year, 3 Feet High and Rising topped many best-of-the-year lists, including The Village Voice s. With all of the acclaim came some unwanted attention, most notably in the form of a lawsuit by the Turtles. De La Soul had sampled the Turtles. You Showed Me" and layered it with a French lesson on a track on 3 Feet High called "Transmitting Live from Mars. without getting the permission of the 60s pop group. the Turtles won the case, and the decision not only had substantial impact on De La Soul, but on rap in general. Following the suit, all samples had to be legally cleared before an album could be released. Not only did this have the end result of rap reverting back to instrumentation, thereby altering how the artists worked, it also meant that several albums in the pipeline had to be delayed in order for samples to clear. One of those was De La Soul s second album, De La Soul Is Dead. When De La Soul Is Dead was finally released in the spring of 1991, it received decidedly mixed reviews, and its darker, more introspective tone didn t attract as big an audience as its lighter predecessor. The album peaked at number 26 pop on the U. charts, number 24 R&B, and spawned only one minor hit, the number 22 R&B single "Ring Ring Ring (Ha Ha Hey. De La Soul worked hard on their third album, finally releasing the record in late 1993. The result, entitled Buhloone Mindstate, was harder and funkier than either of its predecessors, yet it didn t succumb to gangsta rap. Though it received strong reviews, the album quickly fell off the charts after peaking at number 40, and only "Breakadawn" broke the R&B Top 40. The same fate greeted the trio s fourth album, Stakes Is High. Released in the summer of 1996, the record was well reviewed, yet it didn t find a large audience and quickly disappeared from the charts. Four years later, De La Soul initiated what promised to be a three-album series with the release of Art Official Intelligence: Mosaic Thump; though reviews were mixed, it was greeted warmly by record buyers, debuting in the Top Ten. The second title in the series, AOI: Bionix, even featured a video hit with "Baby Phat. but Tommy Boy and the trio decided to end their relationship soon after. De La Soul subsequently signed their AOI label to Sanctuary Urban (run by Beyoncé s father, Mathew Knowles) and released The Grind Date in October 2004. Two years later the group issued Impossible Mission: TV Series, Pt. 1, a collection of new and previously unreleased material. 1989 - 3 Feet High and Rising [2001 Remaster] 1991 - A Roller Skating Jam Named Saturdays [Maxi-Single] 1991 - De La Soul Is Dead 1992 - De La Remix 1993 - Breakadawn/En Focus [Maxi-Single] 1993 - Buhloone Mindstate 1994 - Clear Lake Audiotorium [Vinyl Promo EP] 1996 - Stakes Is High 1996 - Itzsoweezee (HOT) Maxi-Single] 2000 - Art Official Intelligence: Mosaic Thump 2001 - AOI: Bionix 2002 - Baby Phat CD2 [CD-Single] 2002 - The Works 2003 - Timeless: The Singles Collection 2003 - The Best of De La Soul 2004 - Live at Tramps, NYC, 1996 2004 - De La Mix Tape_ Remixes, Rarities and Classic 2004 - Days Off [Promo EP] 2004 - The Grind Date [UK Version] 2006 - The Impossible Mission: TV Series, Pt. 1 Album artwork and rip logs are included. Enjoy. Kraftwerk - Remastered Studio Discography 1974-2003 [FLAC] During the mid- 70s, Germany s Kraftwerk established the sonic blueprint followed by an extraordinary number of artists in the decades to come. From the British new romantic movement to hip-hop to techno, the group s self-described "robot pop. hypnotically minimal, obliquely rhythmic music performed solely via electronic means. resonates in virtually every new development to impact the contemporary pop scene of the late- 20th century, and as pioneers of the electronic music form, their enduring influence cannot be overstated. Kraftwerk emerged from the same German experimental music community of the late 60s which also spawned Can and Tangerine Dream; primary members Florian Schneider and Ralf Hütter first met as classical music students at the Dusseldorf Conservatory, originally teaming in the group Organisation and issuing a 1970 album, Tone Float, in the U. Schneider and Hütter soon disbanded Organisation, re-christening themselves Kraftwerk (German for "power station. beginning work on their own studio (later dubbed Kling Klang) and immersing their music in the fledgling world of minimalist electronics; their 1971 debut, titled simply Kraftwerk 1, offered a hint of their unique aesthetic in its earliest form, already implementing innovations including Schneider s attempts at designing homemade rhythm machines. A series of lineup shifts followed, and at one point Hütter even left the group; however, by the release of 1972 s Kraftwerk 2, he and Schneider were again working in tandem. Recorded without a live drummer, the album s rhythms relied solely on a drum machine, creating a distinctly robotic feel without precedent. the concept of purely technological music was, at the time, utterly alien to most musicians, as well as listeners. A series of well-received live performances followed before Kraftwerk began work on their breakthrough third LP, 1973 s Ralf and Florian; honing their many ambitions down to a few simple yet extraordinarily innovative concepts, their music began growing more and more revelatory. even their clean-cut, scientific image was in direct opposition to the dominant pop fashions of the time. Kraftwerk s first album to be issued in the U. S., 1974 s Autobahn was an international smash; an edited single version of the epic title track was a major hit at home and abroad, and in America the previously unknown group reached the upper rungs of the pop albums chart. Performed in large part on a Moog synthesizer, Autobahn crystallized the distinctive Kraftwerk sound while making the group s first clear overtures towards conventional pop structure and melody, establishing a permanent foothold for electronic music within the mainstream. Kraftwerk resurfaced in 1975 with Radio-Activity, a concept album exploring the theme of radio communication; indicative of the group s new global popularity, it was released in both German and English-language editions, the latter appearing early the following year. Train travel emerged as the subject of 1977 s Trans-Europe Express, which marked an increased movement towards seeming musical mechanization; the line became even further blurred with the follow-up, 1978 s aptly titled The Man Machine, a work almost completely bereft of human touches. By this time, the members of Kraftwerk even publicly portrayed themselves as automatons, an image solidified by tracks like "We Are the Robots. Having reached the peak of their influence, however, the group disappeared from view, the first of many extended absences to follow; they did not return to action prior to 1981 s Computer World, a meditation on the new global dominance of technology. a society their music long ago predicted and pre-dated. After topping the British charts with the single "Computer Love. Kraftwerk again vanished, enjoying a five-year layoff culminating in the release of 1986 s Electric Cafe. By now, however, pop music was dominated by synthesizers and drum machines, and the group s stature flagged; but for a 1991 best-of collection titled The Mix, they remained silent during most of the decade. They finally released a new single, Expo 2000. in late 1999, and surprised fans by announcing tour dates. On the recording front, Kraftwerk celebrated the centennial anniversary of the Tour de France with a new version of their 1983 single "Tour de France. and followed with a full album (Tour de France Soundtracks) in August 2003. The live record Minimum-Maximum followed in 2005. Remastered Studio Discography: 1974 - Autobahn [2009 Digital Remaster] 1975 - Radio-Activity [2009 Digital Remaster] 1977 - Trans Europe Express [2009 Digital Remaster] 1978 - The Man-Machine [2009 Digital Remaster] 1981 - Computer World [2009 Digital Remaster] 1986 - Techno Pop [2009 Digital Remaster] 1991 - The Mix [2009 Digital Remaster] 2003 - Tour de France [2009 Digital Remaster] Extra: 2005 - Minimum-Maximum [Live] Full Album artwork, rip logs and cue sheets are included. Enjoy. She s Gotta Have It (1986) Nola Darling (Tracy Camilla Johns) is a young, attractive, sexually independent Brooklynite who juggles three suitors: the polite and well-meaning Jamie Overstreet (Tommy Redmond Hicks) the self-obsessed model Greer Childs (John Canada Terrell) and the immature, motor-mouthed Mars Blackmon (Spike Lee. Nola is attracted to the best in each of them, but refuses to commit to any of them, cherishing her personal freedom instead, while each man wants her for himself. Enjoy. Sly & the Family Stone - Higher [4-CD Box] 2013) FLAC] SLY & THE FAMILY STONE S CAREER CELEBRATED WITH DELUXE 4-CD BOX SET, HIGHER! Features 17 previously unreleased tracks; box set offers the chance to experience the songs you know and love but often in alternate versions, including mono singles, demos, instrumental tracks, live concert and television recordings, and more Available everywhere August 27, 2013, through Epic/Legacy The music of Sly & The Family Stone is celebrated with a new 4-CD box set, Sly & The Family Stone s Higher! available everywhere August 27th through Epic/Legacy, a division of Sony Music Entertainment. Released in celebration of Sly Stone s 70th birthday, Higher! is the first career-spanning anthology to celebrate the musician whose funk has influenced everyone from Miles Davis and Michael Jackson to Public Enemy and the Roots. Housed in a colorful slipcase with a lavishly-illustrated 104-page book, the box set will feature 77 tracks, 17 of them previously unreleased. Spotlighted throughout the first three CDs of Higher! are rare mono single masters of every classic Sly & The Family Stone signature hit like theyve never been heard before in the digital era. Paying homage to the golden age of transistor radios are mono versions of “Dance To the Music, ” “Everyday People, ” “Stand! ” “I Want To Take You Higher, ” “Hot Fun In the Summertime, ” “Thank You (Falletinme Be Mice Elf Again) ” and many others, more than 30 mono single masters and mono album cuts that were a call-out to get up and dance, dance, dance. Decades after the chart debut of Sly & The Family Stone with the game-changing “Dance To The Music, ” fans and newcomers will have the opportunity to dig into this far-reaching anthology, covering the recording career of Sylvester Stewart starting in 1964, and the band he masterminded from 1966 to 1977 on Epic Records. Higher! pays tribute to the unique style of Sly & The Family Stone with its innovative ten-inch square package design, which houses the CDs in its interior pockets. The middle compartment contains a painstakingly detailed 104-page book featuring a liner notes essay, a beautifully-illustrated timeline of Slys career, track-by-track annotations, rare and uncirculated photography, 45 rpm label and picture sleeve repros, eye-popping vintage concert posters and ticket stubs from Sly & The Family Stone shows, and more. Sly & The Family Stone laid down a template that not only inspired an era of youthful rebellion and independence as the 60s turned into the 70s, but also had (and continues to have) a potent effect on the course of modern music in general. Slys DNA is traceable to every cell of the musical stratosphere. “Sly Stones music is relevant because he was able to take from all the influencing genres before him and along side him, and combine it like gumbo. said Public Enemy frontman Chuck D. "Then inside the band, having women, having it mixed race and ethnic background - I mean, come on now. You really couldnt point and say well, this is the reason why its funky. its all this together like gumbo thats making this happen. And Sly & The Family Stone was the epitome of a group playing the music, saying the lyrics, and also backing with the words. ” Sly & The Family Stone have been inducted into the Rock And Roll Hall Of Fame and the Grammy Hall Of Fame, and have received the R&B Foundation Pioneer Award, among many other recognitions of their importance and enduring influence. Higher! is a tribute to the far-reaching horizons of Sly & The Family Stone. Their repertoire, every composition penned by Sylvester Stewart aka Sly Stone, kept the Pop and R&B charts jumping for seven glorious years from 1968 to 1975. There are the three career-defining RIAA gold Billboard #1 Pop/ 1 R&B hits, “Everyday People, ” “Thank You (Falletinme Be Mice Elf Again)” and “Family Affair. ” Their signature Top 40 hits began with “Dance To the Music” and went on to include “Stand! ” “I Want To Take You Higher, ” “Hot Fun In the Summertime, ” “Runnin Away, ” “If You Want Me To Stay, ” “Time For Livin. and more. Their top-charted RIAA gold, platinum and multi-platinum albums include Stand! 1969) Greatest Hits (1970) Theres A Riot Goin On (1971) and Fresh (1973) every one a must-have. In addition to those durable numbers (all of which are in mono up through 1969s “Thank You (Falettinme Be Mice Elf Agin)”) Higher! opens CD One with seven pre-Epic Records tracks. These include five rare solo sides by ‘Sly Stewart during his time as A&R-producer-songwriter-staff musician circa 1964-65 at San Franciscos Autumn Records. These include both sides of the rare (and widely bootlegged in the U. and Europe) Loadstone Records single of January 1967 by Sly & The Family Stone, which helped win the band their Epic Records deal. One of these sides is a cover of Otis Reddings “I Cant Turn You Loose. ” The Epic story begins with the mono single master of “Higher” in May 1967 (Disc One, track 8. Of the many impossibly rare and fascinating inclusions on Higher! special attention is paid to the four tracks that close CD Three. They were recorded live at the Isle of Wight Festival in the UK, early Sunday morning, August 30, 1970, one year after Slys memorable wee hours performance at the Woodstock Music & Art Fair. Two of the Isle of Wight numbers, “Stand! ” and “You Can Make It If You Try, ” were subsequently issued on the Columbia three-LP release from 1971, The First Great Rock Festivals Of The Seventies. (The big multi-artist package coupled Isle of Wight performances with others at the first Atlantic Pop Festival of July 1970. The two other numbers by Sly & The Family Stone at Isle of Wight, namely “Dance To The Music” and the medley of “Music Lover / I Want To Take You Higher / Music Lover” (a variation on their medley from the Woodstock soundtrack album) are both previously unissued until now. Higher! serves as a new model for the most diligent and imaginative efforts that can go into a vintage collection of this nature. The box set was produced by Legacy Recordings veteran and Sundazed Records owner Bob Irwin, with Project A&R by Rob Santos at Legacy. All music was mastered by Vic Anesini at Battery Studios in New York. Three major elements are central to the 104-page book. There is the authoritative liner notes essay written by Jeff Kaliss, author of I Want To Take You Higher: The Life And Times Of Sly & The Family Stone, the group s only authorized biography. The booklet also contains a comprehensive, lavishly-illustrated timeline compiled by Dutch authorities Edwin & Arno Konings. Nearly 100 entries span from March 15, 1943 (“Sylvester Stewart is born in Denton, Texas. Six months later, the family moves to Vallejo, California”) to a final update in late-2012. The Koningses have also contributed track-by-track annotations for all 77 cuts in Higher! The notes contain excerpts from Thank You, the Koningses own forthcoming biography of Sly & The Family Stone. (Go to. The extensive memorabilia that accompanies the text and photographs in the book is provided by Neal Austinson, Archivist and Road Manager for Sly & The Family Stone. Every track-by-track annotation contains at least one revelation, as told to the writers by original Sly & The Family Stone band members Greg Errico, Larry Graham, Jerry Martini, Cynthia Robinson, and Sly Stone himself, as well as such figures as Rachel Donahue (widow of Tom Donahue) managers Rich Romanello (1967) and David Kapralik (1967-1972) Epic A&R man Stephen Paley, bassist Rustee Allen (who succeeded Graham in 1973) all three drummers who succeeded Errico post-1971 (Gerry Gibson, Andy Newmark, Bill Lordan) various background vocalists, saxophonists, bassists, and so on. All their collective statements and observations, as transcribed by the Koningses, add to the value of Higher! as a valuable memoir in and of itself. “Refracted in these treasures, ” Kaliss says of the kaleidoscopic delights on Higher! “are colors you may be unused to seeing in Sly: old R&B, jazz, nursery rhymes, gospel, and even country, fused and transformed by a precious visionary and his fellow musical alchemists. ” In addition to Jeff Kaliss, and Edwin & Arno Konings, other essential reading includes: Sly and the Family Stone: An Oral History by Joel Selvin (HarperCollins, 1998) and Theres A Riot Going On by Miles Marshall Lewis (Bloomsbury “33 1/3” series, 2006. Higher! by Sly & The Family Stone (Epic/Legacy 88697 53665 2) Disc One (1964-1967) 1. I Just Learned How To Swim by Sly Stewart (Autumn Records single, 1964) 2. Scat Swim by Sly Stewart (Autumn single, 1964) 3. Buttermilk (Part 1) by Sly (Autumn single, 1965) 4. Dance All Night by Sly and Freddie (1965, originally unissued) 5. Temptation Walk by Sly (Autumn single, 1965) 6. I Aint Got Nobody (For Real) Loadstone single, 1967) 7. I Cant Turn You Loose (Loadstone single, 1967) 8. Higher (mono Epic single master, promo only, 1967) 9. Underdog (mono Epic single master, 1967) 10. Bad Risk (mono Epic single master, 1967) 11. Let Me Hear It From You (mono Epic single master, 1967) 12. Advice (A) 13. If This Room Could Talk (A) 14. I Cannot Make It (A) 15. Trip To Your Heart (A) 16. I Hate To Love Her (A) 17. Silent Communications (1967, previously unissued) 18. I Get High On You (version one, 1967, previously unissued) 19. I Remember (1967, previously unissued) 20. My Womans Head (instrumental demo, 1967, previously unissued) Disc Two (1967-1968) 1. Whats That Got To Do With Me (1967, previously unissued) 2. Fortune And Fame (1967, previously unissued) 3. What Would I Do (1967, originally unissued, B) 4. Only One Way Out Of This Mess (1967, originally unissued, B) 5. I Know What You Came To Say (1967, previously unissued) 6. Dance To The Music (mono Epic single master, 1967) 7. Ride The Rhythm (C) 8. Color Me True (C) 9. Are You Ready (C) 10. Dont Burn Baby (C) 11. We Love All (D) 12. Danse A La Musique by The French Fries (mono Epic single, 1968) 13. Small Fries by The French Fries (mono Epic single, 1968) 14. Chicken (mono Epic single master, 1968) 15. Into My Own Thing (E) 16. Life (mono Epic single master, 1968) 17. Love City (1968, previously unissued mono mix) 18. MLady (mono Epic single master, 1968) 19. Dynamite! featuring Johnny Robinson on vocals (1968, previously unissued) 20. Undercat (instrumental, 1967, previously unissued) Disc Three (1968-1970) 1. Everyday People (mono Epic single master, 1968) 2. Sing A Simple Song (mono Epic single master, 1968) 3. I Get High On You (version two, 1968, previously unissued) 4. Wonderful World Of Color (instrumental, 1968, previously unissued) 5. Pressure (originally unissued, F) 6. I Want To Take You Higher (mono Epic single master, 1969) 7. Seven More Days (originally unissued, F) 8. Feathers (instrumental, 1968, previously unissued) 9. Somebodys Watching You (G) 10. Sex Machine (G) 11. Hot Fun In The Summertime (mono Epic single master, 1969) 12. Everybody Is A Star (mono Epic single master, 1969) 13. Thank You (Falettinme Be Mice Elf Agin) mono Epic single master, 1969) 14. Stand! LIVE at the Isle of Wight Festival, August 30, 1970, H) 15. You Can Make It If You Try (LIVE, same as track 14, H) 16. Dance To The Music (LIVE, same as track 14, previously unissued) 17. MEDLEY: Music Lover / I Want To Take You Higher / Music Lover (LIVE, same as track 14, previously unissued) Disc Four (1971-1977) 1. Luv N Haight (Epic single master, 1971) 2. Family Affair (I) 3. Brave & Strong (Epic single master, 1971) 4. Runnin Away (Epic single master, 1971) 5. (You Caught Me) Smilin (Epic single master, 1971) 6. Spaced Cowboy (I) 7. Youre The One featuring Little Sister (LIVE on Don Kirshners Rock Concert, September 1973, previously unissued) 8. In Time (J) 9. If You Want Me To Stay (Epic single master, 1973) 10. Frisky (Epic single master, 1973) 11. Skin Im In (J) 12. If It Were Left Up To Me (Epic single master, 1973) 13. Time For Livin (Epic single master, 1974) 14. Cant Strain My Brain (Epic single master, 1974) 15. Loose Booty (K) 16. Le Lo Li (Epic single master, 1975) 17. Crossword Puzzle (Epic single master, 1975) 18. Family Again (Epic single, 1976) 19. Hoboken by Sly Stone (originally unissued, 1975-1977) 20. High by Sly Stone (1975, previously unissued) Epic Records album index: A – from A Whole New Thing (originally released November 1967, as Epic LN 24324, mono) B – from A Whole New Thing (Expanded Edition) originally released April 2007, as Epic/ Legacy 82796 90277 2) C – from Dance To The Music (originally released April 1968, as Epic BN 26371) D – from Dance To The Music (Expanded Edition) originally released April 2007, as Epic/Legacy 82796 90274 2) E – from Life (originally released November 1968, as Epic BN 26397) F – from Life (Expanded Edition) originally rel. April 2007, as Epic/Legacy 82876 83945 2) G – from Stand! originally released April 1969, as Epic BN 26456) H – from The First Great Rock Festivals Of The Seventies (originally released August 1971, as Columbia C 30807) I – from Theres A Riot Goin On (originally released October 1971, as Epic KE 30986) J – from Fresh (originally released June 1973, as Epic KE 32134) K – from Small Talk (originally released July 1974, as Epic PE 32930) Enjoy. Lewis (Baloue. Discography 1983-1985 [320k MP3] In 1983, a man named Lewis recorded an album named LAmour, which was released on the unknown label R. W. And thats about all we know. The record itself is a delicate, whispered album, reflecting the way the artist himself – spectral, movie star-like – almost disappears into the grey of the cover. It should come as no surprise that it failed to shout loudly enough to be noticed, another private press album that sank without trace. Theres almost no information about Lewis or the album on the internet. Theres precious little on the sleeve: a dedication to Sports Illustrated supermodel Christie Brinkley, a photo credit for Ed Colver, the noted L. punk rock photographer, and credits for engineer Bob Kinsey and synth player Philip Lees. All that was known of Lewis is conjecture: a rumour that he was a con artist who fled after not paying for LAmours photo-shoot and a dubious theory that he was not actually of this earth. When Light In The Attic looked to release the album, they set out to investigate the mystery. They found some answers, but more intrigue too. Colver was able to fill in some blanks. Firstly, Lewis is a pseudonym. The man the photographer met was named Randall Wulff. He stayed in the Beverley Hills Hilton, drove a white convertible Mercedes and dated a girl who looked like a model. He paid for his photo session with Colver with a 250 check, which bounced. Eventually, the trail led to Alberta, Canada, where that first LP had been found. Liner notes writer Jack Fleischer along with master detective Markus Armstrong found Randalls nephew, who remembered Randall as a stockbroker. His vague recollections include a visit to Randalls apartment, with all-white furniture and that beautiful girlfriend in situ. Crucially, he offered another name – another of Randalls pseudonyms – which led to a Vancouver studio and the revelation that Lewis had recorded three or four albums of “soft religious music” there. Alas, even the new nom de plume led only to dead ends. Lewis remains a ghost, a total mystery, but the music will be heard. The album is being pressed for the first time in more than 30 years, and widely distributed for the first time ever. Lewiss royalties will be placed in escrow until he makes himself known. Perhaps you know Lewis. Perhaps Lewis is you. The only certainty is this: Lewis is about to find a whole bunch of new fans. Earlier this year, Light in the Attic released the mysterious, bewitching LAmour, a 1983 private press record thought to be the only release by one of musics true lost talents: Lewis. So lost, in fact, was Lewis, he eluded every effort to track him down. Scant details were known: just a series of possibly apocryphal stories about a sports car-driving Canadian with a model on his arm and a habit of skipping town when there were bills to be paid. Deciding that Lewis spider web-delicate songs demanded to be heard, Light in the Attic put the album out anyway, offering to present the due royalties to anyone who could prove they were Lewis. One sure thing was this: Lewis was a man of many names: Randall A. Wulff among them. Now we have either found another alias – or perhaps even his real name – on the sleeve of a completely unknown album. Sourced soon after the re-release of LAmour, Romantic Times is the 1985 follow-up to LAmour – and its released as Lewis Baloue. The name may be slightly different, but this is absolutely our man: a familiar blond posing on the sleeve, a familiar, tortured voice pouring his heart out over languid synths and synthetic waltz beats. Remastered from a sealed, vinyl copy of the ultra-rare album, the album was discovered in the vaults of DJ and collector Kevin “Sipreano” Howes in Vancouver, BC. Its so rare that what is, at present, the only other known copy – found in the same Calgary store where Aaron Levin discovered a batch of sealed copies of LAmour – is presently soaring into quadruple digits on eBay. Even engineer Dan Lowe, credited for working on the album at Calgarys Thunder Road Studios, remembered little about the session other than that Lewis seemed to be “under the influence”. Yet the music is utterly captivating. The album further fleshes out the Lewis myth – we see him pictured in that white suit with his famous white Mercedes and a private jet too; we hear him focussing more intently on matters of the heart, and appearing to unravel in the process. “I felt like I was witnessing a full-blown exorcism of a phantom clad in the finest linen, ” writes filmmaker and historian Jack D. Fleischer in his brand new liner notes. “This record went further [than LAmour. It was a personal plea, of sorts. Something had gone wrong. Nerves were clearly exposed. ” It paints Lewis, then, as being more like a David Lynch character than even his debut did, exposing the darkness beneath the sheen. The album is presently being readied for release to the throng of new fans Lewis has found, willingly or not. The man himself remains a total enigma. L Amour (LITA 117) 1. I Thought The World Of You 2. Cool Night In Paris 3. My Whole Life 4. Even Rainbows Turn Blue 5. Like To See You Again 6. Things Just Happen That Way 7. Summer s Moon 8. Let s Fall In Love Tonight 9. Love Showered Me 10. Romance For Two Romantic Times (LITA 123) 1. We Danced All Night 2. Bon Voyage 3. Don t Stop It Now 4. It s A New Day 5. So Be In Love With Me 6. Bringing You A Rose 7. Where Did My Love Go Away 8. As The Boats Go By Enjoy. Seeds: 0 Peers: 1 Filesize: 2601 mb.
Family counseling degree online. The Guillotines 2012 BRRip 480p x264 AAC - VYTOrnrnimage: rnrnrnrnOriginal Title: Xue Di ZirnGenre: Action, DramarnPlot: An elite crime-fighting unit in the court of the Chinese emperor relies on' rnflying swords to defeat their enemies. rnDirector: Wai-keung LaurnStars: Xiaoming Huang, Ethan Juan, Purba Rgyal. rnRated: R for strong violent content. rnrnInfo: rnrnrnrnFormat: rnFile size: 357. 2 MiBrnDuration: 1h 53mnrnOverall bit rate: 434 KbpsrnrnDOwnload and enjoy quality movies. [IMG] IMG] rnrnrnTo the Wonder is a 2012 U. S. romantic drama art film written and directed by Terrence Malick, starring Ben Affleck, Olga Kurylenko, Rachel McAdams, and Javier Bardem. The film premiered in competition at the 2012 Venice Film Festival. [center] b] color=blue] rnrnrnLOCANDINA[ color] b] rn[img] img] rnrn[color=blue] b]SCHEDA FILM[ b] color] rnrnUSCITA CINEMA: 28/02/2013rnGENERE: DrammaticornREGIA: Gabriele SalvatoresrnSCENEGGIATURA: Stefano Rulli, Sandro Petraglia, Gabriele SalvatoresrnATTORI: rnJohn Malkovich, Arnas Fedaravicius, Vilius Tumalavicius, Eleanor Tomlinson, Peter StormarernRuoli ed InterpretirnrnFOTOGRAFIA: Italo PetriccionernMONTAGGIO: Massimo FiocchirnPRODUZIONE: Cattleya e Rai Cinema, Riccardo Tozzi, Giovanni Stabilini e Marco ChimenzrnDISTRIBUZIONE: 01 DistributionrnPAESE: Italia 2013rnDURATA: 110 MinrnFORMATO: ColorernrnSOGGETTO: rnDal romanzo omonimo di Nicolai Lilin (Ed. Einaudi) rnrnCRITICA: rnGabriele Salvatores cambia nuovamente abito cinematografico, adatta lomonimo romanzo di Nicolai Lilin e guarda a modelli dritto a modelli che ambiscono, legittimamente, alla formazione di un cinema di genere che abbia un respiro sovranazionale. Nel farlo, e con il supporto di specialisti come Rulli & Petraglia, sottrae alla storia originale ogni ruvidezza e conflittualità, ripiegando verso terreni intimi che suonano come un aggrapparsi a sé stesso. E manca così così loccasione di perdersi, di sporcarsi, di contaminarsi. Di farsi trascinare via da una storia e da unemozione. (federico gironi) rnrnrnrn[color=blue] b]TRAMA[ b] color] rnrn L'educazione siberiana è uno strano tipo di educazione. E' un'educazione criminale, ma con precise e, a volte sorprendentemente condivisibili, regole d'onore. La storia si svolge in una regione del sud della Russia e abbraccia un arco di tempo che va dal 1985 al 1995. In quegli anni avviene uno dei più importanti cambiamenti della nostra storia contemporanea: la caduta del muro di Berlino e la conseguente sparizione dell'Unione Sovietica con tutto quello che questo evento ha poi comportato nei rapporti economici e sociali dell'intero pianeta. Ispirato all'omonimo romanzo di Nicolai Lilin (edito da Einaudi) in cui l' autore racconta la sua infanzia e la sua adolescenza all'interno di una comunità di Criminali Onesti siberiani, così come loro stessi amano definirsi, il film racconta la storia di ragazzi che passano dall'infanzia all'adolescenza, e della comunità in cui sono cresciuti, rappresentando, attraverso un microcosmo molto particolare, una storia universale che, al di là delle implicazioni sociali, acquista un significato metaforico che riguarda tutti noi. rnrnrn[color=blue] b]SCREENS[ b] color] rnrn[img] img] img] img] img] img] rn[img] img] rnrn[img] img] rn[img] img] rn[img] img] rn[img] img] rnrn[color=blue] b]REPORT[ b] color] rnrnrnrn[b]Versione: TRLrnSource Video: DVDrnSource Audio: DVDrnTracce Audio: AC3rnSuB: No[ b] center] Il bandito dagli occhi azzurrirnrn[IMG] IMG] rnrn. Scheda del Film. rnTitolo originale: Il bandito dagli occhi azzurrirnNazionalità: ItaliarnAnno: 1980rnGenere: PoliziescornRegia: Alfredo GiannettirnProduzione: Tei Film Internationalrnrn. Cast. rnFranco Nero: Renzo DominicirnDalila Di Lazzaro: StellarnCarlos de Carvalho: Commissario di PoliziarnPierfrancesco Poggi: amante di StellarnLuigi Montini: Brigadiere MannellarnSergio Tabor: PalamitessarnJole Fierro: madre di RenzornFabrizio Bentivoglio: RiccardornFranco Iavarone (accreditato come Giovanni Iavarone) rnMickey Knox: De Biasernrnrn. Trama. rnrnIl bandito dagli occhi azzurri è un film del 1980 di Alfredo Giannetti, con interpreti principali Franco Nero e Dalila Di LazzarornrnDi giorno è un archivista mite come gli ha insegnato la mamma, povero e sciancato, ma di notte, senza la parrucca e le lenti a contatto color marrone, Renzo Dominici si rivela un tipo di ben altra stoffa: atletico e geniale, prepara un colpo da due miliardi ai danni della ditta genovese presso cui lavora. E la fortuna lo assiste: la rapina riesce e Renzo parte indisturbato per i mari del Sud. rnrnrn[IMG] IMG] rnrn[IMG] IMG] rnrn[IMG] IMG] CENTER] img] img] rnrn[img] img] rnrn[img] img] rnrn[code] B] FONT= Courier New Movie. Yeh Jawaani Hai DeewanirnYear. 2013rnCast. Deepika Padukone, Ranbir Kapoor, Aditya Roy Kapoor rnImdb. rnGenre. Drama, RomancernVideo. Untouched DVDSCRrnSource. Team DDH~RGrnrnDDH RG is recruiting members who have good Skills in ripping rnInterested person Email Now rnrn[ FONT] B] code] rnrnrn[img] img] rnrnrnrn[img] img] rnrn[img] img] rnrnrn[B] I] SIZE= 6. COLOR= SeaGreen SEEDING 24/7 SUPPORT[ COLOR] SIZE] I] B] CENTER] Genres: Crime, Drama, ThrillerrnCountry: USA rnLanguage: English rnrn- StorylinernrnIn New York City, detective Billy Taggart goes to court for the murder of the rapist Mikey Tavarez, but the Mayor Nicholas Hostetler and the Chief of Police Carl Fairbanks vanish with an important evidence and Billy is declared non-guilty by the judge but he leaves the police department. rnSeven years later, Billy is a private detective that lives his girlfriend Natalie Barrow, who is an aspirant actress and the sister of Mikey's victim. His secretary Katy Bradshaw (Alona Tal) is trying to collect part of the debts to save their business. rnIn the week of the elections, Hostetler summons Billy and offers US 50, 000 to investigate his wife Cathleen Hostetler that he believes is having a love affair. Billy discovers that Cathleen is meeting Paul Andrews, who is the coordinator of the campaign of Jack Valliant, the opponent of Hostetler and favorite in the election. rnWhen Paul is found dead on the street, Billy finds that he had been double-crossed by Hostetler and he decides to investigate [center] b] b] rnrnrn[img] img] rnrnrn[img] img] rnrnrnUSCITA CINEMA: 28/02/2013rnGENERE: DrammaticornREGIA: Gabriele SalvatoresrnSCENEGGIATURA: Stefano Rulli, Sandro Petraglia, Gabriele SalvatoresrnATTORI: rnJohn Malkovich, Arnas Fedaravicius, Vilius Tumalavicius, Eleanor Tomlinson, Peter StormarernRuoli ed InterpretirnrnFOTOGRAFIA: Italo PetriccionernMONTAGGIO: Massimo FiocchirnPRODUZIONE: Cattleya e Rai Cinema, Riccardo Tozzi, Giovanni Stabilini e Marco ChimenzrnDISTRIBUZIONE: 01 DistributionrnPAESE: Italia 2013rnDURATA: 110 MinrnFORMATO: ColorernrnSOGGETTO: rnDal romanzo omonimo di Nicolai Lilin (Ed. Einaudi) rnrnCRITICA: rnGabriele Salvatores cambia nuovamente abito cinematografico, adatta lomonimo romanzo di Nicolai Lilin e guarda a modelli dritto a modelli che ambiscono, rnrnlegittimamente, alla formazione di un cinema di genere che abbia un respiro sovranazionale. Nel farlo, e con il supporto di specialisti come Rulli & Petraglia, sottrae rnrnalla storia originale ogni ruvidezza e conflittualità, ripiegando verso terreni intimi che suonano come un aggrapparsi a sé stesso. E manca così così loccasione di rnrnperdersi, di sporcarsi, di contaminarsi. (federico gironi) rnrnrn[img] img] rnrnrn L'educazione siberiana è uno strano tipo di educazione. La rnrnstoria si svolge in una regione del sud della Russia e abbraccia un arco di tempo che va dal 1985 al 1995. In quegli anni avviene uno dei più importanti cambiamenti rnrndella nostra storia contemporanea: la caduta del muro di Berlino e la conseguente sparizione dell'Unione Sovietica con tutto quello che questo evento ha poi comportato rnrnnei rapporti economici e sociali dell'intero pianeta. Ispirato all'omonimo romanzo di Nicolai Lilin (edito da Einaudi) in cui l' autore racconta la sua infanzia e la rnrnsua adolescenza all'interno di una comunità di Criminali Onesti siberiani, così come loro stessi amano definirsi, il film racconta la storia di ragazzi che passano rnrndall'infanzia all'adolescenza, e della comunità in cui sono cresciuti, rappresentando, attraverso un microcosmo molto particolare, una storia universale che, al di là rnrndelle implicazioni sociali, acquista un significato metaforico che riguarda tutti noi. rnrnrn[img] img] rnrnINFO DVD: rnBitRate totale:6 432kbpsrnDimensione:4, 34GBrnSottotitoli:SIrnLingue:ITA rnSoftware Utilizzati:Clone DVD2rnMetodo DI Rilascio: Cartella VobrnCompressione: 88% rnDVD9/DVD5: DVD5rnMenu: SIrnExtra:NO[ center] Before Midnight 2013 FRENCH DVDRip XviD - playHDrn rnrnSTATS: rnrnVideo rnID: 0rnFormat: MPEG-4 Visual rnFormat profile: Advanced Simple@L5rnFormat settings, BVOP: 2rnFormat settings, QPel: NornFormat settings, GMC: No warppoints rnFormat settings, Matrix: Default (MPEG) rnMuxing mode: Packed bitstream rnCodec ID: XVID rnCodec ID/Hint: XviDrnDuration: 108 mnrnBit rate: 986 Kbps rnWidth: 720 pixels rnHeight: 320 pixelsrnDisplay aspect ratio: 2. 25:1rnFrame rate: 29. 970 fps rnColor space: YUVrnChroma subsampling: 4:2:0rnBit depth: 8 bitsrnScan type: ProgressivernCompression mode: LossyrnBits/ Pixel*Frame) 0. 243rnStream size: 643 MiB (92% rnWriting library: XviD 64rnrnAudiornrnFormat: MPEG AudiornFormat version: Version 1rnFormat profile: Layer 3rnMode: Joint stereornMode extension: MS StereornCodec ID: 55rnCodec ID/Hint: MP3rnDuration: 108 mnrnBit rate mode: ConstantrnBit rate: 128 KbpsrnChannel(s) 2 channelsrnSampling rate: 48. 0 KHzrnCompression mode: LossyrnStream size: 56 MiB (7% rnAlignment: Split accross interleavesrnInterleave, duration: 33 ms (1. 00 video frame) rn rnInterleave, preload duration: 500 ms Before Midnight 2013 FRENCH DVDRip XviD - RedBladern rnSTATS: rn rnVideornID: 0rnFormat: MPEG-4 VisualrnFormat profile: Advanced Simple@L5rnFormat settings, BVOP: 2rnFormat settings, QPel: NornFormat settings, GMC: No warppoints rnFormat settings, Matrix: Default (MPEG) rnMuxing mode: Packed bitstream rnCodec ID: XVID rnCodec ID/Hint: XviDrnDuration: 108 mnrnBit rate: 986 Kbps rnWidth: 720 pixels rnHeight: 320 pixels rnDisplay aspect ratio: 2. 970 fps rnColor space: YUV rnChroma subsampling: 4:2:0rnBit depth: 8 bitsrnScan type: ProgressivernCompression mode: LossyrnBits/ Pixel*Frame) 0. 00 video frame) rn rnInterleave, preload duration: 500 ms Movie info: rnrnGENRE………: DramarnIMDB RATING…: 6. 1/10 from 68 users rnLINK………. rnDirector……: Hisham ZamanrnWriters……. Kjell Ola Dahl, Hisham ZamanrnStars………: Billey Demirtas, Eva Medusa G├╝hne, Suzan IlirrnrnRelease info: rnrnRELEASE NAME. F├╕├╕rnRELEASE SIZE. 1. 39 GBrnVIDEO CODEC…: XviDrnFRAMERATE…. 23. 976 fpsrnBITRATE……. 1 688 KbpsrnRESOLUTION…. 640 x 352 pixelsrnAUDIO………: AC3 @ 128 kbpsrnrnPlot: rnrnBEFORE SNOWFALL is a road movie that becomes an odyssey from East to West for young Siyar, a village-boy from Iraqi-Kurdistan. His journey begins when his older sister, Nermin, flees her wedding. Siyar's father is dead, and as the eldest son, he is obliged to set out to find his sister and restore his family honour in the local village. In Istanbul he meets the young girl Evin. They travel together. Their journey through Greece, Germany (Berlin) and Norway makes Siyar's search for his sister a search for dignity and love. Written by ParadoxrnrnA road movie that becomes an odyssey from East to West for young Siyar, a village-boy from Iraqi-Kurdistan. Siyar's father is dead, and as the eldest son, he is obliged to set out to find his sister and restore his family honor in the local village. Their journey through Greece, Germany (Berlin) and Norway makes Siyar's search for his sister a search for dignity and love. Movie info: rnrnGENRE………: DramarnIMDB RATING…: 7. 4/10 from 34 users rnLINK………. rnDirector……: Rune Denstad LanglornWriters……. Rune Denstad LanglornStars………: Marie Blokhus, Anders Baasmo Christiansen, Frederik Meldal N├╕rgaardrnrnRelease info: rnrnRELEASE NAME. rnRELEASE SIZE... 38 GBrnVIDEO CODEC…: XviDrnFRAMERATE…. 640 x 352 pixelsrnAUDIO………: AC3 @ 128 kbpsrnrnPlot: rnrnWhen grandma dies, Anna has to go back to what's left of the small family, 10 years after she left. There's she confronted with what she fled from back then. GeneralernNome completo: C: VIDEO_TS rnFormato: DVD VideornProfilo formato: ProgramrnDimensione: 78, 0 KiBrnDurata: 1o 58minrnModo bitrate generale: VariabilernBitrate totale: 90 bpsrnrnVideornID: 224 (0xE0) rnFormato: MPEG VideornVersione formato: Version 2rnDurata: 1o 58minrnModalità bitrate: VariabilernLarghezza: 720 pixelrnAltezza: 576 pixelrnRapporto aspetto visualizzazione: 16:9rnFrame rate: 25, 000 fpsrnStandard: PALrnModo compressione: Con perditarnrnAudio #1rnID: 128 (0×80) rnFormato: AC-3rnFormato/Informazioni: Audio Coding 3rnDurata: 1o 58minrnCanali: 6 canalirnSampling rate: 48, 0 KHzrnModo compressione: Con perditarnLingua: ItalianornrnAudio #2rnID: 129 (0×81) rnFormato: AC-3rnFormato/Informazioni: Audio Coding 3rnDurata: 1o 58minrnCanali: 6 canalirnSampling rate: 48, 0 KHzrnModo compressione: Con perditarnLingua: InglesernrnTestornID: 32 (0×20) rnFormato: RLErnFormato/Informazioni: Run-length encodingrnProfondità bit: 2 bitrnLingua: ItalianornrnMenurnDurata: 1o 58minrn00:00:00. 000: Chapter 1rn00:10:46. 880: Chapter 2rn00:21:16. 080: Chapter 3rn00:29:02. 000: Chapter 4rn00:37:21. 200: Chapter 5rn00:51:43. 360: Chapter 6rn01:00:23. 880: Chapter 7rn01:11:34. 160: Chapter 8rn01:20:43. 280: Chapter 9rn01:33:12. 080: Chapter 10rnList (Audio) 0 / 1rnList (Subtitles 4/3) 0rnList (Subtitles Wide) 0rnList (Subtitles Letterbox) 1rnList (Subtitles Pan&Scan) 0 Movie info: rnrnGENRE………: Drama rnLINK………. rnDirector……: Ed ColprnWriters……. Ed ColprnStars………: Remo Vinzens, Philip Gunser, Sonja Veron rnrnRelease info: rnrnRELEASE NAME. 640 x 352 pixelsrnAUDIO………: AC3 @ 128 kbpsrnrnPlot: rnrnWhen a dynasty falls… raises a new generation - led by a man called Senior Torres. Release Info: rnrnBlue is the Warmest Colour (2013) DVDRip XviD-CANNESrnrnFormat: avirnSize: 1. 36GBrnVideo: XviD, 854×480, 1 012 Kbps, 23. 976 FPS, 2. 222rnAudio: English, 128 Kbps, 2 ch, MP3rnRuntime: 2h 55mnrnSubtitles: rnSource: UnknownrnrnNote: rnrnIMDB Info: rnrnName: Blue is the Warmest Colour (2013) rnrnGenre: Drama, RomancernrnIMDB Link: rnrnBAYIMG: KaNanaAearnrnrnrnScreens: rnrnrnrnrnrnrnrnrnrnrnrnrnrnrnrnrnrnGreetz: rnrn26k, 3Li, 4PlayHD, AbSurdiTy, Acesan8s, AXED, BBnRG, BHRG, BlackjesusrnCM8, ADTRG, DTRG, eXceSs, ETRG, Feel-Free, GooN, Hive, HiGH, HiestrnHOPE, INSPiRAL, juggs, KINGDOM, LEGi0N, LKRG, MAJESTiC, MeRCuRY, NoirrnMgB, OCW, RemixHD, SaM, SAFC, sC0rp, THC, TODE, TommieCook, UKB-RGrnUNiQUE, UnKnOwN, ViP3R, Voltage, WBZ, xTriLL, YIFY and all the other P2PrnGroups out there! rnrnScreens: rn rn rn rnrnrnHatfields and McCoys BRRip XviD AC3-WARrnBRRip XviD AC3-WAR, English, 01:42:33/01:38:39/01:28:5, 720x400, 1454/1524/1755 kbpsrnAC3-448 kbps, 3 x 1. 37 GB, SOURCE: 1080p CHD rnDrama, History, Romancern8, 0/10 from 9. 682 users rnrnDramatization of the bitter blood feud between the two families on the West Virginia/Kentuckyrnborder in the years after the Civil War. rnrnNote:If you have something to offer as early releases, seedboxes, rnlinks, accounts, etc please contact us on torentz 3xforum rornSeed Stats: 20-400 GiB at aprox 10 MiB/sec/20 slots per torrentrnrnHatfields and McCoys BRRip XviD AC3-WAR Torrent Free Downloadrn rnrnrnHow To Get Your MAXSPEED (uTorrent) rnrnTorrent Client - Preferences - Bandwidth - Number of connections - Set aprox. 500 for eachrnTorrent Client - Preferences - BiTorrent - Protocol Encryption - ForcedrnBandwidth Allocation - High (Set download/upload limit - Unlimited) rnStop Other Active Torrents - Start downloading and wait for connections. rnEnjoy and Seed for at least 1:1 ratio. Don't forget to say thanks/leave reviews. rnBefore downloading you should check/google search sample release name. sample. rnGreets to all actual/future p2p/scene QUALITY groups and affiliate websites. rnDon't trust IMDb robot or bad ratings, always watch some trailers first. rnIgnore stupid comments/fake/mislabeled/no-DVDrips/CAM/TS/RAR uploads. rnPlease spread this release/torrent to your friends/forums/etc. rnIf you need translation subs visit some subtitles sites. rnReport if you see online streaming or other spam links. rnRecommended movie player VLC PLAYER. Gatsby Le Magnifique 2013 FRENCH DVDRip XviD - playXDrnrnrnSTATS: rnrnVideornID: 0rnFormat: MPEG-4 VisualrnFormat profile: Advanced Simple@L5rnFormat settings, BVOP: 2rnFormat settings, QPel: NornFormat settings, GMC: No warppoints rnFormat settings, Matrix: Default (MPEG) rnMuxing mode: Packed bitstream rnCodec ID: XVID rnCodec ID/Hint: XviDrnDuration: 2h 22mnrnBit rate: 986 Kbps rnWidth: 720 pixels rnHeight: 320 pixelsrnDisplay aspect ratio: 2. 243rnStream size: 643 MiB (92% rnWriting library: XviD 64rnrnAudiornrnFormat: MPEG AudiornFormat version: Version 1rnFormat profile: Layer 3rnMode: Joint stereornMode extension: MS StereornCodec ID: 55rnCodec ID/Hint: MP3rnDuration: 2h 22mnrnBit rate mode: ConstantrnBit rate: 128 KbpsrnChannel(s) 2 channelsrnSampling rate: 48. 00 video frame) Gatsby Le Magnifique 2013 FRENCH DVDRip XviD - ViP3Rrn rn rnSTATS: rn rnVideo rnID: 0rnFormat: MPEG-4 VisualrnFormat profile: Advanced Simple@L5rnFormat settings, BVOP: 2 rnFormat settings, QPel: NornFormat settings, GMC: No warppoints rnFormat settings, Matrix: Default (MPEG) rnMuxing mode: Packed bitstream rnCodec ID: XVID rnCodec ID/Hint: XviDrnDuration: 142mnrnBit rate: 986 Kbps rnWidth: 720 pixels rnHeight: 320 pixelsrnDisplay aspect ratio: 2. 243rnStream size: 643 MiB (92% rnWriting library: XviD 64rnrnAudiornrnFormat: MPEG AudiornFormat version: Version 1rnFormat profile: Layer 3rnMode: Joint stereornMode extension: MS StereornCodec ID: 55rnCodec ID/Hint: MP3rnDuration: 142mnrnBit rate mode: ConstantrnBit rate: 128 KbpsrnChannel(s) 2 channelsrnSampling rate: 48. 00 video frame) Grigris 2013 FRENCH DVDRip XviD - playHDrnrnrnSTATS: rnrnVideornID: 0rnFormat: MPEG-4 VisualrnFormat profile: Advanced Simple@L5rnFormat settings, BVOP: 2rnFormat settings, QPel: NornFormat settings, GMC: No warppoints rnFormat settings, Matrix: Default (MPEG) rnMuxing mode: Packed bitstream rnCodec ID: XVID rnCodec ID/Hint: XviDrnDuration: 1h 41mnrnBit rate: 986 Kbps rnWidth: 720 pixels rnHeight: 320 pixelsrnDisplay aspect ratio: 2. 243rnStream size: 643 MiB (92% rnWriting library: XviD 64rnrnAudiornrnFormat: MPEG AudiornFormat version: Version 1rnFormat profile: Layer 3rnMode: Joint stereornMode extension: MS StereornCodec ID: 55rnCodec ID/Hint: MP3rnDuration: 1h 41mnrnBit rate mode: ConstantrnBit rate: 128 KbpsrnChannel(s) 2 channelsrnSampling rate: 48. 00 video frame) Hannah Arendt 2013 FRENCH DVDRip XviD - playHDrn rnSTATS: rn rnVideornID: 0rnFormat: MPEG-4 VisualrnFormat profile: Advanced Simple@L5rnFormat settings, BVOP: 2rnFormat settings, QPel: NornFormat settings, GMC: No warppoints rnFormat settings, Matrix: Default (MPEG) rnMuxing mode: Packed bitstream rnCodec ID: XVID rnCodec ID/Hint: XviDrnDuration: 1h 53mnrnBit rate: 986 Kbps rnWidth: 720 pixels rnHeight: 320 pixelsrnDisplay aspect ratio: 2. 243rnStream size: 643 MiB (92% rnWriting library: XviD 64rnrnAudiornrnFormat: MPEG AudiornFormat version: Version 1rnFormat profile: Layer 3rnMode: Joint stereornMode extension: MS StereornCodec ID: 55rnCodec ID/Hint: MP3rnDuration: 1h 53mnrnBit rate mode: ConstantrnBit rate: 128 KbpsrnChannel(s) 2 channelsrnSampling rate: 48. 00 video frame) rn rnInterleave, preload duration: 500 ms ShAaNiG - High quality movies at smallest sizernrn rnrn rn rnrnrnrn. rnrnrnrnrnrnSTORYLiNE: rnHarmless prank or violent revenge? Three high school students, sick of living in fear of bullies, plan the ultimate payback. But when their prank goes way too far, they come to realize that getting even can have deadly consequences. Packed with unpredictable twists and turns, this cutting-edge thriller pulls no punches and delivers a shocking conclusion you'll never forget. Just matter how sweet revenge might taste, there's always a price to pay. rnrnrnrnIMDBLiNK: rnrnrnrnrnRELEASENOTES: rn[TITLE. Prankrn[DIRECTOR. Yiuwing Lamrn[RELEASE DATE. 18 June 2013 (USA) rn[GENRE. Crimern[NO OF CDs. 1rn[FORMAT. Matroska (MKV) rn[FILE SIZE. 550MBrn[RESOLUTION. 1280x720rn[FRAME RATE. 23. 976 fpsrn[LANGUAGE. Englishrn[SUBTITLES. English [Softcoded. muxedrn[RUNTIME. 01:21:57rn[ENCODER. ShAaNiGrn[SOURCE. rnrnrnrnSCREENSHOTS: rn rn rn rn rn.
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